Walking through Elysium stresses the subtle and intricate ways writers across time and space wove Vergil’s underworld in Aeneid 6 into their works. These allusions operate on many levels, from the literary and political to the religious and spiritual. Aeneid 6 reshaped prior philosophical, religious, and poetic traditions of underworld descents, while offering a universalizing account of the spiritual that could accommodate prior as well as emerging religious and philosophical systems. Vergil’s underworld became an archetype, a model flexible enough to be employed across genres, and periods, and among differing cultural and religious contexts.

The essays in this volume speak to Vergil’s incorporation of and influence on literary representations of underworlds, souls, afterlives, prophecies, journeys, and spaces, from sacred and profane to wild and civilized, tracing the impact of Vergil’s underworld on authors such as Ovid, Seneca, Statius, Augustine, and Shelley, from Pagan and Christian traditions through Romantic and Spiritualist readings. Walking through Elysium asserts the deep and lasting influence of Vergil’s underworld from the moment of its publication to the present day.

Walking through Elysium stresses the subtle and intricate ways writers across time and space wove Vergil’s underworld in Aeneid 6 into their works. These allusions operate on many levels, from the literary and political to the religious and spiritual. Aeneid 6 reshaped prior philosophical, religious, and poetic traditions of underworld descents, while offering a universalizing account of the spiritual that could accommodate prior as well as emerging religious and philosophical systems. Vergil’s underworld became an archetype, a model flexible enough to be employed across genres, and periods, and among differing cultural and religious contexts.

The essays in this volume speak to Vergil’s incorporation of and influence on literary representations of underworlds, souls, afterlives, prophecies, journeys, and spaces, from sacred and profane to wild and civilized, tracing the impact of Vergil’s underworld on authors such as Ovid, Seneca, Statius, Augustine, and Shelley, from Pagan and Christian traditions through Romantic and Spiritualist readings. Walking through Elysium asserts the deep and lasting influence of Vergil’s underworld from the moment of its publication to the present day.

Born in 70 BCE, the Roman poet Vergil came of age during a period of literary experimentalism among Latin authors. These authors introduced new Greek verse forms and metres into the existing repertoire of Latin poetic genres and measures, foremost among them being elegy, a genre that the ancients thought originated in funeral lament, but which in classical Rome became first-person poetry about the poet-lover’s amatory vicissitudes. Despite the influence of notable elegists on Vergil’s early poetry, his critics have rarely paid attention to his engagement with the genre across his body of work.

This collection is devoted to an exploration of Vergil’s multifaceted relations with elegy. Contributors shed light on Vergil’s interactions with the genre and its practitioners across classical, medieval, and early modern periods. The book investigates Vergil’s hexameter poetry in relation to contemporary Latin elegy by Gallus, Tibullus, and Propertius, and the subsequent reception of Vergil’s radical combination of epic with elegy by later Latin and Italian authors. Filling a striking gap in the scholarship, Vergil and Elegy illuminates the famous poet’s wide-ranging engagement with the genre of elegy across his oeuvre.

Walking through Elysium stresses the subtle and intricate ways writers across time and space wove Vergil’s underworld in Aeneid 6 into their works. These allusions operate on many levels, from the literary and political to the religious and spiritual. Aeneid 6 reshaped prior philosophical, religious, and poetic traditions of underworld descents, while offering a universalizing account of the spiritual that could accommodate prior as well as emerging religious and philosophical systems. Vergil’s underworld became an archetype, a model flexible enough to be employed across genres, and periods, and among differing cultural and religious contexts.

The essays in this volume speak to Vergil’s incorporation of and influence on literary representations of underworlds, souls, afterlives, prophecies, journeys, and spaces, from sacred and profane to wild and civilized, tracing the impact of Vergil’s underworld on authors such as Ovid, Seneca, Statius, Augustine, and Shelley, from Pagan and Christian traditions through Romantic and Spiritualist readings. Walking through Elysium asserts the deep and lasting influence of Vergil’s underworld from the moment of its publication to the present day.

Walking through Elysium stresses the subtle and intricate ways writers across time and space wove Vergil’s underworld in Aeneid 6 into their works. These allusions operate on many levels, from the literary and political to the religious and spiritual. Aeneid 6 reshaped prior philosophical, religious, and poetic traditions of underworld descents, while offering a universalizing account of the spiritual that could accommodate prior as well as emerging religious and philosophical systems. Vergil’s underworld became an archetype, a model flexible enough to be employed across genres, and periods, and among differing cultural and religious contexts.

The essays in this volume speak to Vergil’s incorporation of and influence on literary representations of underworlds, souls, afterlives, prophecies, journeys, and spaces, from sacred and profane to wild and civilized, tracing the impact of Vergil’s underworld on authors such as Ovid, Seneca, Statius, Augustine, and Shelley, from Pagan and Christian traditions through Romantic and Spiritualist readings. Walking through Elysium asserts the deep and lasting influence of Vergil’s underworld from the moment of its publication to the present day.

Born in 70 BCE, the Roman poet Vergil came of age during a period of literary experimentalism among Latin authors. These authors introduced new Greek verse forms and metres into the existing repertoire of Latin poetic genres and measures, foremost among them being elegy, a genre that the ancients thought originated in funeral lament, but which in classical Rome became first-person poetry about the poet-lover’s amatory vicissitudes. Despite the influence of notable elegists on Vergil’s early poetry, his critics have rarely paid attention to his engagement with the genre across his body of work.

This collection is devoted to an exploration of Vergil’s multifaceted relations with elegy. Contributors shed light on Vergil’s interactions with the genre and its practitioners across classical, medieval, and early modern periods. The book investigates Vergil’s hexameter poetry in relation to contemporary Latin elegy by Gallus, Tibullus, and Propertius, and the subsequent reception of Vergil’s radical combination of epic with elegy by later Latin and Italian authors. Filling a striking gap in the scholarship, Vergil and Elegy illuminates the famous poet’s wide-ranging engagement with the genre of elegy across his oeuvre.