Michael Allan – författare

We have grown accustomed to understanding world literature as a collection of national or linguistic traditions bound together in the universality of storytelling. Michael Allan challenges this way of thinking and argues instead that the disciplinary framework of world literature, far from serving as the neutral meeting ground of national literary traditions, levels differences between scripture, poetry, and prose, and fashions textual forms into a particular pedagogical, aesthetic, and ethical practice. In the Shadow of World Literature examines the shift from Qur'anic schooling to secular education in colonial Egypt and shows how an emergent literary discipline transforms the act of reading itself. The various chapters draw from debates in literary theory and anthropology to consider sites of reception that complicate the secular/religious divide--from the discovery of the Rosetta stone and translations of the Qur'an to debates about Charles Darwin in the modern Arabic novel.Through subtle analysis of competing interpretative frames, Allan reveals the ethical capacities and sensibilities literary reading requires, the conceptions of textuality and critique it institutionalizes, and the forms of subjectivity it authorizes. A brilliant and original exploration of what it means to be literate in the modern world, this book is a unique meditation on the reading practices that define the contours of world literature.

We have grown accustomed to understanding world literature as a collection of national or linguistic traditions bound together in the universality of storytelling. Michael Allan challenges this way of thinking and argues instead that the disciplinary framework of world literature, far from serving as the neutral meeting ground of national literary traditions, levels differences between scripture, poetry, and prose, and fashions textual forms into a particular pedagogical, aesthetic, and ethical practice. In the Shadow of World Literature examines the shift from Qur'anic schooling to secular education in colonial Egypt and shows how an emergent literary discipline transforms the act of reading itself. The various chapters draw from debates in literary theory and anthropology to consider sites of reception that complicate the secular/religious divide--from the discovery of the Rosetta stone and translations of the Qur'an to debates about Charles Darwin in the modern Arabic novel.Through subtle analysis of competing interpretative frames, Allan reveals the ethical capacities and sensibilities literary reading requires, the conceptions of textuality and critique it institutionalizes, and the forms of subjectivity it authorizes. A brilliant and original exploration of what it means to be literate in the modern world, this book is a unique meditation on the reading practices that define the contours of world literature.

The Cambridge Companion to Modern Arabic Literature redefines how we engage with Arabic literary traditions in a global context. This comprehensive and accessible companion situates modern Arabic literature at the forefront of debates about time, language, geography, and media. Through incisive case studies and close readings, leading scholars explore the dynamic intersections of Arabic literature with postcolonial, feminist, and ecological thought, as well as its transnational and translational dimensions. From the Nahda to the Anthropocene, from fuṣḥā to ʿāmmiyya, and from the Maghrib to the Arab diaspora, the companion maps the evolving contours of Arabic literary production. Far from being peripheral, Arabic literature emerges as a vital force in reimagining the dynamics of comparative and world literary studies. This companion is an essential resource for scholars, students, and readers seeking to understand the transformative power of modern Arabic literature.

The Cambridge Companion to Modern Arabic Literature redefines how we engage with Arabic literary traditions in a global context. This comprehensive and accessible companion situates modern Arabic literature at the forefront of debates about time, language, geography, and media. Through incisive case studies and close readings, leading scholars explore the dynamic intersections of Arabic literature with postcolonial, feminist, and ecological thought, as well as its transnational and translational dimensions. From the Nahda to the Anthropocene, from fuṣḥā to ʿāmmiyya, and from the Maghrib to the Arab diaspora, the companion maps the evolving contours of Arabic literary production. Far from being peripheral, Arabic literature emerges as a vital force in reimagining the dynamics of comparative and world literary studies. This companion is an essential resource for scholars, students, and readers seeking to understand the transformative power of modern Arabic literature.

Cinema before the World investigates the transnational origins of filmmaking by focusing on a case study in world cinema – the 1896-1897 voyage of one of the Lumière Brothers camera operators, Alexandre Promio, across North Africa and the Middle East. The book shows how the sites in these early films are not simply backdrops, but integral to film form and its global history.Connecting a series of filmic principles (framing, tracking shots, close-ups) to the sites where they are made visible (a rooftop in Algiers, a train station and the Jaffa Gate in Jerusalem), Allan unsettles a familiar narrative of imperial vision. In the interplay of local history and global media, he highlights tensions between ethnography, observation, and visual capture, revealing how the Lumière Brothers films persist as living archives. The book evokes a formative moment when cinema stood before the world – both as a technological marvel and as a medium that shaped how space and time were perceived. Tracing a journey from Algeria to Egypt and Palestine, and moving across media from lithography to photography and panoramas, Allan shows how in the hands of later filmmakers, such as Egyptian director Youssef Chahine and the Syrian collective Abounaddara, the Lumière films continue to enrich and inform visions of what cinema – and the world – can be.Cinema before the World offers a critical historical intervention in the global story of the cinematograph and a visionary method for film scholarship grounded in transnational analysis across languages, regions, and media.

Cinema before the World investigates the transnational origins of filmmaking by focusing on a case study in world cinema – the 1896-1897 voyage of one of the Lumière Brothers camera operators, Alexandre Promio, across North Africa and the Middle East. The book shows how the sites in these early films are not simply backdrops, but integral to film form and its global history.Connecting a series of filmic principles (framing, tracking shots, close-ups) to the sites where they are made visible (a rooftop in Algiers, a train station and the Jaffa Gate in Jerusalem), Allan unsettles a familiar narrative of imperial vision. In the interplay of local history and global media, he highlights tensions between ethnography, observation, and visual capture, revealing how the Lumière Brothers films persist as living archives. The book evokes a formative moment when cinema stood before the world – both as a technological marvel and as a medium that shaped how space and time were perceived. Tracing a journey from Algeria to Egypt and Palestine, and moving across media from lithography to photography and panoramas, Allan shows how in the hands of later filmmakers, such as Egyptian director Youssef Chahine and the Syrian collective Abounaddara, the Lumière films continue to enrich and inform visions of what cinema – and the world – can be.Cinema before the World offers a critical historical intervention in the global story of the cinematograph and a visionary method for film scholarship grounded in transnational analysis across languages, regions, and media.