Michael Arnold – författare

At the turn of the twenty-first century, typical households were equipped with a landline telephone, a desktop computer connected to a dial-up modem, and a shared television set. Television, radio and newspapers were the dominant mass media. Today, homes are now network hubs for all manner of digital technologies, from mobile devices littering lounge rooms to Bluetooth toothbrushes in bathrooms--and tomorrow, these too will be replaced with objects once inconceivable. Tracing the origins of these digital developments, Jenny Kennedy, Michael Arnold, Martin Gibbs, Bjorn Nansen, and Rowan Wilken advance media domestication research through an ecology-based approach to the abundance and materiality of media in the home. The book locates digital domesticity through phases of adoption and dwelling, to management and housekeeping, to obsolescence and disposal. The authors synthesize household interviews, technology tours, remote data collection via mobile applications, and more to offer readers groundbreaking insight into domestic media consumption. Chapters use original case studies to empirically trace the adoption, use, and disposal of technology by individuals and families within their homes. The book unearths social and material accounts of media technologies, offering insight into family negotiations regarding technology usage in such a way that puts technology in the context of recent developments of digital infrastructure, devices, and software--all of which are now woven into the domestic fabric of the modern household.

At the turn of the twenty-first century, typical households were equipped with a landline telephone, a desktop computer connected to a dial-up modem, and a shared television set. Television, radio and newspapers were the dominant mass media. Today, homes are now network hubs for all manner of digital technologies, from mobile devices littering lounge rooms to Bluetooth toothbrushes in bathrooms--and tomorrow, these too will be replaced with objects once inconceivable. Tracing the origins of these digital developments, Jenny Kennedy, Michael Arnold, Martin Gibbs, Bjorn Nansen, and Rowan Wilken advance media domestication research through an ecology-based approach to the abundance and materiality of media in the home. The book locates digital domesticity through phases of adoption and dwelling, to management and housekeeping, to obsolescence and disposal. The authors synthesize household interviews, technology tours, remote data collection via mobile applications, and more to offer readers groundbreaking insight into domestic media consumption. Chapters use original case studies to empirically trace the adoption, use, and disposal of technology by individuals and families within their homes. The book unearths social and material accounts of media technologies, offering insight into family negotiations regarding technology usage in such a way that puts technology in the context of recent developments of digital infrastructure, devices, and software--all of which are now woven into the domestic fabric of the modern household.

Media across the Asia-Pacific region are at once social, locative and mobile. Social in that these media facilitate public and interpersonal interaction, locative in that this social communication is geographically placed, and mobile in so much as the media is ever-present. The Asia–Pacific region has been pivotal in the production, shaping and consumption of personal new media technologies and through social and mobile media we can see emerging certain types of personal politics that are inflected by the local. The six case studies that inform this book—Seoul, Tokyo, Shanghai, Manila, Singapore and Melbourne—offer a range of economic, socio-cultural, and linguistic differences, enabling the authors to provide new insights into specific issues pertaining to mobile media in each city. These include social, mobile and locative media as a form of crisis management in post 3/11 Tokyo; generational shifts in Shanghai; political discussion and the shifting social fabric in Singapore; and the erosion of public and private, and work and leisure paradigms in Melbourne. Through its striking case studies, this book sheds new light on how the region and its contested and multiple identities are evolving, and concludes by revealing the impact of mobile media on how place is shaped, as well as shaping, practices of mobility, intimacy and a sense of belonging.Employing comprehensive, cross-disciplinary frameworks from theoretical approaches such as media sociology, ethnography, cultural studies and media and communication studies, Online@AsiaPacific will be of huge interest to students and scholars of Asian culture and society, cybercultures, new media studies, communication studies and internet studies.

Media across the Asia-Pacific region are at once social, locative and mobile. Social in that these media facilitate public and interpersonal interaction, locative in that this social communication is geographically placed, and mobile in so much as the media is ever-present. The Asia–Pacific region has been pivotal in the production, shaping and consumption of personal new media technologies and through social and mobile media we can see emerging certain types of personal politics that are inflected by the local. The six case studies that inform this book—Seoul, Tokyo, Shanghai, Manila, Singapore and Melbourne—offer a range of economic, socio-cultural, and linguistic differences, enabling the authors to provide new insights into specific issues pertaining to mobile media in each city. These include social, mobile and locative media as a form of crisis management in post 3/11 Tokyo; generational shifts in Shanghai; political discussion and the shifting social fabric in Singapore; and the erosion of public and private, and work and leisure paradigms in Melbourne. Through its striking case studies, this book sheds new light on how the region and its contested and multiple identities are evolving, and concludes by revealing the impact of mobile media on how place is shaped, as well as shaping, practices of mobility, intimacy and a sense of belonging.Employing comprehensive, cross-disciplinary frameworks from theoretical approaches such as media sociology, ethnography, cultural studies and media and communication studies, Online@AsiaPacific will be of huge interest to students and scholars of Asian culture and society, cybercultures, new media studies, communication studies and internet studies.

Death and Digital Media provides a critical overview of how people mourn, commemorate and interact with the dead through digital media. It maps the historical and shifting landscape of digital death, considering a wide range of social, commercial and institutional responses to technological innovations. The authors examine multiple digital platforms and offer a series of case studies drawn from North America, Europe and Australia. The book delivers fresh insight and analysis from an interdisciplinary perspective, drawing on anthropology, sociology, science and technology studies, human-computer interaction, and media studies. It is key reading for students and scholars in these disciplines, as well as for professionals working in bereavement support capacities.

Death and Digital Media provides a critical overview of how people mourn, commemorate and interact with the dead through digital media. It maps the historical and shifting landscape of digital death, considering a wide range of social, commercial and institutional responses to technological innovations. The authors examine multiple digital platforms and offer a series of case studies drawn from North America, Europe and Australia. The book delivers fresh insight and analysis from an interdisciplinary perspective, drawing on anthropology, sociology, science and technology studies, human-computer interaction, and media studies. It is key reading for students and scholars in these disciplines, as well as for professionals working in bereavement support capacities.

'The lost world of the ancient Britons is vividly and memorably recreated' The TimesThe old ways are dying, and a mighty empire is reaching out across the sea.Britannia, 42AD. The wild island at the fringe of the known world is in chaos.Cunobelin, High King of the Britons, is dead. His heirs, warrior princes Togodubnos and Caratacos, have spurned the careful alliances that kept the irresistible might of the Roman Empire from Britannia's shores for so long.In this land of warriors, druids and kings, riven by conflict, orphan boy Cullen must fight for survival within a tribe he despises. Captured by the Catuvellauni after a brutal raid on his own Atrebates tribe, he must find his purpose swiftly if he is to avoid the murderous attentions of the chief druid.As the Britons turn inward, jostling for dominion, avaricious eyes look on from across the Narrow Sea. The mighty legions gatherThis is the epic story of Britain on the cusp of the Roman conquest, of a clash of civilisations and the last cries of resistance from a doomed way of life.Praise for The Savage Isle 'There are several dawns in the history of these British Isles, but the dark before each one was never so impenetrable as that which preceded the Roman invasion of AD 43. Michael Arnold has shone a fascinating light on this period, capturing perfectly the anxiety, the high stakes and the conflicting interests of the moment. A warrior coming-of-age story unlike any I've ever read, with prose that sings like a druidic bard. Authentic, poetic, powerful. An epic overture to this savage isle's history' Theodore Brun, author of A Burning Sea'The Savage Isle tells the story of Iron Age Britain on the cusp of the Roman invasion. The evocation of the land of Ancient Britannia and the customs and way of life of the Ancient Britons is vividly and imaginatively brought to life' Alex Gough, author of Caesar's SoldierMichael Arnold's rich imagining of the island of Britain on the eve of the Roman invasion is lyrical and powerfully evoked but delicately described and packed with authentic human emotion... Simply masterful... will have you turning the pages long into the night' Angus Donald, author of The Last Berserker

The Romans have landed in Britain. The invasion is over, but the war has just begun.The legions march inland, but progress is slow, hampered by vast, ancient forests, swamps and treacherous rivers that must be crossed. But, guided by traitorous Celts blinded by self-interest, progress they do.Marshalling the fractious tribes, Caratacos plans the first major battle for the only fording point of the mighty Vaga River.Meanwhile, Cullen, now a warrior of renown, is dispatched by Aoife the Dread to seek out a mystic religious totem - the Whetstone of the smith god, Gobannos - which could help unite the bickering clans; a secret weapon of sorts.But will he be able to find the stone and return it to Aoife before the two great armies clash?The compelling second novel in the Savage Isle series, from the author of the Stryker Civil War novels.

Third novel in a gripping new series set during the Roman invasion of Britain, told from the perspective of the Celtic tribes that resisted them.We follow Cullen, a Celtic lad who grows to be a Named Man - a warrior in his tribe - and Cassia, a healer, as they navigate the politics of Celtic courts tumbling towards war with Rome, and each other...A fresh new take on a beloved period of history, with a cast of characters that readers will fall in love with. Perfect for fans of Damion Hunter, Conn Iggulden and Simon Scarrow.

'The lost world of the ancient Britons is vividly and memorably recreated' The TimesThe old ways are dying, and a mighty empire is reaching out across the sea.Britannia, 42AD. The wild island at the fringe of the known world is in chaos.Cunobelin, High King of the Britons, is dead. His heirs, warrior princes Togodubnos and Caratacos, have spurned the careful alliances that kept the irresistible might of the Roman Empire from Britannia's shores for so long.In this land of warriors, druids and kings, riven by conflict, orphan boy Cullen must fight for survival within a tribe he despises. Captured by the Catuvellauni after a brutal raid on his own Atrebates tribe, he must find his purpose swiftly if he is to avoid the murderous attentions of the chief druid.As the Britons turn inward, jostling for dominion, avaricious eyes look on from across the Narrow Sea. The mighty legions gatherThis is the epic story of Britain on the cusp of the Roman conquest, of a clash of civilisations and the last cries of resistance from a doomed way of life.Praise for The Savage Isle 'There are several dawns in the history of these British Isles, but the dark before each one was never so impenetrable as that which preceded the Roman invasion of AD 43. Michael Arnold has shone a fascinating light on this period, capturing perfectly the anxiety, the high stakes and the conflicting interests of the moment. A warrior coming-of-age story unlike any I've ever read, with prose that sings like a druidic bard. Authentic, poetic, powerful. An epic overture to this savage isle's history' Theodore Brun, author of A Burning Sea'The Savage Isle tells the story of Iron Age Britain on the cusp of the Roman invasion. The evocation of the land of Ancient Britannia and the customs and way of life of the Ancient Britons is vividly and imaginatively brought to life' Alex Gough, author of Caesar's SoldierMichael Arnold's rich imagining of the island of Britain on the eve of the Roman invasion is lyrical and powerfully evoked but delicately described and packed with authentic human emotion... Simply masterful... will have you turning the pages long into the night' Angus Donald, author of The Last Berserker

The Romans have landed in Britain. The invasion is over, but the resistance has just begun.The legions march inland, but progress is slow, hampered by vast, ancient forests, swamps and treacherous rivers that must be crossed. But, guided by traitorous Celts blinded by self-interest, progress they do.Marshalling the fractious tribes, High King Tugodubnos plans the first major battle for the only fording point of the mighty Vaga River.Meanwhile, Cullen, now a warrior of renown, is dispatched by Aoife the Dread to seek out a mystic religious totem - the whetstone of the smith god, Gobannos - which could help unite the bickering clans.But will he be able to find the stone and return it to Aoife before the two great armies clash?The compelling second novel in the Savage Isle series, from the author of the Stryker Civil War novels.Praise for The Savage Isle'The lost world of the ancient Britons is vividly and memorably recreated' The Times 'There are several dawns in the history of these British Isles, but the dark before each one was never so impenetrable as that which preceded the Roman invasion of AD 43. Michael Arnold has shone a fascinating light on this period, capturing perfectly the anxiety, the high stakes and the conflicting interests of the moment. A warrior coming-of-age story unlike any I've ever read, with prose that sings like a druidic bard. Authentic, poetic, powerful. An epic overture to this savage isle's history' Theodore Brun, author of A Burning Sea'The Savage Isle tells the story of Iron Age Britain on the cusp of the Roman invasion. The evocation of the land of Ancient Britannia and the customs and way of life of the Ancient Britons is vividly and imaginatively brought to life' Alex Gough, author of Caesar's SoldierMichael Arnold's rich imagining of the island of Britain on the eve of the Roman invasion is lyrical and powerfully evoked but delicately described and packed with authentic human emotion... Simply masterful... will have you turning the pages long into the night' Angus Donald, author of The Last Berserker

The Sixth in The Civil War Chronicles featuring Major Stryker - 'the Sharpe of the Civil War'FIVE ARMIES FORTY-SIX THOUSAND MEN ONE CROWNTHE BIGGEST BATTLE OF THE AGE2 July 1644. Five armies converge outside York. It will be a battle for honour, glory, and the fate of three kingdoms. And it will pit two great leaders - Oliver Cromwell and Prince Rupert - directly against one another for the first time. It is a day that will change the course of history.Into the cannon fire and musket smoke marches Major Innocent Stryker, battle-scarred hero of the Royalist cause. He must not only lead his men through the bloody horror and outwit his Parliamentary enemies, but uncover foul treachery on his own side. He will need every shred of experience and determination to survive.Marston Moor will be the decisive turning point in the British Civil Wars.This is the thrilling and shocking story of that battle.

Die Histochemie hat ein fast unübersehbares Arsenal von Methoden zur Stoff­ ortung im histologischen Präparat bereitgestellt. Die histochemische Grundlagen­ forschung entwickelt in rascher Folge weitere spezielle Verfahren, die für die topo­ chemische Analyse licht- und elektronenmikroskopischer Objekte eingesetzt werden können. Die beeindruckenden Möglichkeiten histochemischer Gewebsuntersuchung haben zu breiter Anwendung auf den verschiedensten Gebieten, vor allem auch in der klinischen Medizin, geführt. Dies hat zur natürlichen Folge, daß häufig histochemisch zunächst unerfahrenes technisches Hilfspersonal mit der Präparatherstellung befaßt ist und daß auch die wissenschaftliche Interpretation der Ergebnisse oft auf unzu­ reichenden Erfahrungsgrundlagen erfolgt. So erklärt es sich, daß so viele histoche­ mische Befunde veröffentlicht werden, die der Kritik nicht standhalten. Aus vielfältigen Erfahrungen bei der Zusammenarbeit auf dem Gebiet der ange­ wandten Histochemie ergibt sich, daß insbesondere der Mediziner vielen z. T. elemen­ taren Schwierigkeiten gegenübersteht. Das exakte Nacharbeiten von Methoden anhand der ausgezeichneten Werke, die für diesen Zweck bereits zur Verfügung stehen, genügt offensichtlich nicht, die histochemische Praxis auf eine sichere Grund­ lage zu stellen. Von dem Gedanken ausgehend, daß Verständnis für den Mechanismus der einzelnen speziellen histochemischen Reaktionen zwar selbstverständlich notwendig, aber allein nicht ausreichend ist, daß vielmehr Einsicht in die allgemeinen Grund­ prinzipien histologisch-histochemischer Arbeitsweisen geweckt werden müsse, wurde das vorliegende Werk konzipiert. Der Akzent der Darstellung liegt auf der Behand­ lung der methodischen Grundmöglichkeiten. DerenSystematisierung führt zu einer Methodologie im eigentlichen Sinn, in deren Rahmen jede spezielle Methode die Wertigkeit einer Anwendung oder eines Beispiels hat.