Michael Barnard - Böcker

First published in 1989. This book is the first full-length career guide to the industry which explains how magazines are published and what sorts of jobs are available within magazine companies. Written by a director of a magazine publishing company, it details the personal and professional qualifications necessary to achieve success in magazine publishing, sets out the routes into the business and gives advice on necessary training. It has appendixes which will be invaluable to the job seeker, including a list of major magazine publishing companies and contact names and addresses. Inside Magazines is co-published with the Periodical Publishers Association.

First published in 1989. This book is the first full-length career guide to the industry which explains how magazines are published and what sorts of jobs are available within magazine companies. Written by a director of a magazine publishing company, it details the personal and professional qualifications necessary to achieve success in magazine publishing, sets out the routes into the business and gives advice on necessary training. It has appendixes which will be invaluable to the job seeker, including a list of major magazine publishing companies and contact names and addresses. Inside Magazines is co-published with the Periodical Publishers Association.

When news of Macmillan’s planned ‘first novels’ imprint leaked out in the Spring of last year, there was extensive coverage in the press, on radio and on web blogs. The Guardian called it ‘Ryanair publishing’. Robert McCrum, writing in the Observer, deplored it as a marketing-led initiative and said publisher Mike Barnard had shown an ‘astounding abdication of cultural responsibility’. Jonny Geller of agent Curtis Brown said, ‘I don’t think there is a hope in hell of this succeeding’.There were stories that authors would have to pay for their own editing, the books would only be printed on demand, and bookshops would not touch them.Even the Washington Post carried the story, telling its readers that Macmillan New Writing’s initiative was ‘the talk of Britain’s book world’.Now, a year on, the first Macmillan New Writing books are about to be launched. Bookshops will be stocking them, libraries are buying them and the imprint is making news again.But what was the real genesis of the imprint? How was the decision made to devote a list exclusively to first-time novelists? What were the terms and conditions offered to authors? How were they treated? How were the books chosen? How were they produced cost-effectively? Who are the authors? What are the books?Publisher Mike Barnard answers these questions and responds to the original press criticism in the new Macmillan paperback, Transparent Imprint, published to coincide with the launch of the first MNW titles in April.The book offers an intriguing insight into the intimate workings of a great publishing company and the commercial and editorial decision-making processes. It claims successes, admits failures. It’s frank, readable, and sometimes funny.