Michael Bird – författare

A compelling and lively history that examines the lives of British artists from the late-19th century to today. In This is Tomorrow Michael Bird takes a fresh look at the ‘long twentieth century’, from the closing years of Queen Victoria’s reign to the turn of the millennium, through the lens of the artists who lived and worked in this ever-changing Britain. Bird examines how the rhythms of change and adaptation in art became embedded in the collective consciousness of the nation and vividly evokes the personalities who populate and drive this story, looking beyond individual careers and historical moments to weave together interconnecting currents of change that flowed through London, Glasgow, Leeds, Cornwall, the Caribbean, New York, Moscow and Berlin. From the American James McNeill Whistler’s defence of his new kind of modern art against the British art establishment in the latter half of the 19th century to the Danish-Icelandic artist Olafur Eliasson’s melting icebergs in London, he traverses the lives of the artists that have recorded, questioned and defined our times. At the heart of this original book are the successive waves of displacement caused by global wars and persecution that conversely brought fresh ideas and new points of view to the British Isles; educational reforms opened new routes for young people from working-class backgrounds; movements of social change enabled the emergence of female artists and artists of colour; and the emergence of the mass media shaped modern modes of communication and culture. These are the ebbs and flows that Michael Bird teases out in this panoramic account of Britain and its artists in across the twentieth century.

Described as 'exhilarating' by Katy Hessel, a compelling and lively history that examines the lives of British artists from the late-19th century to today. In This is Tomorrow Michael Bird takes a fresh look at the ‘long twentieth century’, from the closing years of Queen Victoria’s reign to the turn of the millennium, through the lens of the artists who lived and worked in this ever-changing Britain. Bird examines how the rhythms of change and adaptation in art became embedded in the collective consciousness of the nation and vividly evokes the personalities who populate and drive this story, looking beyond individual careers and historical moments to weave together interconnecting currents of change that flowed through London, Glasgow, Leeds, Cornwall, the Caribbean, New York, Moscow and Berlin. From the American James McNeill Whistler’s defence of his new kind of modern art against the British art establishment in the latter half of the 19th century to the Danish-Icelandic artist Olafur Eliasson’s melting icebergs in London, he traverses the lives of the artists that have recorded, questioned and defined our times. At the heart of this original book are the successive waves of displacement caused by global wars and persecution that conversely brought fresh ideas and new points of view to the British Isles; educational reforms opened new routes for young people from working-class backgrounds; movements of social change enabled the emergence of female artists and artists of colour; and the emergence of the mass media shaped modern modes of communication and culture. These are the ebbs and flows that Michael Bird teases out in this panoramic account of Britain and its artists in across the twentieth century.

A Times Book of the Year 'An absolute gem ... Beech’s exquisite artwork is characterful and warm' Observer An exploration of the art and life of Vincent Van Gogh through the touching letters he exchanged with his brother Theo. Vincent is fed up with life in the grey city, but things are about to change! With the support of his loving brother Theo, Vincent sets off on a journey to the ‘Sunny South’. There he will discover new and inspiring places and make new friends. But will he be able to paint the picture of his dreams? A heart-warming snapshot of a happy and creative period in Van Gogh’s life, this story focuses on the bond between two brothers, and how Theo’s support and encouragement helped Vincent to reach his full artistic potential. Written by Michael Bird and illustrated by painter Ella Beech, this book will immerse young readers in Vincent’s world and reveal his unique perspective as an artist.

A treasure trove of carefully selected letters written by great artists, providing unique insight into their characters and a glimpse into their lives. Artists’ Letters is a collection of intriguing, entertaining, moving, significant, surprising, witty and insightful correspondence from great artists. Arranged thematically, it includes writings and musings on love, work, daily life, money, travel and the creative process. On the theme of friendship, for example, letters provide evidence of a creative community between peers, with support and mutual appreciation that helps to dispel the myth of the artist as solitary genius. Letters between Vincent van Gogh and Paul Gauguin show an ongoing conversation and exchange of ideas. We see mutual admiration between Claude Monet and Berthe Morisot, and Picasso’s quick notes to Jean Cocteau illustrate their closeness. Letters, some of which includes sketches and drawings, are reproduced with the transcript and some background and contextual information alongside.  Artists include: Salvador Dali, Goya, Lucian Freud, Vanessa Bell, Michelangelo, Mondrian, Gustav Klimt, Jasper Johns, Edward Burne-Jones, William Blake, Marcel Duchamp, Dorothea Tanning, Paul Gauguin, Vincent van Gogh, Picasso, Mark Rothko, David Hockney, Monet, Marina Abramovic, Cindy Sherman, Joseph Cornell, Leonora Carrington, Wang Zhideng, Yayoi Kusama, Yoko Ono, Renoir, Rubens, Eva Hesse, Cy Twombly, Roy Lichtenstein, Mary Cassatt, Jackson Pollock, Leonardo da Vinci, Joseph Beuys, Judy Chicago, Frida Kahlo, Alfred Stieglitz, Georgia O'Keeffe, Auguste Rodin, Camille Claudel, Henry Moore, Joshua Reynolds, Rembrandt, Whistler, Anni Albers, Naum Gabo, Kazimir Malevich, Francis Bacon, Ana Mendieta, Lee Krasner, Andy Warhol

The second century of the Common Era was a time of significant transition, innovation, and upheaval for the Greco-Roman world. In the midst of great societal changes the relatively new religious movement of Christianity began to find its footing as a coherent body—though undeniably marked by incredible diversity of thought, expression, and practice—as it moved beyond its Judaic roots and took on a more Hellenistic tenor, albeit unevenly. This formative era for the church has unfortunately received little attention from a comprehensive scholarly perspective; research is sporadic, fragmented, and often focused on the major texts of the early apologists, hardly representative of the full swath of the various forms of Christianity around the Mediterranean.Second-Century Christianity aims to fill that gap and provide a wide-ranging guide to the key features of the early church in the context of the Roman Empire at its height. Leading international scholars bring to light material evidence, neglected sources, apologists and theologians, heretical groups, apocryphal writings, persecution and martyrdom traditions, formation of the biblical canon, and ecclesiastical growth. Taken together, these essays present a rich and dynamic portrait of Christianity in this pivotal time period, one that takes seriously the variegated contours of the developing faith. Second-Century Christianity will prove an authoritative resource for researchers as well as teachers of Christian history and historical theology.

The Sacred Text presents an introduction to historical, interpretive, and theological issues relating to the Christian Scriptures. It presents an overview of the formation of the canon, discusses different strategies for interpretation, and describes how Scripture functions in different theological traditions.

An enthralling journey through 40,000 years of art, from prehistoric cave paintings right up to the present day. Discover artists and their art around the world, in exciting and imaginative tales about artists and the way they created their work.Written by educator and art historian Michael Bird, and illustrated by Kate Evans, the book also features reproductions of the famous artworks discussed, a comprehensive timeline of events, and extra feature spreads on places connected with art.This is a beautiful and engaging introduction to art for any home or school library.

From the earliest cave paintings through to the internet and street art, this inspiring book chronicles the 100 most influential ideas that have shaped the world of art. Arranged in broadly chronological order, it provides a unique and compelling take on the history of art.The book shows how developments in materials and technology have radically changed the way that art is produced. Each entry explores when an idea first evolved and how it has resurfaced in the work of different artists up to the present day. Illustrated with historical masterpieces and packed with fascinating contemporary examples, this is an inspirational and wholly original guide to understanding the forces that have shaped world art.

Sandra Blow (1925-2006) is among the most important British artists of the later 20th century. During a time of rapid change in the art world, her commitment to abstract painting resulted in a large and diverse body of work of distinctive power and subtlety.Michael Bird's fascinating survey of Sandra Blow's life and art, which draws on many conversations with the artist in her lifetime, provides a definitive overview of her career. Its republication in Blow's centenary year comes at a time of unparalleled interest in women's artists' lives and work, and a new sense of excitement around abstract art.In this highly readable monograph, Michael Bird looks in depth at Blow's evolving studio practice and the personal nature of her abstract vision. He sets her achievement firmly within the wider context of British and international art of the post-war period and late twentieth century, casting new light on the role played in her life by Alberto Burri and Roger Hilton, two influences she acknowledged to be crucial to her art. The book is illustrated throughout with a fully representative selection of Blow's work.Through close attention to Blow's working methods, this book provides a unique insight into her creative process. It reveals the intensity of emotional engagement and technical experimentation that lie behind the apparent spontaneity of her vivid handling of materials, colour and form.

Studio Voices explores the multi-layered experiences of modern and contemporary British artists in their own words, drawing on the author's original research in the Artists' Lives audio archive at the British Library. Michael Bird's fascinating oral history of the lives and working practices of artists over the last century, extracted from the huge and growing archive of artists' interviews recorded since 1990, allows us to eavesdrop on artists' life-story conversations, which range through creative practice and professional achievements, childhood memories, family life, relationships, and unexpected, incidental epiphanies of self-awareness.The Artists' Lives project was established in 1990 as part of National Life Stories, the UK's national oral history archive, which is based at the British Library.

First published by Lund Humphries in 2008, The St Ives Artists: A Biography of Place and Time has become the classic account of the St Ives group of artists. Our beautifully produced new edition, published in 2016, is now available in an accessible paperback format.The flourishing of international modernism in Cornwall was a unique episode in the story of modern art in Britain – perhaps anywhere in the world. No other small seaside town has been host to such a roll-call of major artists. Weaving in-depth research into a narrative of ‘startling anecdotal richness’, Michael Bird explores the many – often unexpected – connections between St Ives artists and broader currents in 20th-century British history. He sets the careers of international artists such as Barbara Hepworth, Ben Nicholson, Patrick Heron and Peter Lanyon in the context of a local environment that held powerful meanings for their work.Bird examines the influence of the two world wars, the birth of the Welfare State and the Cold War, the space race of the 1960s – all of which found echoes in artists’ work – as well as the position of women artists in St Ives, the role of social class, and relations between artists and the community. The artists themselves emerge as vivid personalities. Do Alfred Wallis, Naum Gabo, Bernard Leach and Roger Hilton really have anything in common? The answers Michael Bird uncovers add up to a fascinating and highly readable account of the St Ives phenomenon.

Examining for the first time the life and work of the sculptor Matt Rugg (1935–2020), Michael Bird’s impeccably researched text vividly charts Rugg’s parallel careers as artist and teacher in the context of developments in creative pedagogy in Britain during the second half of the twentieth century, and their implications for practice and teaching today.Highlighting the impressive range of Rugg’s output, from his distinctive 'painted drawings' to large-scale metal constructions, and the unifying strands in his thought, this book skilfully draws together Rugg’s work, ideas and inspirational role as an educator. Lavishly illustrated, it charts successive phases of Rugg's continuous experimentation with found industrial materials and form, and the subtle interrelationship in his work between two and three dimensions. Dr Harriet Sutcliffe's research into the Basic Course led by Victor Pasmore and Richard Hamilton at King's College, Newcastle, in the 1950s and 1960s provides fascinating insights into both Rugg's oeuvre and wider developments in British art practice and pedagogy.

Tales of tyrannical landlords, obsessive descents into madness and haunting comings of age.Embark on a chilling journey through nightmarish tales that will captivate the ghoulish modern reader. Encounter landlords with sinister requests, ethereal housemates, and a glass-encased jungle built by an eccentric father. These gothic stories blur the lines between dreams and reality, weaving a tapestry of macabre encounters and festering secrets.

Die Beiträge in diesem Konferenzband repräsentieren den neuesten Stand der Forschung zu den kontroversen Debatten um das Verhältnis des Paulus zum Judentum. Zu den Schlüsselfragen, die hier diskutiert werden, gehören unterschiedliche Perspektiven auf die jüdische Identität, jüdische Halacha, die Beziehung zwischen jüdischen und nicht-jüdischen Jesusanhängern sowie die Auseinandersetzungen um judenchristliche Identität in der Antike.

This is the first book to set the work of British sculptor Lynn Chadwick (1914-2003) in its international context. Chadwick, a leading figure in modern British art and celebrated for his innovative steel and bronze sculptures of abstracted, expressive figures and animals, always felt that his work was better understood abroad than in his native country. In this richly illustrated monograph, distinguished British scholar and writer Michael Bird, and eminent American art historian and curator Marin R. Sullivan chart the different phases of Chadwick's long career. They vividly locate his art within the wider narrative of European and American post-war sculpture. They examine in particular the reception and promotion of Chadwick's sculpture in the United States, and how a collection of some 140 of his works at the Berman Museum in rural Pennsylvania came to be.