Michael D. McNally – författare

The Ojibwe or Anishinaabe are a native American people of the northern Great Lakes region. 19th-century missionaries promoted the singing of evangelical hymns translated into the Ojibwe language as a tool for rooting out their "indianness," but the Ojibwe have ritualized the singing to make the hymns their own. In this book, McNally relates the history and current practice of Ojibwe hymn singing to explore the broader cultural processes that place ritual resources at the center of so many native struggles to negotiate the confines of colonialism.

The Ojibwe or Anishinaabe are a native American people of the northern Great Lakes region. 19th-century missionaries promoted the singing of evangelical hymns translated into the Ojibwe language as a tool for rooting out their "indianness," but the Ojibwe have ritualized the singing to make the hymns their own. In this book, McNally relates the history and current practice of Ojibwe hymn singing to explore the broader cultural processes that place ritual resources at the center of so many native struggles to negotiate the confines of colonialism.

Like many Native Americans, Ojibwe people esteem the wisdom, authority, and religious significance of old age, but this respect does not come easily or naturally. It is the fruit of hard work, rooted in narrative traditions, moral vision, and ritualized practices of decorum that are comparable in sophistication to those of Confucianism. Even as the dispossession and policies of assimilation have threatened Ojibwe peoplehood and have targeted the traditions and the elders who embody it, Ojibwe and other Anishinaabe communities have been resolute and resourceful in their disciplined respect for elders. Indeed, the challenges of colonization have served to accentuate eldership in new ways. Using archival and ethnographic research, Michael D. McNally follows the making of Ojibwe eldership, showing that deference to older women and men is part of a fuller moral, aesthetic, and cosmological vision connected to the ongoing circle of life--a tradition of authority that has been crucial to surviving colonization.McNally argues that the tradition of authority and the authority of tradition frame a decidedly indigenous dialectic, eluding analytic frameworks of invented tradition and naive continuity. Demonstrating the rich possibilities of treating age as a category of analysis, McNally provocatively asserts that the elder belongs alongside the priest, prophet, sage, and other key figures in the study of religion.

Like many Native Americans, Ojibwe people esteem the wisdom, authority, and religious significance of old age, but this respect does not come easily or naturally. It is the fruit of hard work, rooted in narrative traditions, moral vision, and ritualized practices of decorum that are comparable in sophistication to those of Confucianism. Even as the dispossession and policies of assimilation have threatened Ojibwe peoplehood and have targeted the traditions and the elders who embody it, Ojibwe and other Anishinaabe communities have been resolute and resourceful in their disciplined respect for elders. Indeed, the challenges of colonization have served to accentuate eldership in new ways.Using archival and ethnographic research, Michael D. McNally follows the making of Ojibwe eldership, showing that deference to older women and men is part of a fuller moral, aesthetic, and cosmological vision connected to the ongoing circle of life& mdash;a tradition of authority that has been crucial to surviving colonization. McNally argues that the tradition of authority and the authority of tradition frame a decidedly indigenous dialectic, eluding analytic frameworks of invented tradition and naïve continuity. Demonstrating the rich possibilities of treating age as a category of analysis, McNally provocatively asserts that the elder belongs alongside the priest, prophet, sage, and other key figures in the study of religion.

The remarkable story of the innovative legal strategies Native Americans have used to protect their religious rightsFrom North Dakota's Standing Rock encampments to Arizona's San Francisco Peaks, Native Americans have repeatedly asserted legal rights to religious freedom to protect their sacred places, practices, objects, knowledge, and ancestral remains. But these claims have met with little success in court because Native American communal traditions don't fit easily into modern Western definitions of religion. In Defend the Sacred, Michael McNally explores how, in response to this situation, Native peoples have creatively turned to other legal means to safeguard what matters to them.To articulate their claims, Native peoples have resourcefully used the languages of cultural resources under environmental and historic preservation law; of sovereignty under treaty-based federal Indian law; and, increasingly, of Indigenous rights under international human rights law. Along the way, Native nations still draw on the rhetorical power of religious freedom to gain legislative and regulatory successes beyond the First Amendment.The story of Native American advocates and their struggle to protect their liberties, Defend the Sacred casts new light on discussions of religious freedom, cultural resource management, and the vitality of Indigenous religions today.

The remarkable story of the innovative legal strategies Native Americans have used to protect their religious rightsFrom North Dakota's Standing Rock encampments to Arizona's San Francisco Peaks, Native Americans have repeatedly asserted legal rights to religious freedom to protect their sacred places, practices, objects, knowledge, and ancestral remains. But these claims have met with little success in court because Native American communal traditions don't fit easily into modern Western definitions of religion. In Defend the Sacred, Michael McNally explores how, in response to this situation, Native peoples have creatively turned to other legal means to safeguard what matters to them.To articulate their claims, Native peoples have resourcefully used the languages of cultural resources under environmental and historic preservation law; of sovereignty under treaty-based federal Indian law; and, increasingly, of Indigenous rights under international human rights law. Along the way, Native nations still draw on the rhetorical power of religious freedom to gain legislative and regulatory successes beyond the First Amendment.The story of Native American advocates and their struggle to protect their liberties, Defend the Sacred casts new light on discussions of religious freedom, cultural resource management, and the vitality of Indigenous religions today.

A half-century ago, three writers—all intimately familiar with the Native American culture of their time and locale—collaborated to produce a 450-page typescript of a study entitled Religious Customs of Modern Michigan Algonquians, together with sound recordings and photographs. Their 1959 work offered a detailed view of the life of Ojibwe and Odawa music, dance, myth, and ceremony at mid-century. Now framed by a substantive editor's introduction, and published for the first time in book form, this material offers a unique glimpse into a significant and largely overlooked era in the history of North American ethnology and ethnomusicology.The Art of Tradition documents the complexity of Native life and culture at a critical juncture in Native American history, where the rekindling of pride in Native cultures characteristic of the later twentieth century met the generation of elders who spent their early years speaking Native tongues but who came of age in boarding schools and amid strong pressures of assimilation. Because this period was deemed by most ethnographers of the time to be one of "acculturation," marking the end of traditional Native cultures, the authors' appreciation for the integrity of mid-century Native culture stands out markedly from other scholarship of the day. The songs, dance steps, and stories collected here are evidence of the artful work of maintaining and breathing new life into traditions, often in contexts that seem anything but traditional, by indigenous elders and artists. As the editor notes, there are no "Native informants" in this study, only collaborators whose lives are shown to be as resilient as the repertories they performed. The Art of Tradition is itself a demonstration of the improvisation and resourcefulness that ensured the continuity of Native communities. In documenting the rich ethnographic material with refreshingly little analytical overlay, it serves today as a valuable primary resource on Native religions and cultures.