Michael D. Moore – författare

It has been said that Michigan’s nineteenth century white pine stands were the finest the world has ever seen. Dense, parklike stands, more than 150 feet tall, covered vast areas northward from the Bay City– Muskegon line. The sheer quantity of timber lured many adventurous entrepreneurs and enterprising farmers to Michigan. Lumber became a mainstay of Michigan’s economy as logging interests and railroad entrepreneurs became adept at harvesting, transporting, and processing pine logs. Many considered the pine to be practically limitless.In October of 1871, the first indication of a troubled future occurred when Michigan settlers experienced fires unlike any they had ever seen. Following two months of serious drought, and fed by hundreds of small fires set by land-clearing operations, much of northern Lower Michigan erupted in flames; dry winds fanned the many small fires into one unbelievable conflagration that swept entirely across the Lower Peninsula, from Lake Michigan to Lake Huron. Many towns were reduced to ashes, among them Holland, Glen Haven, Huron City, Sand Beach, White Rock, and Forestville. Navigation was interrupted on Lake Huron and as far downriver as Detroit because of the heavy smoke. More than 200 people lost their lives. Michigan’s State Forests recounts how an abandoned, cutover, and often burned wilderness has been converted once again into highly productive and protected public lands. For more than 100 years, these lands have been preserved, managed and developed to form one of Michigan’s great assets, not only for economic development but also as enhancements to our quality of life.

First published in 1984, Sir Philip Sidney and the Interpretation of Renaissance Culture is a collection of essays which reflect the diversity of contemporary approaches to the controversial figure of Sir Philip Sidney, and range from the ‘historicist’ to the ‘revisionist’. Interest in the work of Sir Philip Sidney, in the cultural significance of his ‘Circle’ in the late Elizabethan age and the following years, has always been a subject of interest. Ever since Sidney’s friend Fulke Greville saw his early death as a watershed in English history, the place of this aristocratic poet in literary, cultural and even popular tradition has been momentous. Elevated to mythological status by his contemporaries who survived, he has not lost his power to attract and charm readers of all kids. This book will be of interest to students of literature and history.

First published in 1984, Sir Philip Sidney and the Interpretation of Renaissance Culture is a collection of essays which reflect the diversity of contemporary approaches to the controversial figure of Sir Philip Sidney, and range from the ‘historicist’ to the ‘revisionist’. Interest in the work of Sir Philip Sidney, in the cultural significance of his ‘Circle’ in the late Elizabethan age and the following years, has always been a subject of interest. Ever since Sidney’s friend Fulke Greville saw his early death as a watershed in English history, the place of this aristocratic poet in literary, cultural and even popular tradition has been momentous. Elevated to mythological status by his contemporaries who survived, he has not lost his power to attract and charm readers of all kids. This book will be of interest to students of literature and history.