Michael Davies – författare

It was a simple errand. Collect a package. Save the world. ‘Part James Bond, part Philip Marlowe, and all hero’—Jeffrey Deaver But when Bill Kemp’s contact washes up dead on the frozen banks of the Danube, where the Iron Curtain falls across the map of Europe, he’s thrown into the heart of a dangerous conspiracy that threatens to destabilise the continent.With winter closing in and enemies on all sides, Kemp must risk a daring expedition across the Austrian Alps to Switzerland.His introduction to the dark world of espionage will prove as deadly as those bleak, beautiful mountains. Readers love this series: 'Transports you to the location like a great movie' ⭐⭐⭐⭐⭐'A gripping fast past thriller with plenty of plot twists and turns' ⭐⭐⭐⭐⭐'Taut writing, with plenty of twists and turns. I look forward to much more from Michael Davies' ⭐⭐⭐⭐⭐'What a delight to read old style story telling' ⭐⭐⭐⭐⭐'A damn good thriller that kept me turning the pages right to the end' ⭐⭐⭐⭐⭐

A powerful debut novel set in Australia, continuing the legacy of ‘Master of the Genre’ Desmond Bagley. The Sequel to Desmond Bagley’s DOMINO ISLAND Insurance investigator Bill Kemp had never wanted to trek deep into Australia’s remote interior. But when his clients Sophie and Adam Church inherit an abandoned opal mine, triggering some explosive long-lost secrets, they – and Kemp – find themselves facing an unknown enemy even more deadly than the vast, forbidding wilderness of the Outback…The Desmond Bagley centenary novel honours the legacy of the bestselling thriller writer with a new adventure featuring Bill Kemp, described by Jeffrey Deaver as ‘part James Bond, part Philip Marlowe, and all hero’. Writer Michael Davies, who completed the first Kemp novel Domino Island for publication nearly 40 years after the author’s death, now weaves an original tale of danger and death under the blistering Australian sun.

The Oxford Handbook of John Bunyan is the most extensive volume of original essays ever published on the seventeenth-century nonconformist preacher and writer, John Bunyan. Its thirty-eight chapters examine Bunyan's life and works, their religious and historical contexts, and the critical reception of his writings, in particular his allegorical narrative, The Pilgrim's Progress. Interdisciplinary and comprehensive, it provides unparalleled scope and expertise, ranging from literary theory to religious history and from theology to post-colonial criticism. The Handbook is structured in four sections. The first, 'Contexts', deals with the historical Bunyan in relation to various aspects of his life, background, and work as a nonconformist: from basic facts of biography to the nature of his church at Bedford, his theology, and the religious and political cultures of seventeenth-century Dissent. Part 2 considers Bunyan's literary output: from his earliest printed tracts to his posthumously published works. Offering discrete chapters on Bunyan's major works - Grace Abounding to the Chief of Sinners (1666), The Pilgrim's Progress, Parts I and II (1678; 1684); The Life and Death of Mr. Badman (1680), and The Holy War (1682) - this section nevertheless covers Bunyan's oeuvre in its entirety: controversial and pastoral, narrative and poetic. Section 3, 'Directions in Criticism', engages with Bunyan in literary critical terms, focusing on his employment of form and language and on theoretical approaches to his writings: from psychoanalytic to post-secular criticism. Section 4, 'Journeys', tackles some of the ways in which Bunyan's works, and especially The Pilgrim's Progress, have travelled throughout the world since the late seventeenth century, assessing Bunyan's place within key literary periods and their distinctive developments: from the eighteenth-century novel to the writing of 'empire'.

Church Life: Pastors, Congregations, and the Experience of Dissent in Seventeenth-Century England addresses the rich, complex, and varied nature of 'church life' experienced by England's Baptists, Congregationalists, and Presbyterians during the seventeenth century. Spanning the period from the English Revolution to the Glorious Revolution, and beyond, the contributors examine the social, political, and religious character of England's 'gathered' churches and reformed parishes: how pastors and their congregations interacted; how Dissenters related to their meetings as religious communities; and what the experience of church life was like for ordinary members as well as their ministers, including notably John Owen and Richard Baxter alongside less well-known figures, such as Ebenezer Chandler.Moving beyond the religious experience of the solitary individual, often exemplified by conversion, Church Life redefines the experience of Dissent, concentrating instead on the collective concerns of a communally-centred church life through a wide spectrum of issues: from questions of liberty and pastoral reform to matters of church discipline and respectability. With a substantial introduction that puts into context the key concepts of 'church life' and the 'Dissenting experience', the contributors offer fresh ways of understanding Protestant Dissent in seventeenth-century England: through differences in ecclesiology and pastoral theory, and via the buildings in which Dissent was nurtured to the building-up of Dissent during periods of civil war, persecution, and revolution. They draw on a broad range of printed and archival materials: from the minutes of the Westminster Assembly to the manuscript church books of early Dissenting congregations.

Graceful Reading offers a new way of understanding Bunyan's theology and his narrative art, examining and reassessing the complex and interdependent relationship between them. Michael Davies begins by proposing that Bunyan's theology is far from obsessed with the forbidding Calvinist doctrine of predestination and its corollary tendency towards painful introspection. Bunyan's is, rather, a comfortable doctrine, in which the believer is encouraged to accept salvation through the far more assuring terms of Bunyan's covenant theology - those of faith and grace. The book then reassesses how Bunyan's narrative style is informed by this theology. Works such as Grace Abounding and The Pilgrim's Progress reveal a profound sensitivity to narrative forms and reading practices, as they aim to inculcate in their readers a self-consciousness about reading itself which is instrumental in the very process of spiritual instruction, in seeing 'things unseen'. This is a study, therefore, which asserts a radically different way of reading of Bunyan's writings, both through the terms of seventeenth-century covenant theology, and through some distinctly 'postmodernist' ideas about narrative practice.

The Oxford Handbook of John Bunyan is the most extensive volume of original essays ever published on the seventeenth-century Nonconformist preacher and writer, John Bunyan. Its thirty-eight chapters examine Bunyan's life and works, their religious and historical contexts, and the critical reception of his writings, in particular his allegorical narrative, The Pilgrim's Progress. Interdisciplinary and comprehensive, it provides unparalleled scope and expertise, ranging from literary theory to religious history and from theology to post-colonial criticism. The Handbook is structured in four sections. The first, 'Contexts', deals with the historical Bunyan in relation to various aspects of his life, background, and work as a Nonconformist: from basic facts of biography to the nature of his church at Bedford, his theology, and the religious and political cultures of seventeenth-century Dissent. Part 2 considers Bunyan's literary output: from his earliest printed tracts to his posthumously published works. Offering discrete chapters on Bunyan's major works--Grace Abounding to the Chief of Sinners (1666), The Pilgrim's Progress, Parts I and II (1678; 1684); The Life and Death of Mr. Badman (1680), and The Holy War (1682)--this section nevertheless covers Bunyan's oeuvre in its entirety: controversial and pastoral, narrative and poetic. Section 3, 'Directions in Criticism', engages with Bunyan in literary critical terms, focusing on his employment of form and language and on theoretical approaches to his writings: from psychoanalytic to post-secular criticism. Section 4, 'Journeys', tackles some of the ways in which Bunyan's works, and especially The Pilgrim's Progress, have travelled throughout the world since the late seventeenth century, assessing Bunyan's place within key literary periods and their distinctive developments: from the eighteenth-century novel to the writing of 'empire.'