Michael Donaghy – författare

Neurology: An Oxford Core Text introduces neurology to the medical student in a concise, innovative and memorable way. Praised by lecturers and students alike for breaking down the barriers which conventionally surround this difficult subject, this book is highly recommended reading for medical undergraduates. It covers the most important neurological problems in clinical practice, highlights the crucial neuroanatomical and neurophysiological background, introduces the pathogenesis of neurological disease, discusses treatment and management, and also covers ethical and rehabilitation issues.Neurology: An Oxford Core Text* introduces the major neurological diseases* deals with weakness, visual symptoms, headaches, blackouts and stroke* covers the general principles of history-taking* gives practical advice on how to perform simple neurological examination* has detailed instructions on examination in particular clinical circumstances* includes 24 case histories* is fully illustrated with clinical photos and line diagramsIt is an essential purchase for all medical students and those looking for a high quality introduction to the subject.

The twelfth edition of this classic neurology textbook builds on the success of the previous editions, including further contributions from highly experienced and well established authorities in their fields. As in previous editions the book is arranged by disorder to provide detailed coverage of the full range of major neurological conditions. There are various new and revised sections, including an updated section on genetics and on developmental neurology, and the introductory chapters have been reorganised and substantially re-written. Extensively referenced and in one complete and comprehensive volume, this new edition continues to be the definitive guide to clinical neurology.

The death of Michael Donaghy in 2004 at the age of fifty robbed poetry of one of its best-loved and most naturally gifted practitioners. A modern metaphysical, Donaghy wrote poetry of great wisdom, grace, charm, erudition and consummate technical accomplishment. This book gathers together all of Donaghy's mature poetry, and includes the full texts of his four published volumes, as well as a number of fine uncollected pieces. As the poet-critic Sean O'Brien has remarked, Donaghy will come to be seen as one of the representative poets of the age.

When Michael Donaghy died in 2004 at the age of fifty, he was one of the UK’s best-known and best-loved poets; he was also a literary critic of the first rank. Donaghy’s prose is notable for the same delightfully lucid style and lightly worn erudition so admired in his verse. His was also the most intellectually promiscuous of minds, and he was happy to allude to Irish music, neuroscience and Renaissance art in the same breath – and rarely resisted a good joke, if it served his argumentative purpose. This companion volume to the Collected Poems gathers together the best of his writing on poetry and the arts, as well as a number of fascinating and revealing interviews. It also reprints his classic primer in ars poetica, ‘Wallflowers’.

The tragic death of Michael Donaghy last year at the age of 50 left English-language poetry incalculably the poorer. Donaghy was one of our very finest poets, and his metaphysically dense yet emotionally direct verse had won him admirers all over the world. No one demonstrated more eloquently how poetry could engage the whole being: he believed that a poem should both communicate directly and work at the highest intellectual level. At the time of his death, Donaghy was at work on a new collection, and Safest gathers together all the poems he had decided were worthy of inclusion in that book.It will be no surprise that Donaghy's early death and almost impossibly exacting standards have produced a lean volume; but judged in depth and quality, it's one many times its apparent size. Safest contains work as rich and insightful as anything Donaghy had previously published, although, in its several meditations on being, death and finality it often reads, inescapably, like the work of a man who knew he was writing his last collection. These are poems of great sophistication; fearful, combative and witty -- and in the end, deeply affirmative in their unillusioned wisdom. As the poet/critic Sean O'Brien remarked, Donaghy will come to be seen as one of the representative poets of the age, and Safest will do nothing but affirm that judgment.

Conjure is Michael Donaghy’s third collection, and his most accomplished to date, displaying the same trademark elegance, sleight of hand and philosophical wit that have established his reputation as a ‘poet’s poet’.But while these poems time their feints and punches as well as ever, often the poet’s guard is deliberately kept down: Conjure’s elegies and disappearing acts, love songs and tortuous journeys represent the most challenging, vulnerable and moving work Donaghy has yet written.‘Among the finest American poets of his generation’ Robert McPhillips‘The artistry of Donaghy’s work seems to me exemplary’ Sean O’Brien‘The fine-tuned precision of a twelve-speed bike’ Alfred Corn