Michael Doran - Böcker

This book aims to profoundly alter the accepted version of the history of post-World War II Pan-Arabic foreign policy. To this end, Doran convincingly demonstrates the absence of any true pan-Arabic front from the very beginning of the Arab League. Reconsidering Cairo's policy decisions during the critical years from 1944 to 1948, he proves that Egyptian national interests were always placed before the united Arab front against Israel. Even while participating in the 1948 war with Israel, Egypt regarded Zionism and the Palestine Question as less important than achieving independence from Britain and thwarting the expansionist aims of Iraq and Jordan. Ultimately, this study is a bold rethinking of twentieth-century Middle Eastern politics and history, with key implications for both the study of the ongoing Arab-Israeli conflict and the volatile politics of the Middle East in general.

This book aims to alter profoundly the accepted version of the history of post-World War II Egyptian foreign policy. To this end, Doran convincingly demonstrates the absence of any true pan-Arab front from the very beginning of the Arab League. Reconsidering Cairo's policy decisions during the critical years from 1944 to 1948, he proves that Egyptian national interests were always placed before the united Arab front against Israel. Even while participating in the 1948 war with Israel, Egypt regarded Zionism and the Palestine Question as less important than achieving independence from Britain and thwarting the expansionist aims of Iraq and Jordan. Ultimately, this study is a bold rethinking of twentieth-century Middle Eastern politics and history, with key implications for both the study of the ongoing Arab-Israeli conflict and the volatile politics of the Middle East in general.

Michael Doran has gathered texts by contemporaries of Paul Cezanne (1839-1906)--including artists, critics, and writers--that illuminate the influential painter's philosophy of art especially in his late years. The book includes historically important essays by a dozen different authors, including Emile Bernard, Joaquim Gasquet, Maurice Denis, and Ambroise Vollard, along with selections from Cezanne's own letters. In addition to the material included in the original French edition of the book, which has also been published in German, Italian, Spanish, and Japanese, this edition contains an introduction written especially for it by noted Cezanne scholar Richard Shiff. The book closes with Lawrence Gowing's magisterial essay, "The Logic of Organized Sensations," first published in 1977 and long out of print. Cezanne's work, and the thinking that lay behind it, have been of inestimable importance to the artists who followed him. This gathering of writings will be of enormous interest to artists, writers, art historians--indeed to all students of modern art.