Michael Downes – författare

A PRESTO BOOK OF THE YEAR 2024'Gripping.' FINANCIAL TIMES'Breathtaking.' SIMON CALLOW'Vivid.' BBC MUSIC MAGAZINEA colourful and concise telling of the fascinating story behind Richard Wagner's extraordinary masterpiece, Ring of the Nibelung.The Ring is one of the most epic and compelling stories of the nineteenth century, created by a composer who was, alongside Dickens, Tolstoy and Victor-Hugo, also one of the century's master storytellers. But the story of how Wagner created the work is one full of intrigue and triumphs against unlikely odds - as well as controversy, due to the composer's anti-semitic views and popularity with the Nazi party.In Story of the Century, Michael Downes combines cultural history and biography to offer this accessible and insightful introduction to The Ring and its mythology. He tells the story of how and why this extraordinary masterpiece came into being, why it takes the form it does, why it fascinates and obsesses so many and horrifies others, and why it matters.

A PRESTO BOOK OF THE YEAR 2024'Gripping.' FINANCIAL TIMES'Breathtaking.' SIMON CALLOW'Vivid.' BBC MUSIC MAGAZINEA colourful and concise telling of the fascinating story behind Richard Wagner's extraordinary masterpiece, Ring of the Nibelung.The Ring is one of the most epic and compelling stories of the nineteenth century, created by a composer who was, alongside Dickens, Tolstoy and Victor-Hugo, also one of the century's master storytellers. But the story of how Wagner created the work is one full of intrigue and triumphs against unlikely odds - as well as controversy, due to the composer's anti-semitic views and popularity with the Nazi party.In Story of the Century, Michael Downes combines cultural history and biography to offer this accessible and insightful introduction to The Ring and its mythology. He tells the story of how and why this extraordinary masterpiece came into being, why it takes the form it does, why it fascinates and obsesses so many and horrifies others, and why it matters.

Jonathan Harvey (1939-2012) was one of Britain's leading composers: his music is frequently performed throughout Europe, the United States (where he lived and worked) and Japan. He is particularly renowned for his electro-acoustic music, an aspect on which most previous writing on his work has focused. The present volume is the first detailed study of music from Harvey's considerable body of work for conventional forces. It focuses on two pieces that span one of the most fertile periods in Harvey's output: Song Offerings (1985; awarded the prestigious Britten Award), and White as Jasmine (1999). The book explores the links between the two works - both set texts by Hindu writers, employ a solo soprano, and adumbrate a spiritual journey - as well as showing how Harvey's musical language has evolved in the period between them. It examines Harvey's techniques of writing for the voice, for small ensemble (Song Offerings), and for large orchestra, subtly and characteristically enhanced with electronic sound (White as Jasmine). It shows how Harvey's music is informed by his profound understanding of Eastern religion, as well as offering a clear and accessible account of his distinctive musical language. Both works use musical processes to dramatic and clearly audible effect, as the book demonstrates with close reference to the accompanying downloadable resources. The book draws on interviews with the composer, and benefits from the author's exclusive access to sketches of the two works. It contextualises the works, showing how they are the product of a diverse series of musical influences and an engagement with ideas from both Eastern and Western religions. It also explores how Harvey continued to develop the musical and spiritual preoccupations revealed in these pieces in his later work, up to and including his third opera, Wagner Dream (2007).

Jonathan Harvey (1939-2012) was one of Britain''s leading composers: his music is frequently performed throughout Europe, the United States (where he lived and worked) and Japan. He is particularly renowned for his electro-acoustic music, an aspect on which most previous writing on his work has focused. The present volume is the first detailed study of music from Harvey''s considerable body of work for conventional forces. It focuses on two pieces that span one of the most fertile periods in Harvey''s output: Song Offerings (1985; awarded the prestigious Britten Award), and White as Jasmine (1999). The book explores the links between the two works - both set texts by Hindu writers, employ a solo soprano, and adumbrate a spiritual journey - as well as showing how Harvey''s musical language has evolved in the period between them. It examines Harvey''s techniques of writing for the voice, for small ensemble (Song Offerings), and for large orchestra, subtly and characteristically enhanced with electronic sound (White as Jasmine). It shows how Harvey''s music is informed by his profound understanding of Eastern religion, as well as offering a clear and accessible account of his distinctive musical language. Both works use musical processes to dramatic and clearly audible effect, as the book demonstrates with close reference to the accompanying downloadable resources. The book draws on interviews with the composer, and benefits from the author''s exclusive access to sketches of the two works. It contextualises the works, showing how they are the product of a diverse series of musical influences and an engagement with ideas from both Eastern and Western religions. It also explores how Harvey continued to develop the musical and spiritual preoccupations revealed in these pieces in his later work, up to and including his third opera, Wagner Dream (2007).

Jonathan Harvey (1939-2012) was one of Britain''s leading composers: his music is frequently performed throughout Europe, the United States (where he lived and worked) and Japan. He is particularly renowned for his electro-acoustic music, an aspect on which most previous writing on his work has focused. The present volume is the first detailed study of music from Harvey''s considerable body of work for conventional forces. It focuses on two pieces that span one of the most fertile periods in Harvey''s output: Song Offerings (1985; awarded the prestigious Britten Award), and White as Jasmine (1999). The book explores the links between the two works - both set texts by Hindu writers, employ a solo soprano, and adumbrate a spiritual journey - as well as showing how Harvey''s musical language has evolved in the period between them. It examines Harvey''s techniques of writing for the voice, for small ensemble (Song Offerings), and for large orchestra, subtly and characteristically enhanced with electronic sound (White as Jasmine). It shows how Harvey''s music is informed by his profound understanding of Eastern religion, as well as offering a clear and accessible account of his distinctive musical language. Both works use musical processes to dramatic and clearly audible effect, as the book demonstrates with close reference to the accompanying downloadable resources. The book draws on interviews with the composer, and benefits from the author''s exclusive access to sketches of the two works. It contextualises the works, showing how they are the product of a diverse series of musical influences and an engagement with ideas from both Eastern and Western religions. It also explores how Harvey continued to develop the musical and spiritual preoccupations revealed in these pieces in his later work, up to and including his third opera, Wagner Dream (2007).