Michael Doyle – författare

Comprising essays by Michael W. Doyle, Liberal Peace examines the special significance of liberalism for international relations. The volume begins by outlining the two legacies of liberalism in international relations - how and why liberal states have maintained peace among themselves while at the same time being prone to making war against non-liberal states. Exploring policy implications, the author focuses on the strategic value of the inter-liberal democratic community and how it can be protected, preserved, and enlarged, and whether liberals can go beyond a separate peace to a more integrated global democracy. Finally, the volume considers when force should and should not be used to promote national security and human security across borders, and argues against President George W. Bush’s policy of "transformative" interventions. The concluding essay engages with scholarly critics of the liberal democratic peace.This book will be of great interest to students of international relations, foreign policy, political philosophy, and security studies.

Comprising essays by Michael W. Doyle, Liberal Peace examines the special significance of liberalism for international relations. The volume begins by outlining the two legacies of liberalism in international relations - how and why liberal states have maintained peace among themselves while at the same time being prone to making war against non-liberal states. Exploring policy implications, the author focuses on the strategic value of the inter-liberal democratic community and how it can be protected, preserved, and enlarged, and whether liberals can go beyond a separate peace to a more integrated global democracy. Finally, the volume considers when force should and should not be used to promote national security and human security across borders, and argues against President George W. Bush’s policy of "transformative" interventions. The concluding essay engages with scholarly critics of the liberal democratic peace.This book will be of great interest to students of international relations, foreign policy, political philosophy, and security studies.

As a contribution to multicausal analysis of social change, this is a major work. And, as a general introduction to European imperialism, its theoretical sophistication, broad sweep, and the clear presentation and organization of historical detail leave it with few peers.― American Journal of SociologyAlthough empires have shaped the political development of virtually all the states of the modern world, "imperialism" has not figured largely in the mainstream of scholarly literature. This book seeks to account for the imperial phenomenon and to establish its importance as a subject in the study of the theory of world politics. Michael Doyle believes that empires can best be defined as relationships of effective political control imposed by some political societies-those called metropoles-on other political societies-called peripheries. To build an explanation of the birth, life, and death of empires, he starts with an overview and critique of the leading theories of imperialism. Supplementing theoretical analysis with historical description, he considers episodes from the life cycles of empires from the classical and modern world, concentrating on the nineteenth-century scramble for Africa. He describes in detail the slow entanglement of the peripheral societies on the Nile and the Niger with metropolitan power, the survival of independent Ethiopia, Bismarck's manipulation of imperial diplomacy for European ends, the race for imperial possession in the 1880s, and the rapid setting of the imperial sun. Combining a sensitivity to historical detail with a judicious search for general patterns, Empires will engage the attention of social scientists in many disciplines.

As a contribution to multicausal analysis of social change, this is a major work. And, as a general introduction to European imperialism, its theoretical sophistication, broad sweep, and the clear presentation and organization of historical detail leave it with few peers.― American Journal of SociologyAlthough empires have shaped the political development of virtually all the states of the modern world, "imperialism" has not figured largely in the mainstream of scholarly literature. This book seeks to account for the imperial phenomenon and to establish its importance as a subject in the study of the theory of world politics. Michael Doyle believes that empires can best be defined as relationships of effective political control imposed by some political societies-those called metropoles-on other political societies-called peripheries. To build an explanation of the birth, life, and death of empires, he starts with an overview and critique of the leading theories of imperialism. Supplementing theoretical analysis with historical description, he considers episodes from the life cycles of empires from the classical and modern world, concentrating on the nineteenth-century scramble for Africa. He describes in detail the slow entanglement of the peripheral societies on the Nile and the Niger with metropolitan power, the survival of independent Ethiopia, Bismarck's manipulation of imperial diplomacy for European ends, the race for imperial possession in the 1880s, and the rapid setting of the imperial sun. Combining a sensitivity to historical detail with a judicious search for general patterns, Empires will engage the attention of social scientists in many disciplines.

Long a hub for literary bohemians, countercultural musicians, and readers interested in a good browse, Kepler’s Books and Magazines is one of the most influential independent bookstores in American history. When owner Roy Kepler opened the San Francisco Bay Area store in 1955, he led the way as a pioneer in the ""paperback revolution."" He popularized the once radical idea of selling affordable books in an intellectually bracing coffeehouse atmosphere.Paperback selling was not the only revolution Kepler supported, however. In Radical Chapters, Doyle sheds light on Kepler’s remarkable contributions to pacifism and social change. He highlights Kepler’s achievements in advocating radical pacifism during World War II, antinuclear activism during the Cold War era, and antiwar activism during the Vietnam War. During those decades, Kepler played an integral role, creating a community and a space to exchange ideas for such notable figures as Jerry Garcia, Joan Baez, and Stewart Brand. Doyle’s fascinating chronicle captures the man who inspired that community and offers a moving tribute to his legacy.In a new foreword for this revised edition, Doyle updates Kepler’s story and assesses how the bookstore and the community it serves have remained socially engaged and commercially viable amid the tumult of the twenty-first century.

Unbridled passions threatened nineteenth-century America, a vulnerable young nation already feeling beset by foreigners, corruption, and disease. Purifying crusaders like Hamilton College philosophy professor and Presbyterian minister John W. Mears mobilized to fight every sin and carnal lure, from liquor to free love. In Upstate New York’s famed Oneida Community, Mears encountered his stiffest challenge. Oneida’s founder and patriarch, John Humphrey Noyes, oversaw a radical Christian commune where men and women sexually mingled through the practice of ""complex marriage."" While others struggled to dislodge the community that had evolved since 1848 into a successful business venture and congenial neighbor, it was Mears who, after years of trying, rallied New York’s church and university leaders for a final, concerted anti-Oneida campaign.In The Ministers’ War, Doyle traces the full story of Mears and the crusade against the Oneida Community. He explores the ways in which Mears’s multipurpose zeal reflected the passions behind the nineteenth-century temperance movement, the fight against obscenity, and the public animus toward unconventional thought. As an author, political candidate, and controversialist, Mears was a prominent moralizer at a time when public morality seemed to be most at risk.

Animated by a singularly subversive spirit, the fiendishly intelligent works of Stuart Gordon (1947–2020) are distinguished by their arrant boldness and scab-picking wit. Provocative gems such as Re-Animator, From Beyond, Dolls, The Pit and the Pendulum, and Dagon consolidated his fearsome reputation as one of the masters of the contemporary horror film, bringing an unfamiliar archness, political complexity, and critical respect to a genre so often bereft of these virtues. A versatile filmmaker, one who resolutely refused to mellow with age, Gordon proved equally adept at crafting pointed science fiction (Robot Jox, Fortress, Space Truckers), sweet-tempered fantasy (The Wonderful Ice Cream Suit), and nihilistic thrillers (King of the Ants, Edmond, Stuck), customarily scrubbing the sharply drawn lines between exploitation and arthouse cinema.The first collection of interviews ever to be published on the director, Stuart Gordon: Interviews contains thirty-six articles spanning a period of fifty years. Bountiful in anecdote and information, these candid conversations chronicle the trajectory of a fascinating career—one that courted controversy from its very beginning. Among the topics Gordon discusses are his youth and early influences, his founding of Chicago’s legendary Organic Theatre (where he collaborated with such luminaries as Ray Bradbury, Kurt Vonnegut, and David Mamet), and his transition into filmmaking where he created a body of work that injected fresh blood into several ailing staples of American cinema. He also reveals details of his working methods, his steadfast relationships with frequent collaborators, his great love for the works of Lovecraft and Poe, and how horror stories can masquerade as sociopolitical commentaries.

Animated by a singularly subversive spirit, the fiendishly intelligent works of Stuart Gordon (1947–2020) are distinguished by their arrant boldness and scab-picking wit. Provocative gems such as Re-Animator, From Beyond, Dolls, The Pit and the Pendulum, and Dagon consolidated his fearsome reputation as one of the masters of the contemporary horror film, bringing an unfamiliar archness, political complexity, and critical respect to a genre so often bereft of these virtues. A versatile filmmaker, one who resolutely refused to mellow with age, Gordon proved equally adept at crafting pointed science fiction (Robot Jox, Fortress, Space Truckers), sweet-tempered fantasy (The Wonderful Ice Cream Suit), and nihilistic thrillers (King of the Ants, Edmond, Stuck), customarily scrubbing the sharply drawn lines between exploitation and arthouse cinema.The first collection of interviews ever to be published on the director, Stuart Gordon: Interviews contains thirty-six articles spanning a period of fifty years. Bountiful in anecdote and information, these candid conversations chronicle the trajectory of a fascinating career—one that courted controversy from its very beginning. Among the topics Gordon discusses are his youth and early influences, his founding of Chicago’s legendary Organic Theatre (where he collaborated with such luminaries as Ray Bradbury, Kurt Vonnegut, and David Mamet), and his transition into filmmaking where he created a body of work that injected fresh blood into several ailing staples of American cinema. He also reveals details of his working methods, his steadfast relationships with frequent collaborators, his great love for the works of Lovecraft and Poe, and how horror stories can masquerade as sociopolitical commentaries.

Artie Shaw took his clarinet to war, abandoning civilian celebrity to lead World War II’s most colorful navy band on an island-hopping odyssey that raised military morale but brought him into dark waters. Nightmare in the Pacific: The World War II Saga of Artie Shaw and His Navy Band recounts the offbeat wartime adventures of the bandleader and the musicians he recruited for the hard-swinging outfit popularly dubbed Shaw’s Rangers. This team of all-stars, seasoned pros, and promising up-and-comers were unmatched musically though never exactly squared away. The group’s eleven-month overseas deployment started with an extended stay as a house band at a Pearl Harbor club for enlisted men. The cushy gig turned serious when Shaw’s Rangers shipped out on a battleship for the far reaches of New Caledonia, the New Hebrides, and, most fatefully, Guadalcanal. It was there that the musicians would come under fire and Shaw’s own indomitable will would crack. But then, in an unexpected and poignant coda, the band that Artie Shaw conjured into existence would reach its musical peak once he was out of the picture. Tapping a trove of navy personnel files, medical records, court documents and archival materials, as well as contemporary accounts, Nightmare in the Pacific combines musical and military history into one unique saga.

These eighteen sport climbing crags are, with the one exception of Tyddyn Hywel, between Junctions 16 and 31 on the A55 and a short hop from the expressway. They are only 1 1/2 hours from Manchester and 3/4 of an hour by car from Llanberis and Gogarth. Easy route finding, technical climbing, and bolted routes makes for a fun day out. It's a great way to bag a few routes on the way back from Anglesey or Snowdonia or enjoy a full day of varied and fun climbing with short walk-ins. Featuring: - 437 routes from F2 to F8c (including a handful of trad). - Accessible single pitch sport venues with varied aspects. - Short walks from the car and accessible by rail and bike. - 71 full colour photo topos. New in the 3rd edition: - 157 new routes. - 6 new crags. - 8 new sectors.