Michael Duncan - Böcker

Everything a woman needs to rejuvenate her body, soul, and spirit in just 90 days!You want a healthier lifestyle but aren't sure how and just can't get motivated. You'd also like a better reltaionship with God, but frankly, devotional time seems like one more chore on your to-do list.Welcome to Total Heart Health for Women.Now it's easy to keep your physical and spiritual hearts in sync?simply take the 90-Day Total Heart Health Challenge?a revolutionary, easy-to-follow program that teaches you to:Understand how hormones, metabolism, and more affect your heartKeep God at the center of your relationshipsRecognize a woman's symptoms of a heart problemCustomize a fitness plan that works for youResearch suggests that optimal well-being requires physical and spiritual heart health, and this practical resource helps you find wholeness in every area. Whether you're twenty, forty, sixty, or older, God created you to enjoy outstanding physical health and spiritual strength. So why wait? Begin your transformation toady?inside and out! Three months after embracing this Total Heart Health Challenge, we believe you can look into the mirror and see a new woman!

Soccer remains the world’s most popular sport with significant numbers of the world’s population engaged in grassroots soccer, particularly during childhood and adolescence. There is considerable scientific and practical data focused on soccer science available, most of which relates to elite performers and does not address the needs to grassroots coaches in understanding the science of soccer and translating this into practical messages and learning to help coaches maximise the experiences, enjoyment and development of the more than 250 million players who play grassroots soccer worldwide.Science and Practice of Youth Soccer presents a comprehensive and accessible introduction to key topics relating to effective player and team development in youth grassroots soccer. Written by international experts and practitioners in the field and with a particular emphasis on the development of children and youth, the book provides essential guidance of how science translates into practice for coaches and those working in youth grassroots soccer. Each chapter outlines the scientific research base for each topic, highlights myths and misconceptions that are commonplace in current practice of grassroots coaches and then provides practical solutions that coaches can take and use in their coaching practice.This book is key reading to those working in or studying sport and exercise science, sports coaching and sports development and also of interest to grassroots coaches and parents of soccer players.

Soccer remains the world’s most popular sport with significant numbers of the world’s population engaged in grassroots soccer, particularly during childhood and adolescence. There is considerable scientific and practical data focused on soccer science available, most of which relates to elite performers and does not address the needs to grassroots coaches in understanding the science of soccer and translating this into practical messages and learning to help coaches maximise the experiences, enjoyment and development of the more than 250 million players who play grassroots soccer worldwide.Science and Practice of Youth Soccer presents a comprehensive and accessible introduction to key topics relating to effective player and team development in youth grassroots soccer. Written by international experts and practitioners in the field and with a particular emphasis on the development of children and youth, the book provides essential guidance of how science translates into practice for coaches and those working in youth grassroots soccer. Each chapter outlines the scientific research base for each topic, highlights myths and misconceptions that are commonplace in current practice of grassroots coaches and then provides practical solutions that coaches can take and use in their coaching practice.This book is key reading to those working in or studying sport and exercise science, sports coaching and sports development and also of interest to grassroots coaches and parents of soccer players.

An interdisciplinary guide to the 20th-century Southern California–based artists who investigated phenomena from the realms of optical science, astronomy, aerospace engineering and mathPublished with Palm Springs Art Museum.The synergy between art and science is an age-old tale; artists throughout time, from Leonardo da Vinci to Beeple, have incorporated newly discovered scientific theories and techniques into their practices. The PST ART project Particles and Waves: Southern California Abstraction and Science explores a particularly fecund yet underexplored period in the history of art and science’s cross-fertilization. The development of postwar industry and research in Southern California inspired a host of artistic innovations; for decades, abstract artists from the region experimented with color, form and mediums, variously employing ideas or procedures gleaned from the latest developments in physics, astronomy and mathematics.Particles and Waves unites several generations of artists working in diverse materials and styles to visualize light, energy, motion and time. Boasting a gorgeous cover, the volume features a wide array of artists and topics, from Man Ray’s paintings of mathematical models to Lee Mullican’s computer-inspired abstractions, and from to the West Coast Minimalists and Light and Space artists’ (including Mary Corse, Fred Eversley and James Turrell) rigorous studies of light to Bettina Brendel and Helen Lundeberg’s investigations of scale through their paintings of subatomic and astronomical subjects.

Four decades of impassioned art-activism from the beloved radical Catholic nun, educator and graphic artist—her definitive monograph available once morePublished with Tang Museum at Skidmore College.For Corita Kent, printmaking was a populist medium to communicate with the world around her. This activist spirit came most alive in the 1960s, when her posters and murals addressed subjects such as racism and poverty, US military brutalities in Vietnam and conflicts between radical and conservative positions in the Catholic Church. Her posters, murals and signature serigraphs combined messages of love and faith with images from popular culture and inventive use of type and color.Originally published in 2013 and long out of print, the most comprehensive monograph on Kent's work finally returns in a brilliant showcase of prints and ephemera from all phases of her life, revealing her importance as an activist printmaker and a stylistic innovator in graphic design. It includes not just the 1960s serigraphs for which she is best known, but also early abstractions and text pieces as well as lyrical works made in the 1970s and 1980s. Full of the lively, colorful work that is so iconically hers, this volume presents four decades of a life dedicated to serving others through and with the language of art. Someday is Now is punctuated by scholarship, selected writings by Kent herself, interviews with former students and collaborators, and responses to her work from a wide variety of artists, curators and designers.Artist, activist, teacher and devout Catholic Corita Kent (1918–86) eloquently combined her passions for faith and politics during her rich and varied career. As a teacher at Los Angeles' Immaculate Heart College, she fostered a creative and collaborative arts community and developed an interest in printmaking. By 1968, her art was enormously popular. She remained active in social causes until her death in 1986.

The San Francisco artist Jess (1923–2004) has for decades been known to cognoscenti as an inventive and sophisticated master of the collage aesthetic. Recently however, his works are receiving fresh attention from a younger generation attuned to Jess’ interests in myth, narrative and appropriation. Jess used images taken from sources ranging from Dick Tracy to Dürer, from a Beatles bubblegum card to medical textbook drawings, from 1887 Scientific American line engravings to frames from George Herriman’s Krazy Kat. In reexamining myth through a synthesis of art and literature, Jess’ work remains a crucial assemblage of the meanings of our time. This volume brings to light collages, collage books, word poems and altered comics that have been largely inaccessible or unavailable since their making. Originally published in small editions and hard-to-find journals, or made as one-off artist’s books, these works demonstrate the full range of Jess’s extraordinary verbal and visual play. Several of Jess’s surreal comic-strip manipulations, Tricky Cad (1954–1959), are reproduced for the first time in their entirety, as are others such as Ben Big Bolt and Nance that have never before been published. The book also includes a group of complex wraparound book covers, several unpublished collage poems, and two artist’s books never before reproduced in full: From Force of Habit, a “fantastic tale” which plays with the pages of a Swedish cult sci-fi novel, and When a Young Lad Dreams of Manhood, a homoerotic paean (and naughty parody) of the priapic urge. A facsimile reproduction of the 20-page collage masterpiece O! is included as a separate booklet, and the book sports a dustjacket that folds out into a poster-size collage.

The pioneering account of West Coast assemblage art, featuring Bruce Conner, Jess, Jay DeFeo, Robert Duncan, Cameron and a cast of postwar countercultural iconsThis reprint of the now classic and much sought-after 2005 volume celebrates the circle of the quintessential visual artist of the Beat era, Wallace Berman (1926–76), who remains one of the best-kept secrets of the postwar era. A crucial figure in California's underground culture, Berman was a catalyst who traversed many different worlds, transferring ideas and dreams from one circle to the next. His larger community is the subject of Semina Culture, which includes previously unseen works by 52 artists. Anchoring this publication is Semina, a loose-leaf art and poetry journal that Berman published in nine issues between 1955 and 1964. Although printed in extremely short runs and distributed to only a handful of friends and sympathizers, Semina is a brilliant and beautifully made compendium of the most interesting artists and poets of its time, and is today a very rare collector's item. Showcasing the individuals that defined a still-potent strand of postwar counterculture, Semina Culture outlines the energies and values of this fascinating circle. Also reproduced here are works by those who appear in Berman's own photographs, approximately 100 of which were recently developed from vintage negatives, and which are seen here for the first time. These artists, actors, poets, curators, musicians and filmmakers include Robert Alexander, John Altoon, Toni Basil, Wallace Berman, Ray Bremser, Bonnie Bremser, Charles Britten, Joan Brown, Cameron, Bruce Conner, Jean Conner, Jay DeFeo, Diane DiPrima, Kirby Doyle, Bobby Driscoll, Robert Duncan, Joe Dunn, Llyn Foulkes, Ralph Gibson, Allen Ginsberg, George Herms, Jack Hirschman, Walter Hopps, Dennis Hopper, Billy Jahrmarkt, Jess, Lawrence Jordan, Patricia Jordan, Bob Kaufman, Philip Lamantia, William Margolis, Michael McClure, David Meltzer, Taylor Mead, Henry Miller, Stuart Perkoff, Jack Smith, Dean Stockwell, Ben Talbert, Russ Tamblyn, Aya (Tarlow), Alexander Trocchi, Edmund Teske, Zack Walsh, Lew Welch and John Wieners.

Abstract painting meets theosophical spirituality in 1930s New Mexico: the first book on a radical, astonishingly prescient episode in American modernismPublished with Crocker Art Museum.Founded in Santa Fe and Taos, New Mexico, in 1938, at a time when social realism reigned in American art, the Transcendental Painting Group (TPG) sought to promote abstract art that pursued enlightenment and spiritual illumination. The nine original members of the Transcendental Painting Group were Emil Bisttram, Robert Gribbroek, Lawren Harris, Raymond Jonson, William Lumpkins, Florence Miller Pierce, Agnes Pelton, Horace Towner Pierce and Stuart Walker. They were later joined by Ed Garman. Despite the quality of their works, these Southwest artists have been neglected in most surveys of American art, their paintings rarely exhibited outside of New Mexico. Faced with the double disadvantage of being an openly spiritual movement from the wrong side of the Mississippi, the TPG has remained a secret mostly known only to cognoscenti.Another World: The Transcendental Painting Group aims to address this slight, claiming the group’s artists as crucial contributors to an alternative through-line in 20th-century abstraction, one with renewed relevance today. This volume provides a broad perspective on the group’s work, positioning it within the history of modern painting and 20th-century American art. Essays examine the TPG in light of their international artistic peers; their involvement with esoteric thought and Theosophy; the group’s sources in the culture and landscape of the American Southwest; and the experience of its two female members.

Los Angeles' art of the past is a treasure trove, awaiting full excavation. Hiding in plain sight have been offbeat and lyrical works by an ethnically diverse group of artists who exhibited with a 1960s gallery with an alternative take on the mainstream: Ceeje Gallery, opened as the dream project of Cecil Hedrick and Jerry Jerome. Scratch the surface of Los Angeles art in the 1960s and what you’ll discover is much more than Ed Ruscha and Robert Irwin. A range of lesser-known artists reflected the social and cultural changes of that volatile decade. Some of the most out of the ordinary showed at Ceeje, a gallery that focused on painters who shared an expressionist style of mythic figuration and oblique narrative. Known for its inclusiveness, Ceeje included artists from a variety of backgrounds and perspectives, all united in making challenging art oblivious of the commercial market.

San Francisco: The Golden Age details the extra ordinary development of the Bay Area art scene between 1930 and 1960. During that time, a great museum director, an enlightened patron and a brilliant art school came together to create an environment that nurtured a host of innovative artists.The 1940s and 1950s saw the emergence of a startling number of distinctive artists in the Bay Area including Clyfford Still, Claire Falkenstein, Jay DeFeo, Richard Diebenkorn and Ruth Asawa. Working far from the art world power bases in Europe and New York, these artists developed styles of art-making that are only now being fully recognised but helped put San Francisco on the map as an artist destination.