Michael Ferber - Böcker

What is Romanticism? In this Very Short Introduction Michael Ferber answers this by considering who the romantics were and looks at what they had in common -- their ideas, beliefs, commitments, and tastes. He looks at the birth and growth of Romanticism throughout Europe and the Americas, and examines various types of Romantic literature, music, painting, religion, and philosophy. Focusing on topics, Ferber looks at the 'Sensibility' movement, which preceded Romanticism; the rising prestige of the poet; Romanticism as a religious trend; Romantic philosophy and science; Romantic responses to the French Revolution; and the condition of women. Using examples and quotations he presents a clear insight into this very diverse movement, and offers a definition as well as a discussion of the word 'Romantic' and where it came from.ABOUT THE SERIES: The Very Short Introductions series from Oxford University Press contains hundreds of titles in almost every subject area. These pocket-sized books are the perfect way to get ahead in a new subject quickly. Our expert authors combine facts, analysis, perspective, new ideas, and enthusiasm to make interesting and challenging topics highly readable.

The best way to learn about Romantic poetry is to plunge in and read a few Romantic poems. This book guides the new reader through this experience, focusing on canonical authors - Wordsworth, Coleridge, Byron, Keats, Blake and Shelley - whilst also including less familiar figures as well. Each chapter explains the history and development of a genre or sets out an important context for the poetry, with a wealth of practical examples. Michael Ferber emphasizes connections between poets as they responded to each other and to great literary, social and historical changes around them. A unique appendix resolves most difficulties new readers of works from this period might face: unfamiliar words, unusual word order, the subjunctive mood and meter. This enjoyable and stimulating book is an ideal introduction to some of the most powerful and pleasing poems in the English language, written in one of the greatest periods in English poetry.

The best way to learn about Romantic poetry is to plunge in and read a few Romantic poems. This book guides the new reader through this experience, focusing on canonical authors - Wordsworth, Coleridge, Byron, Keats, Blake and Shelley - whilst also including less familiar figures as well. Each chapter explains the history and development of a genre or sets out an important context for the poetry, with a wealth of practical examples. Michael Ferber emphasizes connections between poets as they responded to each other and to great literary, social and historical changes around them. A unique appendix resolves most difficulties new readers of works from this period might face: unfamiliar words, unusual word order, the subjunctive mood and meter. This enjoyable and stimulating book is an ideal introduction to some of the most powerful and pleasing poems in the English language, written in one of the greatest periods in English poetry.

This fresh look at the social and political themes of Blake's poetry shows that he was a phenomenologist of liberation," who contested the dominant ideology of his time and who still speaks passionately to our fears and hopes. Originally published in 1985. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.

This fresh look at the social and political themes of Blake's poetry shows that he was a phenomenologist of liberation," who contested the dominant ideology of his time and who still speaks passionately to our fears and hopes. Originally published in 1985. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.

This is an expansion of the first dictionary of symbols to be based on literature, rather than on 'universal' psychological archetypes or myths. It explains and illustrates the literary symbols that we frequently encounter (such as swan, rose, moon, gold) and gives thousands of cross-references and quotations. The dictionary concentrates on English literature, but its entries range widely from the Bible and classical authors to the twentieth century, taking in American and European literatures. For this third edition, Michael Ferber has included some twenty completely new entries (such as birch, childbirth, grove, mill and railroad) and has added to many of the existing entries. Its rich references make this book an essential tool not only for literary and classical scholars but also for all students of literature.

Michael Ferber's accessible introduction to poetry's unusual uses of language tackles a wide range of subjects from a linguistic point of view. Written with the non-expert in mind, the book explores current linguistic concepts and theories and applies them to a variety of major poetic features. Equally appealing to linguists who feel that poetry has been unjustly neglected, the broad field of investigation touches on meter, rhyme (and other sound effects), onomatopoeia, syntax, meaning, metaphor, style, and translation, among others. Close study of poetic examples are mainly in English, but the book also focuses on several French, Latin, Greek, German, and Japanese examples, to show what is different and far from inevitable in English. This original, and unusually wide ranging study, delivers an engaging and often witty summary of how we define what poetry is.

Michael Ferber's accessible introduction to poetry's unusual uses of language tackles a wide range of subjects from a linguistic point of view. Written with the non-expert in mind, the book explores current linguistic concepts and theories and applies them to a variety of major poetic features. Equally appealing to linguists who feel that poetry has been unjustly neglected, the broad field of investigation touches on meter, rhyme (and other sound effects), onomatopoeia, syntax, meaning, metaphor, style, and translation, among others. Close study of poetic examples are mainly in English, but the book also focuses on several French, Latin, Greek, German, and Japanese examples, to show what is different and far from inevitable in English. This original, and unusually wide ranging study, delivers an engaging and often witty summary of how we define what poetry is.

'Romanticism', though a debated term, is broadly understood as a cultural movement which gripped the European imagination in the late eighteenth and early nineteenth centuries. Embodying a poetics of feeling intersecting with nature and the notion of the sublime, its experiential aesthetics were furthermore bound up with ideas of personal and political rebellion. Michael Ferber's lively anthology includes lesser-known verse from the best-known poets, as well as a few fine poems by little-known poets. Perfect for readers who would like to enjoy the many riches of arguably poetry's greatest era, or for those already familiar with the poets but who would welcome some happy surprises, this varied international selection includes verse translated from six languages, with several poems appearing in the original language alongside its translation. This engaging selection features concise, informative headnotes and a helpful introduction that charts a course to understanding the Romantic movement as a whole.

This is an expansion of the first dictionary of symbols to be based on literature, rather than on 'universal' psychological archetypes or myths. It explains and illustrates the literary symbols that we frequently encounter (such as swan, rose, moon, gold) and gives thousands of cross-references and quotations. The dictionary concentrates on English literature, but its entries range widely from the Bible and classical authors to the twentieth century, taking in American and European literatures. For this third edition, Michael Ferber has included some twenty completely new entries (such as birch, childbirth, grove, mill and railroad) and has added to many of the existing entries. Its rich references make this book an essential tool not only for literary and classical scholars but also for all students of literature.

This companion is the first book of its kind to focus on the whole of European Romanticism. Describes the way in which the Romantic Movement swept across Europe in the early nineteenth century.Covers the national literatures of France, Germany, Italy, Poland, Russia and Spain.Addresses common themes that cross national borders, such as orientalism, Napoleon, night, nature, and the prestige of the fragment.Includes cross-disciplinary essays on literature and music, literature and painting, and the general system of Romantic arts.Features 35 essays in all, from leading scholars in America, Australia, Britain, France, Italy, and Switzerland.