Michael G. Brennan – författare

Mary Sidney Herbert, Countess of Pembroke, is the most important Elizabethan woman writer and patron outside the royal family. By astute use of the genres permitted to women, she supported the Protestant cause, introduced continental literary genres, expanded opportunities for later women writers, and influenced seventeenth-century lyric and drama by such writers as John Donne, George Herbert, Mary Wroth, and William Shakespeare. This scholarly edition in two volumes is the first to include all her extant works: Volume I prints her three original poems, the disputed `Dolefull Lay of Clorinda', her translations from Petrarch, Mornay, and Garnier, and all her known letters. Volume II contains her metrical paraphrases of Psalms 44-150. The edition also provides a biographical introduction, discussion of her sources and methods of composition, textual annotation, and a detailed commentary.

Mary Sidney Herbert, Countess of Pembroke, is the most important Elizabethan woman writer and patron outside the royal family. By astute use of the genres permitted to women, she supported the Protestant cause, introduced continental literary genres, expanded opportunities for later women writers, and influenced seventeenth-century lyric and drama by such writers as John Donne, George Herbert, Mary Wroth, and William Shakespeare. This scholarly edition in two volumes is the first to include all her extant works: Volume I prints her three original poems, the disputed 'Dolefull Lay of Clorinda', her translations from Petrarch, Mornay, and Garnier, and all her known letters. Volume II contains her metrical paraphrases of Psalms 44-150. The edition also provides a biographical introduction, discussion of her sources and methods of composition, textual annotation, and a detailed commentary.

This volume is part of the Complete Works of Evelyn Waugh critical edition, which brings together all Waugh's published and previously unpublished writings for the first time with comprehensive introductions and annotation, and a full account of each text's manuscript development and textual variants. The edition's General Editor is Alexander Waugh, Evelyn Waugh's grandson and editor of the twelve-volume Personal Writings sequence.This is the first fully annotated critical edition of Waugh's book on Mexico, Robbery Under Law: The Mexican Object-Lesson (1939), based on three months' research by Waugh in the country in 1938 and rarely included in later reprints of Waugh's travel writings. Waugh insisted in its opening words: 'This is a political book'; it traced the expropriation of British and American oil interests in Mexico by its repressive Marxist government. It described the current political and social inequities suffered by both its Mexican citizens and foreign companies trading there and also provided a powerful account of the history of Catholic persecution in the country. Its narratives offered an implicit but potent warning about the barbarity of totalitarian regimes as war in Western Europe grew increasingly likely.

'the highest matter in the noblest form'John Donne's description of the Psalms celebrates not only the perfection of the biblical psalms but their translation into poetic form by the Sidneys, who turned them into some of the most accomplished lyric poems of the English Renaissance. Although it was not printed until the nineteenth century, the Sidney Psalter was widely read in manuscript and influenced poets from Donne and Herbert to Milton and beyond. It turned these well-known and well-loved Psalms into sophisticated verse, selecting or inventing a different stanza form for each one. This variety of forms matches the appeal of their content: there are Psalms of praise and blame, Psalms of cursing and lamentation, Psalms of joy and exaltation, Psalms that recount history, and Psalms that describe Creation or divine law.This is the first complete edition of the Psalter for over forty years. The Psalms are provided in an authoritative modernized text, with helpful glosses and notes illuminating points of interpretation, and an introduction setting the Psalms in their literary and cultural contexts. ABOUT THE SERIES: For over 100 years Oxford World's Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more.

This volume is part of the Complete Works of Evelyn Waugh critical edition, which brings together all Waugh's published and previously unpublished writings for the first time with comprehensive introductions and annotation, and a full account of each text's manuscript development and textual variants. The edition's General Editor is Alexander Waugh, Evelyn Waugh's grandson and editor of the twelve-volume Personal Writings sequence.This, Waugh's first published book, marked the centenary of the birth of the painter and poet Dante Gabriel Rossetti (1828-1882). Waugh was fascinated by the bohemian lives of the Pre-Raphaelite painters, and by his own family connection with them (William Holman Hunt had married, successively, two cousins of his grandfather). Rossetti is both compassionate towards its subject and critical of his self-destructive nature. The incisive analysis of Rossetti's painterly techniques contributed to the resurgence of public interest in Rossetti's art and poetry. The biography was also an early expression of Waugh's lifelong interest in narrative art, and laid the foundations for his own belief in the importance of the spiritual as well as the aesthetic vision of the artist. Although Rossetti was hastily compiled, it is nevertheless elegant and witty.

The Sidneys rank amongst the most influential families in early modern England, and can count amongst their number many leading lights of the Tudor and Stuart period. From the Elizabethan poet and soldier Philip, to the republican Algernon, the Sidney family were intimately bound up with the political, cultural and courtly life of early modern England. Taking a broadly chronological approach, this volume offers an overview of the Sidneys across several generations. By analysing various individuals and their writings, an intriguing new perspective is offered, not only on the culture of English politics, but also on the self-perception and ambitions of a leading renaissance family. During the Tudor period their long and fruitful (but sometimes problematical) association with the Dudley family in court and royal affairs is reassessed with regard to their relations with Edward VI, Mary I and Elizabeth I. During the Stuart period the Sidneys intimacy and loyalty to James I, Queen Anne and Charles I is contrasted to their more neutral (even hostile) attitudes to Charles II and James II. Against the backdrop of this shifting royal favour and religious and political upheaval, the Sidneys' political and domestic tactics used to preserve the family's reputation, estates and property are explored. The first book length study of the Sidney family's relationship with the English monarchy, this work will be welcomed by all those with an interest in English political and cultural history. Drawing upon both historical and literary sources it offers an absorbing insight into the self-perceptions of a leading renaissance family and how they adapted to the vicissitudes of the sixteenth and seventeenth century world.

The letters of Dorothy Percy Sidney, Countess of Leicester, dating predominantly from about 1636 until 1643, cover a wide range of issues and vividly illustrate her centrality to her illustrious family's personal and public affairs. These c.100 letters are here for the first time fully transcribed and edited. The edition includes a biographical and historical introduction, setting the context of the Sidneys' family and political activities at the time of Dorothy's marriage to Robert in 1615 and then tracing the major events and involvements of her life until her death in 1659. A key to the cipher used in the letters to disguise identities of individuals is also supplied. Following the introduction is the complete text of each of Dorothy Percy Sidney's letters to her husband, Robert, second Earl of Leicester, and to and from William Hawkins, the Sidney family solicitor, along with several others, including letters from Dorothy to Archbishop Laud and the Earl of Holland. Her husband's account of her last moments in 1659, and testamentary directions relating to her will, are also included. The letters are arranged in chronological order and supported by a series of footnotes that elucidate their historical context and briefly to identify key individuals, places, political issues and personal concerns. These notes are further supported by selective quotations from Dorothy's incoming correspondence and other related letters and documents. A glossary supplies more detailed information on 'Persons and Places.' Dorothy Percy Sidney's letters eloquently convey how, even with her undoubted personal potency and shrewd intelligence, the multifaceted roles expected of an able and determined aristocratic early modern Englishwoman-especially when her husband was occupied abroad on official business-were intensely demanding and testing.

Few families have contributed as much to English history and literature-indeed, to the arts generally-as the Sidney family. This two-volume Ashgate Research Companion assesses the current state of scholarship on family members and their impact, as historical and literary figures, in the period 1500-1700. Volume 1: Lives, begins with an overview of the Sidneys and politics, providing some links to court events, entertainments, literature, and patronage. The volume gives biographies to prominent high-profile Sidney women and men, as well as sections assessing the influence of the family in the areas of the English court, international politics, patronage, religion, public entertainment, the visual arts, and music. The focus of the second volume is the literary contributions of Sir Philip Sidney; Mary Sidney Herbert, Countess of Pembroke; Lady Mary Wroth; Robert Sidney, Earl of Leicester; and William Herbert, Earl of Pembroke.

The letters of Dorothy Percy Sidney, Countess of Leicester, dating predominantly from about 1636 until 1643, cover a wide range of issues and vividly illustrate her centrality to her illustrious family's personal and public affairs. These c.100 letters are here for the first time fully transcribed and edited. The edition includes a biographical and historical introduction, setting the context of the Sidneys' family and political activities at the time of Dorothy's marriage to Robert in 1615 and then tracing the major events and involvements of her life until her death in 1659. A key to the cipher used in the letters to disguise identities of individuals is also supplied. Following the introduction is the complete text of each of Dorothy Percy Sidney's letters to her husband, Robert, second Earl of Leicester, and to and from William Hawkins, the Sidney family solicitor, along with several others, including letters from Dorothy to Archbishop Laud and the Earl of Holland. Her husband's account of her last moments in 1659, and testamentary directions relating to her will, are also included. The letters are arranged in chronological order and supported by a series of footnotes that elucidate their historical context and briefly to identify key individuals, places, political issues and personal concerns. These notes are further supported by selective quotations from Dorothy's incoming correspondence and other related letters and documents. A glossary supplies more detailed information on 'Persons and Places.' Dorothy Percy Sidney's letters eloquently convey how, even with her undoubted personal potency and shrewd intelligence, the multifaceted roles expected of an able and determined aristocratic early modern Englishwoman-especially when her husband was occupied abroad on official business-were intensely demanding and testing.

It shows how the full range of Greene's writings was inspired and underpinned by his fascination with the essential human duality of political action and religious belief, coupled with an insistent need as a writer to keep the political personal.

It shows how the full range of Greene's writings was inspired and underpinned by his fascination with the essential human duality of political action and religious belief, coupled with an insistent need as a writer to keep the political personal.

Few families have contributed as much to English history and literature-indeed, to the arts generally-as the Sidney family. This two-volume Ashgate Research Companion assesses the current state of scholarship on family members and their impact, as historical and literary figures, in the period 1500-1700. Volume 1: Lives, begins with an overview of the Sidneys and politics, providing some links to court events, entertainments, literature, and patronage. The volume gives biographies to prominent high-profile Sidney women and men, as well as sections assessing the influence of the family in the areas of the English court, international politics, patronage, religion, public entertainment, the visual arts, and music. The focus of the second volume is the literary contributions of Sir Philip Sidney; Mary Sidney Herbert, Countess of Pembroke; Lady Mary Wroth; Robert Sidney, Earl of Leicester; and William Herbert, Earl of Pembroke.

Evelyn Waugh: Fictions, Faith and Family is a wide-ranging survey of the prolific literary career of one of the most popular English writers of the 20th century. Michael G. Brennan here identifies three major themes as central to any understanding of Waugh's work: Catholicism, society and the concept of family. From Decline and Fall (published in 1928) to his final writings, this book draws not only on the major novels and short stories but also Waugh's substantial journalistic output, his private journals and correspondences and unpublished draft manuscripts. Through this comprehensive and systematic exploration, Brennan demonstrates the sustained creative importance of Catholicism to Waugh's literary work. In addition, the book goes on to consider how Evelyn Waugh's descendants - his son Auberon and his grandson Alexander Waugh - have echoed and developed these literary concerns in their own writing.

Evelyn Waugh: Fictions, Faith and Family is a wide-ranging survey of the prolific literary career of one of the most popular English writers of the 20th century. Michael G. Brennan here identifies three major themes as central to any understanding of Waugh's work: Catholicism, society and the concept of family. From Decline and Fall (published in 1928) to his final writings, this book draws not only on the major novels and short stories but also Waugh's substantial journalistic output, his private journals and correspondences and unpublished draft manuscripts. Through this comprehensive and systematic exploration, Brennan demonstrates the sustained creative importance of Catholicism to Waugh's literary work. In addition, the book goes on to consider how Evelyn Waugh's descendants - his son Auberon and his grandson Alexander Waugh - have echoed and developed these literary concerns in their own writing.

In his attitude toward religion, George Orwell has been characterised in various terms: as an agnostic, humanist, secular saint or even Christian atheist. Drawing on the full range of his public and private writings - from major works such as Keep the Aspidistra Flying, 1984 and Down and Out in Paris and London to his shorter journalism and private letters and journals - George Orwell and Religion is a major reassessment of Orwell's life-long engagement with religion. Exploring Orwell's life and work, Michael Brennan illuminates for the first time how this profound engagement with religion informed the intensely humanitarian spirit of his writings.

In his attitude toward religion, George Orwell has been characterised in various terms: as an agnostic, humanist, secular saint or even Christian atheist. Drawing on the full range of his public and private writings - from major works such as Keep the Aspidistra Flying, 1984 and Down and Out in Paris and London to his shorter journalism and private letters and journals - George Orwell and Religion is a major reassessment of Orwell's life-long engagement with religion. Exploring Orwell's life and work, Michael Brennan illuminates for the first time how this profound engagement with religion informed the intensely humanitarian spirit of his writings.

Love’s Victory by Lady Mary Wroth (1587–1651) is the first romantic comedy written in English by a woman. The Revels Plays publishes for the first time a fully-authorised, modern spelling edition of the Penshurst manuscript, the only copy of the play containing all five acts, handwritten by Wroth and privately owned by the Viscount De L’Isle. Edited by Alison Findlay, Philip Sidney and Michael G. Brennan, their critical introduction provides details of Wroth’s remarkable life and work as a member of the Sidney family, tracing connections between Love’s Victory, her prose and poetry and her family’s extensive writings. The editors introduce readers to the influence of court drama on Love’s Victory and offer a new account of the play’s stage history in productions from 1999–2018. Extensive commentary notes guiding the modern reader include explanatory glosses, literary references and staging information.

Love’s Victory by Lady Mary Wroth (1587–1651) is the first romantic comedy written in English by a woman. The Revels Plays publishes for the first time a fully-authorised, modern spelling edition of the Penshurst manuscript, the only copy of the play containing all five acts, handwritten by Wroth and privately owned by the Viscount De L’Isle. Edited by Alison Findlay, Philip Sidney and Michael G. Brennan, their critical introduction provides details of Wroth’s remarkable life and work as a member of the Sidney family, tracing connections between Love’s Victory, her prose and poetry and her family’s extensive writings. The editors introduce readers to the influence of court drama on Love’s Victory and offer a new account of the play’s stage history in productions from 1999–2018. Extensive commentary notes guiding the modern reader include explanatory glosses, literary references and staging information.

This is a new and comprehensive reconsideration of Graham Greene's use of Catholic and theological issues in his fictions and other writings from the 1920s until the 1980s. This major new reconsideration of Graham Greene's writings, from the 1920s until the 1980s, focuses both on his best known novels and his less familiar works, including his short stories, plays, poetry, film scripts and reviewing, journalism and personal correspondence. It explores the major issues of Catholic faith and doubt, particularly in relation to his portrayal of secular love and physical desire, and examines the religious and secular issues and plots involving trust, betrayal, love and despair. Although Greene's female characters have often been underestimated, Brennan argues that while sometimes abstract, symbolic and two-dimensional, these figures often prove central to an understanding of the moral, personal and spiritual dilemmas of his male characters.Finally, he reveals how Greene was one of the most generically ambitious writers of the twentieth century, experimenting with established forms but also believing that the career of a successful novelist should incorporate a great diversity of other categories of writing. Offering a new and original perspective on the reading of Greene's literary works and their importance to English twentieth-century fiction, this will be of interest to anyone studying Greene.