Michael Hall - Böcker

‘A revelatory masterpiece, a true alternative history of our times’ - Simon Jenkins, former Chair of the National Trust'Thoroughly researched and elegantly written' - Peter Parker, TLSLGBTQ+ histories and identities come out of the National Trust’s properties in these touching, poignant and revealing stories.National Trust houses and landscapes might seem to embody conventional family values, but for generations some very different stories were hidden away. These belong to owners now considered queer for defying the norms of sexual orientation or gender identity – sometimes blatantly, occasionally as open secrets, but most often very discreetly. Michael Hall explores not only the best-known examples of sexual difference, such as Lawrence of Arabia at Clouds Hill, Vita Sackville-West at Sissinghurst and the ‘Dancing Marquess’ at Plas Newydd; he also covers more recently unveiled stories, such as the lesbian community at Smallhythe and the homosexual scandals associated with Clumber. Then there were the quietly confirmed bachelors, keen to pass their properties and collections to the Trust for posterity...These stories are set against the queer history of the National Trust itself, such as its foundation in 1895 against the backdrop of Oscar Wilde’s trials; hidden queer influences within the Trust in its early days; and the role of homophobia in its reorganisation in the 1960s; and the evolution to inclusivity and understanding in the twenty-first century.

A heart can be hopeful, or silly, or happy. A heart can be rugged, or snappy, or lonely. A heart holds every different feeling, and debut author-artist Michael Hall captures each one with a delicate touch. For each feeling, the bold, graphic artwork creates an animal out of heart shapes, from "eager as a beaver" to "angry as a bear" to "thoughtful as an owl." An accessible and beautiful debut, My Heart Is Like a Zoo is everything a classic picture book should be: honest, sincere, and speaking directly to even the very youngest child. Ages: 0 - 5

The New York Times bestseller My Heart Is Like a Zoo features bright colors, simple sentences, playful animals, and more than 300 hearts for children to count and enjoy. Caldecott Medalist Brian Selznick says, "Starting with one simple shape, Michael Hall shows us a nearly infinite number of ways to make a menagerie of love." This board book edition of the award-winning picture book is perfect for little hands and the very youngest readers, who will learn that a heart can be hopeful, silly, happy, rugged, snappy, or lonely. A heart holds every different feeling, and author-artist Michael Hall captures each one with his bold, graphic artwork. An ideal springboard for conversations about emotions, and for introducing concepts, math, and art projects in the classroom and at home. School Library Journal called it an "outstanding choice for one-on-one sharing."

A perfect square is transformed in this adventure story that will transport you far beyond the four equal sides of this square book.

A blue crayon mistakenly labeled as "red" suffers an identity crisis in this picture book by the New York Times-bestselling creator of My Heart Is Like a Zoo and It's an Orange Aardvark! Funny, insightful, and colorful, Red: A Crayon's Story, by Michael Hall, is about being true to your inner self and following your own path despite obstacles that may come your way. Red will appeal to fans of Lois Ehlert, Eric Carle, and The Day the Crayons Quit, and makes a great gift for readers of any age! Red has a bright red label, but he is, in fact, blue. His teacher tries to help him be red (let's draw strawberries!), his mother tries to help him be red by sending him out on a playdate with a yellow classmate (go draw a nice orange!), and the scissors try to help him be red by snipping his label so that he has room to breathe. But Red is miserable. He just can't be red, no matter how hard he tries! Finally, a brand-new friend offers a brand-new perspective, and Red discovers what readers have known all along. He's blue!This funny, heartwarming, colorful picture book about finding the courage to be true to your inner self can be read on multiple levels, and it offers something for everyone.

Ingenuity and surprise rule in this funny and colorful companion to Red: A Crayon's Story written and illustrated by Michael Hall, the New York Times-bestselling creator of My Heart Is Like a Zoo. The crayons are ready to tell the thrilling tale of Frankencrayon. The costumes are made, the roles are cast, the pages are all set-but then disaster strikes. Someone has scribbled on the page! Hideous! Horrifying! The story can't go on! Try as they might, the crayons can't erase the scribble, and this picture book must be canceled. Until the crayons playing the title role of Frankencrayon think of a solution, that is. Michael Hall breaks borders and invites readers behind the scenes with his irresistible, clever style and bold artwork. A book about seeing beauty in unexpected places and the magic of storytelling.

Recess. A swing set. An argument. A resolution! Michael Hall’s transformative Swing is a celebration of friendship, joy, and kindness. Readers of all ages will look forward to seeing how four unlikely friends navigate their differences. A surprising and standout picture book from the acclaimed and bestselling creator of Red: A Crayon’s Story and Perfect Square.It’s recess! Four letters (O, V, E, and L) race to the playground to claim the swings. In several pages of recess banter and bullying, one letter is told it’s too round, one is from the wrong end of the alphabet, and one is a vowel and therefore not welcome.What does it take to save the day? Kindness . . . and a heavenly and joyful swing. And what do the letters—friends now because of their shared experience—spell when they finally come back to Earth? LOVE.A story about sharing, acceptance, and kindness, this transcendent and colorful picture book will keep readers guessing while also introducing the letters of the alphabet. Swing is for anyone who loves to hop on a swing and fly to the sky.

In a world where it's easy to punch back, Badger's friends choose to patch things up. Perfect for kids navigating big emotions! When Badger bullies his friends Frog, Moose, Elephant, and Bear, they teach him an unforgettable lesson about empathy, kindness, and forgiveness in this funny and thematically rich social and emotional read-aloud from the acclaimed creator of Red: A Crayon's Story.Badger, Frog, Moose, Elephant, and Bear are best friends. But when Badger experiences a personal loss and his emotions are too big to contain, he goes looking for trouble and takes his sadness out on his friends. He trips Frog, shoves Moose, kicks Elephant, and pokes Bear with a shovel. So Bear gathers the others, and they come up with a plan to teach Badger a lesson. Only that lesson is not what Badger—or readers—expect. In fact, Badger’s friends treat Badger with kindness, offering him what he needs the most to sooth his raw emotions—a surprising turn of events that Badger takes to heart when Bear needs a little comfort in return.Illustrated in Michael Hall’s signature cut-paper collages, Punch! sparkles with inventive wordplay, rhythm, repetition, homonyms, and plenty of suspense and action. Rich with social and emotional hooks, this picture book is a terrific choice for story time and family sharing.

Provides the GP trainee and trainer with a practical guide to making the best use of the vocational training programme.This new edition has been completely revised to reflect the most recent changes to GP training and assessment. It sets out a practical framework within which trainees and trainers can work to ensure that trainees are as prepared as possible, not only for their MRCGP or Summative Assessments, but also for their whole careers in general practice.

This title was first published in 2003. From 1821 until his death, Schubert compiled or specially composed for publication 42 song sets, yet during his own lifetime, and until now, their integrity and importance as sets have been virtually ignored. In this book, Michael Hall asserts that these songs sets are not arbitrary collections, as so often assumed, but highly integrated works in their own right. Approaching these songs as sets the book throws light on Schubert's largely undiscussed intellectual preoccupations. They reveal that he was au fait with most of the philosophical concerns of his time, especially those which touched on Romanticism. But although the sets reflect Romanticism in their topics, Hall maintains that they are the epitome of classical balance. In encouraging students and performers to approach these songs as sets, this study aims to alter perceptions of this important repertory.

This title was first published in 2003. From 1821 until his death, Schubert compiled or specially composed for publication 42 song sets, yet during his own lifetime, and until now, their integrity and importance as sets have been virtually ignored. In this book, Michael Hall asserts that these songs sets are not arbitrary collections, as so often assumed, but highly integrated works in their own right. Approaching these songs as sets the book throws light on Schubert's largely undiscussed intellectual preoccupations. They reveal that he was au fait with most of the philosophical concerns of his time, especially those which touched on Romanticism. But although the sets reflect Romanticism in their topics, Hall maintains that they are the epitome of classical balance. In encouraging students and performers to approach these songs as sets, this study aims to alter perceptions of this important repertory.

This book offers a critical perspective on the issue of organising waste in cities, which has often been positioned in terms of relatively narrow engineering, economic and physical science approaches. It emphasises the ways in which the notion of waste, and the narratives and discourses associated with it, have been socially constructed with corresponding implications for waste governance and local waste handling practices.Organising waste in the city takes a broad and international approach to the ways in which the issue of waste is framed, and brings together narratives from cities as diverse as Amsterdam, Bristol, Cairo, Gothenburg, Helsingborg and Managua. Organised into four main sections and with an integrative introduction and conclusion, the book not only provides new insights into the hidden stories of urban and municipal household solid waste and waste landscapes, but also connects concerns regarding urban waste to such issues as globalisation, governance, urban ecology, and social, economic and environmental justice.

The author, a former BBC radio producer, conducted interviews with many leading British composers of the day, and his account provides for a unique insight into this often overlooked genre.Based on Michael Hall's many interviews with leading British composers of the genre, this book looks at the heyday of the British Music Theatre in the 1960s and 70s, a period when the author as a BBC radio producer was actively involved with the contemporary music scene. Music Theatre - a composite of music, singing, dancing and speaking distinct from traditional opera and ballet - has its roots in works by Monteverdi, Schoenberg, Satie, Stravinsky, Weill,Hindemith and Eisler, but flourished anew in the 1960s, in America, Britain and Europe.Hall's book presents an account of the context for the activity of Birtwistle, Goehr and Maxwell Davies; it uncovers details of little-known early works by other major figures such as Cardew and Tavener; and it recognises the highly distinctive contributions of composers whose works are less well known. Music Theatre in Britain also throws new light upon the reaction of British composers to the economic and social upheavals of 'the Sixties', offering a distinct and valuable contribution to our understanding of the relationship of the post-war musical avant-garde to social movementsand ideology. Music Theatre in Britain will be of interest to all those working in the field of late twentieth-century British music, to students of composition, and to composers, performers and producers of Music Theatre.MICHAEL HALL, who died in August 2012, had a long career as a conductor, founder of Royal Northern Sinfonia, BBC producer and broadcaster, university lecturer and writer on music.

"Hall’s consummate history is not just the story of the evolution of one of the world’s great collections… The book is also a through-the-keyhole insight into the shifting tastes, good or bad, of 1,000 years of monarchs."- The TimesThe Royal Collection is the last great collection formed by the European monarchies to have survived into the twenty-first century. Containing over a million artworks and objects, it covers all aspects of the fine and decorative arts, from paintings by Rembrandt and Michelangelo to grand sculpture, Fabergé eggs and some of the most exquisite furniture ever made. The Royal Collection also offers a revealing insight into the history of the British monarchy from William the Conqueror to Queen Elizabeth II, recording the tastes and obsessions of kings and queens over the past 500 years. With unprecedented access to the royal residences of St James' Palace, Windsor Castle and Buckingham Palace, Art, Passion & Power traces the history of this national institution from the Middle Ages to the present day, exploring how royalty used the arts to strengthen their position as rulers by divine right and celebrating treasures from the Crown Jewels to the "Abraham" tapestries in Hampton Court Palace. Author Michael Hall examines the monarchy's response to changing attitudes to the arts and sciences during the Enlightenment and celebrates the British monarchy's role in the democratisation of art in the modern world. Packed with glimpses of rarely seen artworks, Art, Passion & Power is a visual treat for all art enthusiasts. Accompanying the BBC television series and a major exhibition at the Royal Academy, Art, Passion & Power is the definitive statement on the British monarchy's treasures of the art world.

Francis Brett Young (1884-1954) was one of the most prolific and successful authors of his era. His thirty novels and four collections of stories were published in more than two hundred editions and eleven languages, and were adapted for film and radio. At his peak Brett Young's novels sold half a million copies and he was the preferred author of Prime Minister Stanley Baldwin. In addition there were three volumes of poetry (one selling almost thirty thousand copies in ten weeks), three non-fiction books and three published plays, with many others also performed.Today, the name and work of Francis Brett Young are on the verge of obscurity. His novels, influenced by Scott, Dickens, Hardy and Bennett, are out of print and his poetry is seldom anthologised. In this welcome study, Michael Hall tells the story of Brett Young's life and career. A doctor and soldier who became a bestselling - and prize-winning - novelist, his rise and fall are also a commentary on literary fashion and the decline of the Empire, which brought with it changes in thought and taste.Retired Deputy Head Teacher Michael Hall is Vice Chairman of the Francis Brett Young Society and a native of Brett Young's Hales Owen.

The Harold Samuel Collection Art Collection of Dutch and Flemish seventeenth-century pictures is one of the finest groups of Old Master paintings assembled in Britain over the past hundred years, but one of the least known. Sir Harold Samuel, 1st and last Lord Samuel of Wych Cross (1912–1987) bequeathed the collection to the City of London to hang at Mansion House. Now in the care of the Guildhall Museum and Art Gallery, the collection of 84 paintings can be viewed at Mansion House on organized tours or by appointment. Built between 1732 and 1754, the House is the home, office and center of entertaining for the Lord Mayor of the City of London and the Corporation. This guide will enable visitors to take a tour through Mansion House and discover the artists and their subjects – landscapes, still lifes and genre scenes – the development of styles, forms, materials and techniques, and the history of the collection. Highlights include works by Frans Hals, Aelbert Cuyp, Jan van Goyen, Jacob van Ruisdael and Pieter de Hooch. Lively and insightful entries accompany beautiful reproductions of every painting and are introduced by an essay about the creation of the collection and the history of artistic taste in relation to Dutch art. Michael Hall gained his PhD, on collecting Old Master paintings in the nineteenth century, from the Courtauld Institute of Art in 2005. For the past twenty-five years he has been curator of the Rothschild family collections at Exbury in Hampshire. He has been a Visiting Scholar at the Getty Research Institute in Los Angekes and was J. Clawson Mills Fellow at the Metropolitan Museum of Art, New York. He has catalogued the collection of gold boxes at the Huntington Art Gallery in San Marino, California, and writes on French decorative arts and on collecting Old Master paintings. Clare Gifford is a doctor of science and medicine. She has over recent years become greatly interested in the history and culture of 'the City that made the world'. Her husband Roger was elected Lord Mayor of London for 2012–13.

An inscription on a silver-gilt cup and cover presented to the Lord Mayor in 1741 records that the intention of the gift was to increase “the Honour and Grandeur” of the City of London. It is just one piece of an exceptional collection of plate kept at Mansion House – along with dozens of pieces of official regalia that represent the Mayorality – which is constantly in use today to uphold that honor and in the grandest way possible. The continued use of ceremonial plate by the City of London is a rare survival of medieval practices of display. Though the collection has very little silver from before 1800, the quality and quantity of the nineteenth-and twentieth-century pieces is extraordinary. Before Mansion House was built between 1732 and 1754, the Lord Mayor’s guild hall or his own house had been used for formal entertaining by the City, and any silver presented during the year remained with the guild or became the Lord Mayor’s personal property. Since the mid eighteenth century, however, a vast and eclectic collection has grown up, seen regularly at banquets and events at the Guildhall and Mansion House. This new book will present over 80 of the finest and most historic pieces. New photography will be accompanied by full details and a commentary. Starting with the unique medieval Crystal Sceptre of 1420, seen only at the inauguration of the Lord Mayor and at Coronations, the regalia includes several famous items, notably the sixteenth-century gold and enamel Chain of SS, the great Mace of 1735–36 and the Pearl Sword, carried before the Sovereign on visits to the City. The silver-gilt and silver, used constantly during the year, includes pieces by some of the greatest names of English silversmithing – Paul de Lamerie and Paul Storr, for example – but also by rarer more modern masters – Latino Movio and Omar Ramsden – masterpieces previously completely unknown to silver historians. Though intended to introduce the collection – as well as the history of the Lord Mayors, the City guilds and Mansion House itself, and the formation of the collection – to a broad audience, the book will be of interest to specialists in silver, who will discover many masterpieces of style and technique. This volume is the third in the series on the treasures of Mansion House, following The Harold Samuel Collection of Dutch and Flemish Paintings by Michael Hall and Clare Gifford (2012) and Magnificent Marble Statutes: A Guide to the Sculpture at the Mansion House by Julius Bryant and Clare Gifford (2013).