Michael Holroyd – författare

Henry Irving - a merchant's clerk who became the saviour of British theatre - and Ellen Terry, who made her first theatre appearance as soon as she could walk, were the king and queen of the Victorian stage. Creatively interdependent, they founded a power-house of arts at the Lyceum Theatre, with Bram Stoker as business manager, where they recast Shakespeare's plays on an epic scale and took the company on lucrative and exhilarating international tours. In his masterly new biography, award-winning writer Michael Holroyd explores their public and private lives, showing how their artistic legacy and their brilliant but troubled children came to influence the modern world.

Michael Holroyd opens with a startling attack on biography, which is answered by two essays on the ethics and values of non-fiction writing. The book then examines the work of several contemporary biographers, the place of biography in fiction and of fiction in biography, and the revelations of some extravagant autobiographers, from Osbert Sitwell to Quentin Crisp - to which he adds some adventures of his own, in particular an important and unpublished piece THE MAKING OF GBS, a riveting story of deadly literary warfare. The book ends with a series of satires, celebrations, apologias and polemics which throw light not only on Michael Holroyd's progress as a biographer, but also his record as an embattled campaigner in the field of present-day literary politics.

Renowned biographer Michael Holroyd had always assumed that his own family was perfectly English, or at least perfectly ordinary. But an investigation into the Holroyd past—guided by old photograph albums, crumbling documents, and his parents' wildly divergent accounts of their lives—gradually yields clues to a constellation of startling events and eccentric characters: a slow decline from English nobility on one side, a dramatic Scandinavian ancestry on the other. Fires, suicides, bankruptcies, divorces, unconsummated longings, and the rumor of an Indian tea fortune permeate this wry, candid memoir, "part multiple biography, part autobiography, but principally an oblique investigation of the biographer's art" (New York Times Book Review). "[A] perfect example of a memoir that entrances me."—Katherine A. Powers, Boston Sunday Globe "[O]ne of the few [biographers] who can convey what makes ordinary as well as extraordinary mortals live in our minds."—Los Angeles Times

After writing the definitive biographies of Lytton Strachey and George Bernard Shaw, Michael Holroyd turned his hand to a more personal subject: his own family. The result was Basil Street Blues, published in 1999. But rather than the story being over, it was in fact only beginning. As letters from readers started to pour in, the author discovered extraordinary narratives that his own memoir had only touched on.Mosaic is Holroyd's piecing together of these remarkable stories: the murder of the fearsome headmaster of his school; the discovery that his Swedish grandmother was the mistress of the French anarchist Jacques Prévert; and a letter about the beauty of his mother that provides a clue to a decade-long affair.Funny, touching, and wry, Mosaic shows how other people's lives, however eccentric or extreme, echo our own dreams and experiences.

Hugh Kingsmill should be better known. Here is a striking passage from Richard Ingrams' God's Apology. 'In Malcolm's (Muggeridge) study there was a row of books more thumbed and battered than the rest and a rather blurred photograph showing a man striding through a park, his arm swung forward, his air confident and jaunty. Malcolm called him Hughie. In his conversation he referred to him constantly, with great affection and in a manner quite unlike his usual rather disparaging one when talking of his friends. He seemed to be almost the only man in Malcolm's life of whom he had not a harsh word to say.' Hugh Kingsmill was a novelist, a biographer of note and a talker of outstanding verve and brilliance. He died in 1949 and to mark the sixtieth anniversary Faber Finds is reissuing Michael Holroyd's biography. It was Michael Holroyd's first book, originally published in 1964. 'A remarkably good book .' John Davenport, The Observer'It is a positive pleasure to recommend Michael Holroyd's splendid biography of this exceptional personality.' Kay Dick, BBC 'The World of Books''A well-written study of a laughing, witty, clearly lovable man behind whose wreathed smiles despair lurked.' Anthony Hern, Evening Standard 'An admirably balanced and complete portrait, the criticism fair, the likeness true . . . I congratulate the author on a remarkably good book.' Hesketh Pearson, in a letter' . . . impressively authoritative . . . entrancing and singularly profound.' William Gerhardie, The Spectator

Michael Holroyd confronts an army of automobiles in this charming book. Weaving together memoir and historical anecdote, he traces his relationship with cars through a lifetime of biography.Learning to drive was no easy matter for Michael: the lessons required military precision when practising how to get in and out of his car correctly. His biographical subjects also had their difficulties: Bernard Shaw drove with reckless gusto when overtaking his eightieth year; Vita Sackville-West’s car became a chamber for sudden romantic assignations and getaways; while Augustus John and his family careered through vulnerable villages as the poor vehicle, piled high with bohemian friends, stuttered and jerked along in first gear.Wry, thoughtful and very funny, On Wheels is an elegy to the glamour of the car. Subtle and perceptive, Michael Holroyd finds surprising ways to understand the past and challenge our view of the future.

A Book of Secrets is a masterfully atmospheric treasure-trove of hidden lives, uncelebrated achievements and family mysteries. Acclaimed biographer Michael Holroyd peers into dusty corners to bring a company of unknown women into the light; Alice Keppel was the mistress of both the second Lord Grimthorpe and the Prince of Wales; Eve Fairfax was Lord Grimthorpe's abandoned fiancée and sometime muse of Auguste Rodin; and the novelist Violet Trefusis was the lover of Vita Sackville-West. Taking the reader on a journey of discovery from Ravello to Paris, from Kirkstall Grange in Yorkshire to Vita Sackville-West's home at Knole, A Book of Secrets lucidly gives voice to fragile human connections.

As read on BBC Radio 4Winner of the James Tait Black Memorial Prize for Biography for A Strange Eventful History and winner of the Lifetime Services to Biography Award.Michael Holroyd is one of the finest biographers of our time yet he was never interested in exploring his own family's history until the death of his parents in the 1980s. Then, faced with a sudden vacuum, he felt a desire to fill it with the stories of their lives.Basil Street Blues, the first of his volumes of memoir, is part detective story, part family memoir and part an oblique voyage of self-discovery which is both startlingly comic and profoundly moving. In his follow-up volume, Mosaic, he delves deeper into his family history. Witty, touching and wry, Mosaic shows the strange interconnectedness of our lives, and how other people's stories, however eccentric or extreme, echo our own dreams and experiences.These two volumes - published together for the first time here - form an extraordinary piece of writing, and an enthralling lesson in identity and perspective for both author and reader.

'It is right that, after more than one hundred years, she should have her say' John Carey, Sunday TimesTwelve days before her twenty-fourth birthday, on the foggy morning of Saturday 12 January 1901, Ida Nettleship married Augustus John in a private ceremony at St Pancras Registry Office. The union went against the wishes of Ida’s parents, who aspired to an altogether more conventional match for their eldest daughter. But Ida was in love with Augustus, a man of exceptional magnetism also studying at the Slade, and who would become one of the most famous artists of his time.Ida’s letters – to friends, to family and to Augustus – reveal a young woman of passion, intensity and wit. They tell of the scandal she brought on the Nettleship family and its consquences; of hurt and betrayal as the marriage evolved into a three-way affair when Augustus fell in love with another woman, Dorelia; of Ida’s remarkable acceptance of Dorelia, their pregnancies and shared domesticity; of self-doubt, happiness and despair; and of finding the strength and courage to compromise and navigate her unorthodox marriage.Ida is a naturally gifted writer, and it is with a candour, intimacy and social intelligence extraordinary for a woman of her period that her correspondence opens up her world. Ida John died aged just thirty of puerperal fever following the birth of her fifth son, but in these vivid, funny and sometimes devastatingly sad letters she is startlingly alive on the page.

Captivatingly fresh and intimate letters from Augustus John''s first wife, Ida, reveal the untold story of married life with one of the great artists of the last century.Twelve days before her twenty-fourth birthday, on the foggy morning of Saturday 12 January 1901, Ida Nettleship married Augustus John in a private ceremony at St Pancras Registry Office. The union went against the wishes of Ida''s parents, who aspired to an altogether more conventional match for their eldest daughter. But Ida was in love with Augustus, a man of exceptional magnetism also studying at the Slade, and who would become one of the most famous artists of his time. Ida''s letters – to friends, to family and to Augustus – reveal a young woman of passion, intensity and wit. They tell of the scandal she brought on the Nettleship family and its consquences; of hurt and betrayal as the marriage evolved into a three-way affair when Augustus fell in love with another woman, Dorelia; of Ida''s remarkable acceptance of Dorelia, their pregnancies and shared domesticity; of self-doubt, happiness and despair; and of finding the strength and courage to compromise and navigate her unorthodox marriage. Ida is a naturally gifted writer, and it is with a candour, intimacy and social intelligence extraordinary for a woman of her period that her correspondence opens up her world. Ida John died aged just thirty of puerperal fever following the birth of her fifth son, but in these vivid, funny and sometimes devastatingly sad letters she is startlingly alive on the page; a young woman ahead of her time – almost of our own time – living a complex and compelling drama here revealed for the first time by the woman at its very heart.

A captivating collection of pieces about the art of narration by Britain''s finest biographer, Michael HolroydIn this collection of pieces, Michael Holroyd reflects on the eccentricities of the art of writing about others. With characteristic playfulness and guilefulness, he considers the ways in which lives can be written about (and painted), with all the subtle differences of design and intention that this entails. From Kipling to forgetfulness, Princess Diana''s butler Paul Burrell to fellow biographers like Richard Holmes and the fathers of British biography, Boswell and Johnson, Holroyd tackles a rich and vibrant array of topics. He discusses his life at the mercy of subjects who have led him all over the world – and often into other people''s families uninvited. With wit, warmth and humour, he reflects on the unlikely ways he arrives at his subjects, and how the process of building their narratives is often a disturbing experience: so consuming that, when completed, he feels as if he has had a holiday from himself. Featuring writing originally published in the Times Literary Supplement, the Guardian, the Telegraph and elsewhere, Facts and Fiction provides unique insight into the mind of a master.

'As deft and devastating as a piece of non-fiction writing in miniature as you’re ever likely to read ... A collection to be savoured, its urbanity, wisdom and humorous probing best digested at leisure' Daily TelegraphIn Facts and Fiction, Michael Holroyd reflects on the eccentricities of the art of writing about others. With characteristic playfulness and guilefulness, he considers the ways in which lives can be written about, with all the subtle differences of design and intention that this entails.From Rudyard Kipling to forgetfulness, the glories of Mary Norton’s Borrowers books to fellow biographers like Richard Holmes and Alexander Masters, Holroyd tackles an eclectic range of topics with wit, warmth and humour. This is a unique insight into the mind of a master.

Michael Holroyd confronts an army of automobiles in this charming book. Weaving together memoir and historical anecdote, he traces his relationship with cars through a lifetime of biography.Learning to drive was no easy matter for Michael: the lessons required military precision when practising how to get in and out of his car correctly. His biographical subjects also had their difficulties: Bernard Shaw drove with reckless gusto when overtaking his eightieth year; Vita Sackville-West’s car became a chamber for sudden romantic assignations and getaways; while Augustus John and his family careered through vulnerable villages as the poor vehicle, piled high with bohemian friends, stuttered and jerked along in first gear.Wry, thoughtful and very funny, On Wheels is an elegy to the glamour of the car. Subtle and perceptive, Michael Holroyd finds surprising ways to understand the past and challenge our view of the future.

When Michael Holroyd''s life of Strachey first appeared in the late 1960s, it was hailed as a landmark in contemporary biography. Drawing on new material, published and unpublished, Holroyd completely revised and rewrote his masterwork in 1995 to tell the full story of this complex man and his world as it could not be told while many of Strachey''s friends and lovers were still alive. At the heart of the story is the poignant liaison between Strachey and the painter Dora Carrington. A panorama of the social, literary, political and sexual life of a generation, LYTTON STRACHEY reverberates in the mind like a great novel.

This 1997 revised and updated biography of the celebrated artist, using the mass of new material which has come to light since Holroyd''s two-volume first edition in the mid 1970s, reveals the complete story of John and his circle, from one of our great biographers. John studied at the Slade with his sister Gwen before both of them went to Paris. He lived and worked at feverish speed and his drawings were astonishing for their fluid lyrical line, their vigour and spontaneity. His life became a complex tale of two cities, London and Paris, of two wives and many families. ''The age of Augustus John was dawning,'' Virginia Woolf wrote of the year 1908, which saw many portraits of writers and artists and small glowing oil panels of figures in a landscape. His most striking work was done in the years before the First World War and when he died in 1961 his death was treated as a landmark signalling the end of a distant era.

Playwright, wit, socialist, polemicist, vegetarian and charmer, Bernard Shaw was a controversial literary figure, the scourge of Victorian values and middle-class pretensions. This is Michael Holroyd''s essential biography of George Bernard Shaw. With its pace and verve, its comedy, drama and politics, it portrays a provocative and paradoxical figure sympathetically and movingly.

Michael Holroyd – the most famous biographer in Britain – turns his attention upon himself and his own family in Basil Street Blues (the title comes from the Basil Street Hotel where the author was conceived in the 1930s). Born into a family rich in eccentricity, Holroyd was largely brought up by his grandparents in Maidenhead because his exotic Swedish mother and reserved English father couldn''t stand living together. (His grandparents'' marriage provided no better model – his grandfather having had a four-year affair with a woman he met at a bus stop before coming back to his grandmother). Towards the end of Holroyd''s parents'' lives he persuaded them to write their own stories and using the results, plus his own memories and researches he has written this moving and self-revealing book.

''This is a book about surprises – at any rate, it has surprised me.'' In 1999, Michael Holroyd published Basil Street Blues, in which one of our finest biographers turned his attentions to something more personal – his own family. But rather than the story being over, in fact it was just beginning. For as the letters from readers started to arrive, the author discovered an extraordinary narrative that his own memoir had only touched upon. Mosaic, then, is Michael Holroyd''s piecing together of these remarkable stories: some of which are pleasant surprises, other more startling. There is the death of the fearsome headmaster at his school, who was murdered by one of the boys after he left: the discovery that his Swedish grandmother was the mistress of the French anarchist writer Jacques Prevert; and a letter from Margaret Forster about the beauty of his mother, that leads to his remarkable account of a decade-long affair. A love story, a detective story, a book of secrets, Mosaic is both a beautifully written journey into a forest of family trees, and a fascinating insight into the workings of genealogy.

A BOOK OF SECRETS is a masterfully atmospheric treasure-trove of hidden lives, uncelebrated achievements and family mysteries. Acclaimed biographer Michael Holroyd peers into dusty corners to bring a company of unknown women into the light; Alice Keppel was the mistress of both the second Lord Grimthorpe and the Prince of Wales; Eve Fairfax was Lord Grimthorpe''s abandoned fiancée and sometime muse of Auguste Rodin; and the novelist Violet Trefusis was the lover of Vita Sackville-West. Taking the reader on a journey of discovery from Ravello to Paris, from Kirkstall Grange in Yorkshire to Vita Sackville-West''s home at Knole, A Book of Secrets lucidly gives voice to fragile human connections.

While working on his two-volume biography of Lytton Strachey, Michael Holroyd had access to the Strachey archives. From the same source he collected all Strachey''s diaries and memoirs, which together in this volume form an intermittent but not disconnected autobiography. From childhood diaries to the introspective and often anguished records of late adolescence emerges an intimate self-portrait, valuable for its own sake and also for the light it sheds on the most gifted members of the Bloomsbury Group. In addition to the informal diaries, Strachey wrote and read to the Memoir Club two autobiographical essays (also published here) which may be judged among the finest and most characteristic of his writing.

Lytton Strachey, genius, wit, iconoclast, biographer, pacifist, and homosexual campaigner, was at the nexus of the literary and artistic life of Bloomsbury. In the 1960s he was seen as a progenitor of the hippy cult. Now he appears as a far more subversive and challenging figure. He revolutionised the writing of biography and smuggled deviant sexual behaviour into our history in his reassessment of Elizabethan and Victorian times. For this re-telling of his story Holroyd has had access to published and unpublished material unavailable in the 1960s when his biography of Strachey first appeared. In many of Bloomsbury's three-cornered relationships, he had only two sides of the triangle. Now he has all three, and in a new social and political climate can tell the full story of this extraordinary world with candour, sympathy and sexual explicitness. He has cut 100, 000 words, revised much of the text and added a wealth of new material, about Strachey himself, about Maynard Keynes, Duncan Grant, Rupert Brooke and most vividly about the tragic life of Strachey's companion Dora Carrington.

This 1997 revised and updated biography of the celebrated artist, using the mass of new material which has come to light since Holroyd's two-volume first edition in the mid 1970s, reveals the complete story of John and his circle, from one of our great biographers. John studied at the Slade with his sister Gwen before both of them went to Paris. He lived and worked at feverish speed and his drawings were astonishing for their fluid lyrical line, their vigor and spontaneity. His life became a complex tale of two cities, London and Paris, of two wives and many families. 'The age of Augustus John was dawning,' Virginia Woolf wrote of the year 1908, which saw many portraits of writers and artists and small glowing oil panels of figures in a landscape. His most striking work was done in the years before the First World War and when he died in 1961 his death was treated as a landmark signaling the end of a distant era.

Eustace is undisputed patriarch of the Farquhar family. That is, he would be if everyone stopped mumbling, let him get on with his shaving and find his way downstairs. It's not Henry's fault that he snores and that his marriage has collapsed. Or that he failed to get into the cricket team. But he has made up for it and is now a faster motorist than ever he was bowler. He is a good father too and one day, when he wakes up from day-dreaming, his son Kenneth will thank him. It is good that Anne sleeps with a whistle in her mouth - how else could she terrify the burglars? As for Mathilda she would love to like her mother, but prefers going for long walks with the dog. But what will happen to them all if the dog dies? A devastating postscript follows the story. Placing this eccentric family in isolation after two world wars and at the beginning of our aggressive financial culture, it turns comedy into tragedy. This novel brings a very personal addition to the biographer's remarkable career.

In a single-volume format, Michael Holroyd's masterpiece of a biography offers new verve and pace; Shaw's world is more dramatically revealed as Holroyd counterpoints the private and public Shaw with inimitable insight and scholarship.