Michael J – författare

This pioneering, interdisciplinary work shows how rituals allow us to live in a perennially imperfect world. Drawing on a variety of cultural settings, the authors utilize psychoanalytic and anthropological perspectives to describe how ritual--like play--creates "as if" worlds, rooted in the imaginative capacity of the human mind to create a subjunctive universe. The ability to cross between imagined worlds is central to the human capacity for empathy. Ritual, they claim, defines the boundaries of these imagined worlds, including those of empathy and other realms of human creativity, such as music, architecture and literature. The authors juxtapose this ritual orientation to a "sincere" search for unity and wholeness. The sincere world sees fragmentation and incoherence as signs of inauthenticity that must be overcome. Our modern world has accepted the sincere viewpoint at the expense of ritual, dismissing ritual as mere convention. In response, the authors show how the conventions of ritual allow us to live together in a broken world. Ritual is work, endless work. But it is among the most important things that we humans do.

This pioneering, interdisciplinary work shows how rituals allow us to live in a perennially imperfect world. Drawing on a variety of cultural settings, the authors utilize psychoanalytic and anthropological perspectives to describe how ritual--like play--creates "as if" worlds, rooted in the imaginative capacity of the human mind to create a subjunctive universe. The ability to cross between imagined worlds is central to the human capacity for empathy. Ritual, they claim, defines the boundaries of these imagined worlds, including those of empathy and other realms of human creativity, such as music, architecture and literature. The authors juxtapose this ritual orientation to a "sincere" search for unity and wholeness. The sincere world sees fragmentation and incoherence as signs of inauthenticity that must be overcome. Our modern world has accepted the sincere viewpoint at the expense of ritual, dismissing ritual as mere convention. In response, the authors show how the conventions of ritual allow us to live together in a broken world. Ritual is work, endless work. But it is among the most important things that we humans do.

This pioneering, interdisciplinary work shows how rituals allow us to live in a perennially imperfect world. Drawing on a variety of cultural settings, the authors utilize psychoanalytic and anthropological perspectives to describe how ritual--like play--creates "as if" worlds, rooted in the imaginative capacity of the human mind to create a subjunctive universe. The ability to cross between imagined worlds is central to the human capacity for empathy. Ritual, they claim, defines the boundaries of these imagined worlds, including those of empathy and other realms of human creativity, such as music, architecture and literature. The authors juxtapose this ritual orientation to a "sincere" search for unity and wholeness. The sincere world sees fragmentation and incoherence as signs of inauthenticity that must be overcome. Our modern world has accepted the sincere viewpoint at the expense of ritual, dismissing ritual as mere convention. In response, the authors show how the conventions of ritual allow us to live together in a broken world. Ritual is work, endless work. But it is among the most important things that we humans do.

Clear communication requires understanding readers from perspectives of technical communication, cognitive psychology, usability, human-computer interaction, information design, and information science. Designing and clearly communicating information involves understanding multiple perspectives of the readers' experiences and understanding their motivations and rationale that drives their behavior. The research in diverse areas has all examined the issue though different lenses. However, there has not been an attempt at transforming the academic studies into a form accessible to technical communication students or to practitioners charged with designing and creating the content. Human-Information Interaction and Technical Communication: Concepts and Frameworks focuses on communicating information, not creating information. Developing information which clearly communicates and fits people's needs requires understanding how people think and what drives their decision processes. To help achieve that goal, this book works to provide practical knowledge based on a sound theoretical foundation for allowing people to engage in a meaningful dialogue as they make decisions with respect to designing that communication. Besides being a reference for the academic researcher or practicing technical communicator, it is written so it can be used as a reference for either a foundational or theories of technical communication course.

In a city where the crime rate is fairly low. Gang violence was the biggest problem. Homicide is very rare. Now, without warning it seems as though things have gotten out of control. Two bodies found and within a day two more. Homicide detectives are baffled. Who is committing these acts and why? This is not going to be easy. The perpetrators have been careful not to leave any trace of fingerprints or DNA behindThis fictional story is being told by a man in prison. He is telling it to an acquaintance, Michael j who happens to be the author of the book. Now referred to as TERROR IN THE NIGHT.