Michael J. Crosbie - Böcker

The guide that takes the guesswork out of Fair Housing Act Accessibility Guidelines conformance The Federal government is stepping up its enforcement of the Fair Housing Act Accessibility Guidelines, and failure to comply with these guidelines can result in a complaint for discriminatory housing practice. A Basic Guide to Fair Housing Accessibility enables building professionals to avoid these charges with clear, concise interpretations of the Guidelines and descriptive illustrations of proper conformance. Inspired by the author's HUD-sponsored review of nearly 400 built projects, this compact yet comprehensive guide reviews the guidelines for conformance with the seven basic design and construction requirements of the Fair Housing Amendments Act, from accessible building entrances to usable kitchens, and points out common conformance errors made by architects, builders, and developers. This practical, easy-to-follow handbook:* Demystifies accessibility guidelines and reduces the risk of litigation* Explains which buildings and units are covered by the law* Provides a compliance checklist for multifamily housing design and construction Featuring only the facts and technical guidance needed to help ensure conformance with the Guidelines, A Basic Guide to Fair Housing Accessibility is an indispensable resource for architects, builders, contractors, site engineers, and developers who need to know that their work is in conformance with Federal guidelines.

In the twelve years since Polhemus Savery DaSilva Architects Builders was formed, the firm has created a significant body of wooden buildings that are rooted in the seaside vernacular of the fabled region of Cape Cod, Martha's Vineyard and Nantucket. As a design/build firm led by architects, Polhemus Savery DaSilva Architects Builders is able to reach a level of aesthetic control not normally associated with light construction today. Each project is approached as an individual work of art and craft specifically associated with its site and client. The eclectic, evolutionary use of architectural history infuses the firm's designs with fresh interpretations of architectural tradition, subtle playfulness, and wit. The compositional and planning strategies ground the work in the vernacular tradition that evolved into the shingle style; the 'architecture of the American summer' to use the words of historian Vincent Scully. The experience of the firm's principal designers, John and Sharon DaSilva, includes several years at Venturi Rauch and Scott Brown and Cesar Pelli and Associates. The book features over twenty houses and a handful of small institutional buildings in photographs by some of the world's best architectural photographers and drawings by the firm. Includes essay by noted architecture writer Michael J. Crosbie.

"The new campus was conceived to change how we work, interrelate, and spur collaboration and innovation. All are fundamentally important to Eaton's ability to attract the best talent, ensure we perform at the highest levels, and further heighten our historic capabilities to solve the world s most demanding power management problems. Our new campus is meeting all of these lofty objectives." - Alexander M. Cutler, Chief Executive Officer, Eaton. Eaton Center is the expression of the values of a century-old company with deep roots in the American Midwest. Rising above the rolling terrain of northern Ohio that was once farmland, the building takes its place between woods and a reflecting pond, with a bearing that recalls a manse in the countryside. The experience of Eaton is planar: it extends space and views, both close and distant, through the landscape, connecting the building and its people to the place, and the values held in common. Eaton Center is the product of a dedicated client and design team and the values that brought them together to create a special place to work. Authored by architecture critic Dr Michael J. Crosbie, this highly visual book documents that collaboration between Eaton and the design team and the resulting dramatic transformation of the land into Eaton's new home on the North American plain.

This new monograph celebrates the creative accomplishments of one of the world's most influential architects, Cesar Pelli. The book surveys this extraordinary body of work in terms of the AIA's Gold Medalist's design, architecture, and planning, tracing Pelli's motivation as a leading designer and teacher, and the evolution of his work over the span of half a century. More than 50 projects from around the globe - museums, theaters, offices, laboratories, airports, cultural centers, civic works, master plans - are presented in rich full colour with insights from Pelli that delve into the design and construction of these landmarks from a practice that has thrived for nearly 40 years.

This new monograph celebrates the creative accomplishments of one of the world's most influential architects, Cesar Pelli. The book surveys this extraordinary body of work in terms of the AIA's Gold Medalist's design, architecture, and planning, tracing Pelli's motivation as a leading designer and teacher, and the evolution of his work over the span of half a century. More than 50 projects from around the globe - museums, theaters, offices, laboratories, airports, cultural centers, civic works, master plans - are presented in rich full colour with insights from Pelli that delve into the design and construction of these landmarks from a practice that has thrived for nearly 40 years.

Moshe Safdie explains that probably more than half of his lifetime design work is unbuilt, and he considers his unbuilt work to be some of his most significant work. In this richly illustrated book, replete with detailed diagrams, sketches, models and studies, Moshe Safdie explains that for those who design in order to build, not succeeding in building is never a failure (there are many reasons why a project might not be built) because these designs are part of the evolution of an architect's work. This volume is a fascinating journey through Safdie's thoughts and career, and also a historical reference of the social and political forces at play at the time. Not only a treatise on Safdie's unrealised concepts, this book is also a wonderful affirmation that there is valuable heritage in the unbuilt. Includes a number of significant projects from around the globe, including the following:Habitat Original Proposal, Montreal, Québec, Canada 1964; Habitat New York II, New York, New York, United States 1967; San Francisco State, College Student Union, San Francisco, California, United States 1967; Pompidou Centre, Paris, France 1971; Western Wall Precinct, Jerusalem, Israel 1972; Supreme Court of Israel, Jerusalem, Israel 1985; Columbus Center, New York, New York, United States 1985; Ballet Opera House, Toronto, Ontario, Canada 1987; Museum of Contemporary Art, Stuttgart, Germany 1990; Superconducting Super Collider Laboratory, Waxahachie, Texas, United States 1993; Incheon Airport, Incheon, Korea 2011; Jumeirah Gateway Mosque, Dubai, UAE 2007; National Art Museum of China, Beijing, China 2012.

Relationships between architects and clients - built upon expressed values, as well as their import into the final work of architecture - are typically not discussed in architectural education, rarely considered in architectural criticism or theory, and usually missing in most writing about architecture. This monograph seeks to highlight and address this deficiency. The book focuses on the process that the firm uses to help their clients to define values, and to intone them through architectural design. Exquisitely presented throughout, this volume presents a range of built and in-process works at a variety of scales, complexity, and locations, with various clients. Most of these projects have not been previously published. The projects will be documented and discussed within the context of the value proposition and design processthat distinguish Pickard Chilton's approach to architecture.