Michael J Seidlinger – författare

Object Lessons is a series of short, beautifully designed books about the hidden lives of ordinary things.When you are born, the first thing you do is scream. Be it a response to fear, anger, sadness, or happiness, the scream is a declaration of being alive.The metal vocalist cupping the microphone blares out a deafeningly harsh scream. The drill instructor screams out commands to their soldiers. And then there’s the bloodcurdling screams we know from horror films. A scream has many meanings, but it is an instinctive and reflexive action that, at its core, reveals raw emotion.Investigating popular and alternative cultures, art, and science, Michael J. Seidlinger tracks the resonance of the scream across media and literature and in his own voice. Object Lessons is published in partnership with an essay series in The Atlantic.

Object Lessons is a series of short, beautifully designed books about the hidden lives of ordinary things.When you are born, the first thing you do is scream. Be it a response to fear, anger, sadness, or happiness, the scream is a declaration of being alive. The metal vocalist cupping the microphone blares out a deafeningly harsh scream. The drill instructor screams out commands to their soldiers. And then there's the bloodcurdling screams we know from horror films. A scream has many meanings, but it is an instinctive and reflexive action that, at its core, reveals raw emotion.Investigating popular and alternative cultures, art, and science, Michael J. Seidlinger tracks the resonance of the scream across media and literature and in his own voice. Object Lessons is published in partnership with an essay series in The Atlantic.

Object Lessons is a series of short, beautifully designed books about the hidden lives of ordinary things.When you are born, the first thing you do is scream. Be it a response to fear, anger, sadness, or happiness, the scream is a declaration of being alive. The metal vocalist cupping the microphone blares out a deafeningly harsh scream. The drill instructor screams out commands to their soldiers. And then there's the bloodcurdling screams we know from horror films. A scream has many meanings, but it is an instinctive and reflexive action that, at its core, reveals raw emotion.Investigating popular and alternative cultures, art, and science, Michael J. Seidlinger tracks the resonance of the scream across media and literature and in his own voice. Object Lessons is published in partnership with an essay series in The Atlantic.

Hunter Warden just wants some peace and quiet. He wants to watch unboxing videos and be lulled to sleep by the monotone voices and smooth talking YouTube hosts. He wants his parents that are always working to either totally leave him alone or be around for once. After a few beers, Hunter decides to get away from it all and go for a run in Falter Kingdom.When you run the gauntlet at Falter Kingdom, a tunnel next to a park on the outskirts of suburbia where local high school kids go to drink and smoke, one of two things can happen — nothing or you catch a demon.The cold spots, locked doors, scratches on the wall, and disappearing laptop immediately alert Hunter to the fact that a demon is haunting him. He knows the signs, he''s seen the videos of people that are possessed, and everyone knows someone that has had to get an exorcism. Hunter knows that he should get rid of it, but he can''t help but enjoy the company of "H," despite this demon''s sinister intentions.

What came first, the home or the desire to invade? A seasoned invader with multiple home invasions undertheir belt recounts their dark victories while offering tutelage to a newgeneration of ambitious home invaders eager to make their mark on the annals ofcriminal history. From initial canvasing to home entry, the reader is complicitin every strangling and shattered window. The fear is inescapable.Examining the sanctuary of the home and one of the horror genre's mostfrightening tropes, Anybody Home? points the camera lens ontothe quiet suburbs and its unsuspecting abodes, any of which are potentialstages for an invader ambitious enough to make it the scene of the next bigcrime sensation. Who knows? Their performance just might make it to thesilver screen.

The author of home invasion horror hit, Anybody Home?, brings murder to the publishing sphere in On Submission, where Scream meets Yellowface when an A-List agent’s top clients all end up dead.Hotshot literary agent Henry Richmond Pendel knows how to find the next big thing and is even better at selling them. But a perfect career becomes increasingly disconcerting as he begins to feel like he’s being watched. There are rumors of a boogeyman in publishing, a rejected writer who has cracked and started killing off writers.When Pendel’s star clients turn up brutally murdered and unsolicited queries become more and more frantic, Pendel must decide whether to act out of safety for himself and his clients or to capitalize on the attention. Is it worth a few more casualties if it means inking a few seven-figure deals?Part slasher and part scream at the publishing industry, Michael J. Seidlinger, the master of psychological terror, offers a brutal new take on the relationship between art and commerce. On Submission is full of villains, where some harm with a pen and others with a knife.

A broke vampire’s last ditch effort to escape the blood sucking monster of capitalism through an ill-conceived multi-level marketing scheme.James Sugre has never been this broke before in his centuries of living. Down and out, he’s had a terrible string of luck investing in companies crippled by fraud and always late to the next crypto-fad. He spends most of his time in his coffin, too broke to go out in public.As the video game industry reaches record-breaking heights, Sugre tries his luck one more time with his own game studio. When he encounters a game developer and self-professed fan of vampire lore named Lauren, Sugre becomes hopeful that his luck might finally be on the up-and-up.But the market is rocky, and nothing is as stable as "un-death." Sugre learns the hard way that a dollar is worth more than a drop of blood. Trading immortality for cash, Sugre and Lauren create a—not entirely legal—business of turning humans into vampires for a fee. The business expands, but Vampire Nation has to protect their own investments, and Sugre learns the hard truth of the system he can’t escape.