Michael Magee – författare

WINNER OF THE ROONEY PRIZE FOR LITERATURE 2023WINNER OF THE NERO BOOK AWARD FOR DEBUT FICTION 2023WINNER OF THE JOHN MCGAHERN PRIZE 2024WATERSTONES IRISH BOOK OF THE YEAR 2023Sean is back. Back in Belfast and back into old habits. Back on the mad all-nighters, the borrowed tenners and missing rent, the casual jobs that always fall through. Back in these scarred streets, where the promised prosperity of peacetime has never arrived. Back among his brothers, his ma, and all the things they never talk about. Until one night Sean finds himself at a party – dog-tired, surrounded by jeering strangers, his back against the wall – and he makes a big mistake.'Staggeringly humane, unfaltering, taut and tender... [It] feels like that rarest of things: a genuinely necessary book' Guardian'Every detail rings true, every character is fleshy and real and heartbreaking... Michael Magee has a remarkable talent' Sunday TimesSHORTLISTED FOR THE SUNDAY TIMES YOUNG WRITER OF THE YEAR AWARD 2024SHORTLISTED FOR THE IRISH BOOK AWARDS NEWCOMER OF THE YEAR 2023SHORTLISTED FOR THE WATERSTONES DEBUT FICTION PRIZE 2023SHORTLISTED FOR THE EWART-BIGGS PRIZE 2023SHORTLISTED FOR THE AUTHORS’ CLUB BEST FIRST NOVEL AWARD 2024SHORTLISTED FOR THE DIVERSE BOOK AWARDS 2024LONGLISTED FOR THE DYLAN THOMAS PRIZE FOR LITERATURE 2024ONE OF SARAH JESSICA PARKER’S BEST BOOKS OF 2023BOOK OF THE YEAR 2023 ACCORDING TO THE TIMES AND IRISH TIMES

Emancipating Pragmatism is a radical rereading of Emerson that posits African-American culture, literature, and jazz as the very continuation and embodiment of pragmatic thought and democratic tradition. It traces Emerson's philosophical legacy through the 19th and 20th centuries to discover how Emersonian thought continues to inform issues of race, aesthetics, and poetic discourse. Emerson's pragmatism derives from his abolitionism, Michael Magee argues, and any pragmatic thought that aspires toward democracy cannot ignore and must reckon with its racial roots. Magee looks at the ties between pragmatism and African-American culture as they manifest themselves in key texts and movements, such as William Carlos Williams's poetry; Ralph Ellison's discourse in Invisible Man and Juneteenth and his essays on jazz; the poetic works of Robert Creeley, Amiri Baraka, and Frank O'Hara; as well as the ""new jazz"" being forged at clubs like The Five Spot in New York. Ultimately, Magee calls into question traditional maps of pragmatist lineage and ties pragmatism to the avant-garde American tradition.