Michael Malek Najjar – författare

Four Arab American Plays is the first published collection of plays by contemporary Arab American playwrights. Based on true stories from her life as the daughter of a Lebanese mother and American diplomat father, Leila Buck's ISite invites the audience on an intimate journey in search of identity, home, and the space in between. Jamil Khoury's drama Precious Stones boldly examines the Israeli-Palestinian conflict in the "safe" yet turbulent terrain of the American Diaspora. Yussef El Guindi's Our Enemies: Lively Scenes of Love and Combat is a darkly humorous and sensual look at identity, media-representation, love and lust in the Arab American community. In Lameece Issaq and Jacob Kader's Food and Fadwa, a Palestinian family living under occupation fights to hold onto their culture and traditions while still celebrating love, joy and hope. A preface by Arab American scholar Michael Malek Najjar and a new essay titled "Towards an Arab American Theatre Movement" by Silk Road Rising's artistic director, Jamil Khoury, concludes the book--a valuable expression of Arab American life and theatre in the United States.Instructors considering this book for use in a course may request an examination copy here.

Beginning with early Arab American playwright, poet and novelist Kahlil Gibran and concluding with contemporary playwright Yussef El Guindi, this book provides an historical overview and critical analysis of the plays, films and performances of self-identified Arab Americans. Playwrights, filmmakers and performers covered include Ameen Fares Rihani, Danny Thomas, Heather Raffo, Ahmed Ahmed, Mona Mansour and Cherien Dabis. These artists, traditionally underrepresented in entertainment, publishing and academia, have created works that exemplify the burgeoning Arab American arts movement. By addressing cinema, stand-up comedy and solo performance, the author introduces audiences to contemporary genres that are shaping Arab American culture in the United States.

A prolific playwright in the US, Egyptian-American playwright Yussef El Guindi explores, through his dramatic work, the immigrant experience. Addressing the personal, political and social encounters of those trying to adapt to new western countries and cultures, his plays are conceived and shaped with intelligence, sensibility and humour. This collection brings together works that span his career, from his first major play, Back of the Throat, to his boldly topical Threesome, throughout which he delves into the complex issues commonly felt by Arab immigrants in the US: Arabophobia, Islamophobia, media orientalism and bi-cultural issues. The plays featured in the anthology are:Back of the ThroatOur Enemies: Lively Scenes of Love and CombatLanguage RoomsPilgrims Musa and Sheri in the New WorldThreesomePacked with supplementary information that expands upon and contextualises El Guindi’s work, this collection is both an excellent compendium and a resource for study. Additional material includes: an annotated timeline of the playwright’s life and work; an introduction by Professor Michael Malek Najjar (University of Oregon) that draws out themes within the plays and examines El Guindi’s place in American theatre in the post-9/11 era; production stills of some productions of El Guindi's work; and El Guindi’s essay Rosencrantz and Guildenstern Meet Abdallah and Ahmed: Musings about Arabs and Muslims in American Theatre.

A prolific playwright in the US, Egyptian-American playwright Yussef El Guindi explores, through his dramatic work, the immigrant experience. Addressing the personal, political and social encounters of those trying to adapt to new western countries and cultures, his plays are conceived and shaped with intelligence, sensibility and humour. This collection brings together works that span his career, from his first major play, Back of the Throat, to his boldly topical Threesome, throughout which he delves into the complex issues commonly felt by Arab immigrants in the US: Arabophobia, Islamophobia, media orientalism and bi-cultural issues. The plays featured in the anthology are:Back of the ThroatOur Enemies: Lively Scenes of Love and CombatLanguage RoomsPilgrims Musa and Sheri in the New WorldThreesomePacked with supplementary information that expands upon and contextualises El Guindi’s work, this collection is both an excellent compendium and a resource for study. Additional material includes: an annotated timeline of the playwright’s life and work; an introduction by Professor Michael Malek Najjar (University of Oregon) that draws out themes within the plays and examines El Guindi’s place in American theatre in the post-9/11 era; production stills of some productions of El Guindi's work; and El Guindi’s essay Rosencrantz and Guildenstern Meet Abdallah and Ahmed: Musings about Arabs and Muslims in American Theatre.

Middle Eastern American Theatre explores the burgeoning Middle Eastern American theatre movement with a focus on Arab American, Jewish American, Armenian American, Iranian American, and Turkish American theatres, playwrights, directors, and actors. By exploring the rich religious and cultural heritage of this diverse group - which includes Arabs, Armenians, Iranians, Jews, and Turks - and religions that include the Baha'i faith, Christianity, Chaldean, Druze, Ishik Alevism, Judaism, Islam, Mandaeism, Samaratin, Shabakism, Yazidi, and Zoroastrianism - the rich and paradoxical nature of the term 'Middle Eastern' is interrogated through the dramas written and performed by those in the Diaspora. Featuring a clear introduction and examination of the context and the various push and pull factors that have contributed to the mass migrations to North America - including the so-called “Great Migration” of 1890-1915, the Armenian Genocide, the European Holocaust, the two world wars, the Israeli/Palestinian conflict, and other social and political conflicts. With chapters devoted to Arab American, Israeli American, Iranian American and Turkish American theatre, Middle Eastern American Theatre traces the history and examines the work of key artists and directors including Heather Raffo, Yussef El Guindi, Jamil Khoury, Mona Mansour, Danny Bryck, Ken Kaissar, Ari Roth, Torange Yeghiazarian, Reza Abdoh, Sedef Ecer, Torange Yeghiazarian, of Golden Thread Productions, and Jamil Khoury, of Silk Road Rising. The volume provides readers with a deeper and more nuanced understanding of millions of Middle Eastern Americans, and how they have contributed to American theatre today.

The Things That Can’t Be Said: Three Plays About Iraq is a trilogy of plays by renowned Iraqi American playwright/performer Heather Raffo including 9 Parts of Desire, Fallujah: The First Opera about the Iraq War, and Noura. In these three works Raffo explores the indelible effects of war on Iraqis, Americans, and the refugees caught between the two cultures. When considered together, these three works give voice to nearly two decades of rarely examined traumas that have reshaped cultural and national identity for both Americans and Iraqis since the events of 9/11. Heather Raffo is a renowned playwright and performer whose work has been described by The New Yorker as an example of “how art can remake the world.” An American with Iraqi heritage, her work is seen as a rare bridge between western and eastern cultures.With ongoing debates about the legacy of America’s foreign wars and future role in the Middle East, this volume offers a uniquely historical and deeply human perspective on the political issues of our time. Spanning a decade and a half, together these works form a mosaic of untold stories that were ground breaking in their time and continue to profoundly impact communities and classrooms internationally. 9 Parts of Desire (2003): "First Choice/The Best Shows in London" by The Times, and as one of the “Five Best Plays” in London by The Independent. Its award winning, Off-Broadway premiere ran for nine sold out months and was a critics pick of the The New York Times, Time Out, and Village Voice. The play then received productions in nearly every major regional theatre market in American before being translated for international productions in Brazil, Greece, Sweden, Hungary, India, Turkey, Malta, France, Iraq, Egypt, and Israel. It was the first commercial hit on a national and international stage by an Arab American playwright helping to birth a new genre of Middle Eastern American Theatre. Fallujah (2016) received its world premiere at Long Beach Opera before transferring to NYC Opera. The first ever opera about the Iraq War it tells a U.S. Marine’s account of the battle of Fallujah it focuses on moral injury and veteran suicide. Noura (2018) won the L. Arnold Weissberger New Play Award and was hailed “The Most Ambitious Premiere” of the Women’s Voices Theatre Festival by The Washington Post and “stirringly powerful” by The New York Times. Told from inside the marriage of an Iraqi family, the play explores the lingering cost of exile for both recent refugees and more established American immigrants. Drawing inspiration from Ibsen’s A Doll’s Hous and championed as a first of its kind feminist refugee narrative, it is already being included in university curriculum both in America and abroad.

The Things That Can’t Be Said: Three Plays About Iraq is a trilogy of plays by renowned Iraqi American playwright/performer Heather Raffo including 9 Parts of Desire, Fallujah: The First Opera about the Iraq War, and Noura. In these three works Raffo explores the indelible effects of war on Iraqis, Americans, and the refugees caught between the two cultures. When considered together, these three works give voice to nearly two decades of rarely examined traumas that have reshaped cultural and national identity for both Americans and Iraqis since the events of 9/11. Heather Raffo is a renowned playwright and performer whose work has been described by The New Yorker as an example of “how art can remake the world.” An American with Iraqi heritage, her work is seen as a rare bridge between western and eastern cultures.With ongoing debates about the legacy of America’s foreign wars and future role in the Middle East, this volume offers a uniquely historical and deeply human perspective on the political issues of our time. Spanning a decade and a half, together these works form a mosaic of untold stories that were ground breaking in their time and continue to profoundly impact communities and classrooms internationally. 9 Parts of Desire (2003): "First Choice/The Best Shows in London" by The Times, and as one of the “Five Best Plays” in London by The Independent. Its award winning, Off-Broadway premiere ran for nine sold out months and was a critics pick of the The New York Times, Time Out, and Village Voice. The play then received productions in nearly every major regional theatre market in American before being translated for international productions in Brazil, Greece, Sweden, Hungary, India, Turkey, Malta, France, Iraq, Egypt, and Israel. It was the first commercial hit on a national and international stage by an Arab American playwright helping to birth a new genre of Middle Eastern American Theatre. Fallujah (2016) received its world premiere at Long Beach Opera before transferring to NYC Opera. The first ever opera about the Iraq War it tells a U.S. Marine’s account of the battle of Fallujah it focuses on moral injury and veteran suicide. Noura (2018) won the L. Arnold Weissberger New Play Award and was hailed “The Most Ambitious Premiere” of the Women’s Voices Theatre Festival by The Washington Post and “stirringly powerful” by The New York Times. Told from inside the marriage of an Iraqi family, the play explores the lingering cost of exile for both recent refugees and more established American immigrants. Drawing inspiration from Ibsen’s A Doll’s Hous and championed as a first of its kind feminist refugee narrative, it is already being included in university curriculum both in America and abroad.

Middle Eastern American Theatre explores the burgeoning Middle Eastern American theatre movement with a focus on Arab American, Jewish American, Armenian American, Iranian American, and Turkish American theatres, playwrights, directors, and actors. By exploring the rich religious and cultural heritage of this diverse group - which includes Arabs, Armenians, Iranians, Jews, and Turks - and religions that include the Baha'i faith, Christianity, Chaldean, Druze, Ishik Alevism, Judaism, Islam, Mandaeism, Samaratin, Shabakism, Yazidi, and Zoroastrianism - the rich and paradoxical nature of the term 'Middle Eastern' is interrogated through the dramas written and performed by those in the Diaspora. Featuring a clear introduction and examination of the context and the various push and pull factors that have contributed to the mass migrations to North America - including the so-called “Great Migration” of 1890-1915, the Armenian Genocide, the European Holocaust, the two world wars, the Israeli/Palestinian conflict, and other social and political conflicts. With chapters devoted to Arab American, Israeli American, Iranian American and Turkish American theatre, Middle Eastern American Theatre traces the history and examines the work of key artists and directors including Heather Raffo, Yussef El Guindi, Jamil Khoury, Mona Mansour, Danny Bryck, Ken Kaissar, Ari Roth, Torange Yeghiazarian, Reza Abdoh, Sedef Ecer, Torange Yeghiazarian, of Golden Thread Productions, and Jamil Khoury, of Silk Road Rising. The volume provides readers with a deeper and more nuanced understanding of millions of Middle Eastern Americans, and how they have contributed to American theatre today.

“The [Vagrant Trilogy] extends far beyond the timeline of devastating events, and instead shows us something greater: humanity.” - Broadway WorldThe Vagrant Trilogy is a set of three plays by award-winning Arab American playwright Mona Mansour which explores the Palestinian condition prior to, during, and after the infamous Six-Day War. It sketches the devastating effect this conflict had on members of the Palestinian diaspora scattered in Europe and in Lebanese refugee camps.With productions in Washington DC, New York, and Abu Dhabi, this trilogy has moved audiences across both America and the Arabic-speaking world. The Hour of Feeling, The Vagrant, and Urge for Going offer a deep exploration of the Palestinian struggle for home and identity, a powerful glimpse into a reality that many face and few understand.The volume includes a foreword by director Mark Wing-Davey; an introduction by Arab American theatre scholars Hala Baki and Michael Malek Najjar; the three plays in their final performance versions; an interview with playwright Mona Mansour; and a critical essay by literary scholar Diya Abdo. This collection of Mansour’s outstanding plays is another important contribution to the Arab American theatrical canon and the larger body of American drama.

“The [Vagrant Trilogy] extends far beyond the timeline of devastating events, and instead shows us something greater: humanity.” - Broadway WorldThe Vagrant Trilogy is a set of three plays by award-winning Arab American playwright Mona Mansour which explores the Palestinian condition prior to, during, and after the infamous Six-Day War. It sketches the devastating effect this conflict had on members of the Palestinian diaspora scattered in Europe and in Lebanese refugee camps.With productions in Washington DC, New York, and Abu Dhabi, this trilogy has moved audiences across both America and the Arabic-speaking world. The Hour of Feeling, The Vagrant, and Urge for Going offer a deep exploration of the Palestinian struggle for home and identity, a powerful glimpse into a reality that many face and few understand.The volume includes a foreword by director Mark Wing-Davey; an introduction by Arab American theatre scholars Hala Baki and Michael Malek Najjar; the three plays in their final performance versions; an interview with playwright Mona Mansour; and a critical essay by literary scholar Diya Abdo. This collection of Mansour’s outstanding plays is another important contribution to the Arab American theatrical canon and the larger body of American drama.

Discover the complex histories and experiences of the Palestinian people through the work of Ismail Khalidi.With compelling characters, engaging storytelling, quick-witted humor, and unwavering political commitment, Khalidi has entertained and informed audiences in America and around the globe, providing diverse perspectives on the Palestinian experience from the British Mandate era to the challenges faced under occupation today.This new collection spans Khalidi's career, featuring both his early monodramas and never-before-published new plays. An essential intervention in academic and artistic discourses that often overlook or marginalize Palestinian and Arab voices, Khalidi's work proves him to be an influential figure on an international scale, bridging the Americas and the Middle East.Until I Return: The Selected Plays of Ismail Khalidi further contextualizes his work with an essay by Professor Edward Ziter (NYU Tisch, USA), an enlightening interview with the playwright conducted by the editors, and an annotated timeline of Khalidi's life, giving comprehensive insight into both the playwright and his impact.

Discover the complex histories and experiences of the Palestinian people through the work of Ismail Khalidi.With compelling characters, engaging storytelling, quick-witted humor, and unwavering political commitment, Khalidi has entertained and informed audiences in America and around the globe, providing diverse perspectives on the Palestinian experience from the British Mandate era to the challenges faced under occupation today.This new collection spans Khalidi's career, featuring both his early monodramas and never-before-published new plays. An essential intervention in academic and artistic discourses that often overlook or marginalize Palestinian and Arab voices, Khalidi's work proves him to be an influential figure on an international scale, bridging the Americas and the Middle East.Until I Return: The Selected Plays of Ismail Khalidi further contextualizes his work with an essay by Professor Edward Ziter (NYU Tisch, USA), an enlightening interview with the playwright conducted by the editors, and an annotated timeline of Khalidi's life, giving comprehensive insight into both the playwright and his impact.