Michael Marrinan – författare

The Culture of Diagram is about visual thinking. Exploring a terrain where words meet pictures and formulas meet figures, the book foregrounds diagrams as tools for blurring those boundaries to focus on the production of knowledge as process. It outlines a history of convergence among diverse streams of data in real-time: from eighteenth-century print media and the diagrammatic procedures in the pages of Diderot's Encyclopedia to the paintings of Jacques-Louis David and mathematical devices that reveal the unseen worlds of quantum physics. Central to the story is the process of correlation, which invites observers to participate by eliciting leaps of imagination to fill gaps in data, equations, or sensations. This book traces practices that ran against the grain of both Locke's clear and distinct ideas and Newton's causality—practices greatly expanded by the calculus, probabilities, and protocols of data sampling.Today's digital technologies are rooted in the ability of high-speed computers to correct errors when returning binary data to the human sensorium. High-tech diagrams echo the visual structures of the Encyclopedia, arraying packets of dissimilar data across digital spaces instead of white paper. The culture of diagram broke with the certainties of eighteenth-century science to expand the range of human experience. Speaking across disciplines and discourses, Bender and Marrinan situate our modernity in a new and revealing light.

Regimes of Description responds to the perception—however imprecise—that forms of knowledge in every sector of contemporary culture are being fundamentally reshaped by the digital revolution: music, speech, engineering diagrams, weather reports, works of visual art, even the words most of us write are now subject, as Lyotard points out in The Inhuman, to a logic of the bit, the elemental unit of electronic information. It is now possible to slice, graft, and splice this knowledge in ways never before imagined using technologies that treat vast bodies of information as a stream of data bits. Programs and technical algorithms specify the criteria for discriminating between the data stream of a Mozart string quartet and the CAT scan of a diseased organ. But are these machine instructions and design parameters descriptions, or merely mechanical filters? And if the latter, what constitutes a description of digitally encoded knowledge? As a group, the essays in this volume pose that question as a first attempt to write the archaeology of the nature and history of description in the digital age.

Regimes of Description responds to the perception—however imprecise—that forms of knowledge in every sector of contemporary culture are being fundamentally reshaped by the digital revolution: music, speech, engineering diagrams, weather reports, works of visual art, even the words most of us write are now subject, as Lyotard points out in The Inhuman, to a logic of the bit, the elemental unit of electronic information. It is now possible to slice, graft, and splice this knowledge in ways never before imagined using technologies that treat vast bodies of information as a stream of data bits. Programs and technical algorithms specify the criteria for discriminating between the data stream of a Mozart string quartet and the CAT scan of a diseased organ. But are these machine instructions and design parameters descriptions, or merely mechanical filters? And if the latter, what constitutes a description of digitally encoded knowledge? As a group, the essays in this volume pose that question as a first attempt to write the archaeology of the nature and history of description in the digital age.

Romantic Paris is a richly illustrated survey of cultural life in Paris during some of the most tumultuous decades of the city's history. Between the coups d'état of Napoléon Bonaparte and of his nephew, Louis-Napoléon, Paris weathered extremes of political and economic fortune. Once the shining capital of a pan-European empire, it was overrun by foreign armies. Projects for grand public works were delayed and derailed by plague, armed uprisings, and civil war. At the same time, Paris was the theater of a revolution in the arts that challenged classical culture by depicting the vagaries of contemporary life and the thrill of unbridled experimentation. "Romantic Paris" produced Delacroix's Liberty Leading the People and Courbet's Burial at Ornans. It was both the setting and inspiration for Hugo's Les Misérables and The Hunchback of Notre-Dame. Meyerbeer's Robert le Diable set new standards for operatic productions, and audiences thrilled to the virtuoso performances of Paganini and Liszt, Talma and Taglioni. Established patterns of living, eating, dressing, and sociability were retooled for new urban spaces, new modes of personal mobility, and new forms of public self-presentation. The cultural legacy of Romantic Paris includes a museum that shelters fragments rescued from the rubble of the Revolution, as well as the display of masterpieces, open to one and all, that we visit today as the Louvre.. In addition, this period contributed an architectural legacy that now gives Paris its distinct and world-renowned reputation as a cultural and artistic center. In Romantic Paris, Michael Marrinan plots the zigzag trajectory of the monuments, spaces, and habits of a city that looks both to the past and the future with all the optimism, self-doubts, and creative energy of a culture poised at the threshold of modernity.

Romantic Paris is a richly illustrated survey of cultural life in Paris during some of the most tumultuous decades of the city's history. Between the coups d'état of Napoléon Bonaparte and of his nephew, Louis-Napoléon, Paris weathered extremes of political and economic fortune. Once the shining capital of a pan-European empire, it was overrun by foreign armies. Projects for grand public works were delayed and derailed by plague, armed uprisings, and civil war. At the same time, Paris was the theater of a revolution in the arts that challenged classical culture by depicting the vagaries of contemporary life and the thrill of unbridled experimentation. "Romantic Paris" produced Delacroix's Liberty Leading the People and Courbet's Burial at Ornans. It was both the setting and inspiration for Hugo's Les Misérables and The Hunchback of Notre-Dame. Meyerbeer's Robert le Diable set new standards for operatic productions, and audiences thrilled to the virtuoso performances of Paganini and Liszt, Talma and Taglioni. Established patterns of living, eating, dressing, and sociability were retooled for new urban spaces, new modes of personal mobility, and new forms of public self-presentation. The cultural legacy of Romantic Paris includes a museum that shelters fragments rescued from the rubble of the Revolution, as well as the display of masterpieces, open to one and all, that we visit today as the Louvre.. In addition, this period contributed an architectural legacy that now gives Paris its distinct and world-renowned reputation as a cultural and artistic center. In Romantic Paris, Michael Marrinan plots the zigzag trajectory of the monuments, spaces, and habits of a city that looks both to the past and the future with all the optimism, self-doubts, and creative energy of a culture poised at the threshold of modernity.

The Culture of Diagram is about visual thinking. Exploring a terrain where words meet pictures and formulas meet figures, the book foregrounds diagrams as tools for blurring those boundaries to focus on the production of knowledge as process. It outlines a history of convergence among diverse streams of data in real-time: from eighteenth-century print media and the diagrammatic procedures in the pages of Diderot's Encyclopedia to the paintings of Jacques-Louis David and mathematical devices that reveal the unseen worlds of quantum physics. Central to the story is the process of correlation, which invites observers to participate by eliciting leaps of imagination to fill gaps in data, equations, or sensations. This book traces practices that ran against the grain of both Locke's clear and distinct ideas and Newton's causality—practices greatly expanded by the calculus, probabilities, and protocols of data sampling.Today's digital technologies are rooted in the ability of high-speed computers to correct errors when returning binary data to the human sensorium. High-tech diagrams echo the visual structures of the Encyclopedia, arraying packets of dissimilar data across digital spaces instead of white paper. The culture of diagram broke with the certainties of eighteenth-century science to expand the range of human experience. Speaking across disciplines and discourses, Bender and Marrinan situate our modernity in a new and revealing light.

die Autoren eröffnen in ihrem Buch eine neue Sicht auf Bild und Wort beziehungsweise artikulierte und dichte Systeme im Sinne Goodmans, die sie zu einem instruktiven Diagrammkonzept zusammenführen. Diagramme sind Amalgame des Erkennens. Sie sind aber auch innerweltlich vorfindbare Gegenstände, mit denen kognitiv gearbeitet wird. Diagrammatisches Denken eröffnet Querverweise und ermöglicht so eine relationale, vom Erkennenden aktiv betriebene Urteilsbildung. Es führt zu einem Wissen, das konkret und prozesshaft ist.

die Autoren eröffnen in ihrem Buch eine neue Sicht auf Bild und Wort beziehungsweise artikulierte und dichte Systeme im Sinne Goodmans, die sie zu einem instruktiven Diagrammkonzept zusammenführen. Diagramme sind Amalgame des Erkennens. Sie sind aber auch innerweltlich vorfindbare Gegenstände, mit denen kognitiv gearbeitet wird. Diagrammatisches Denken eröffnet Querverweise und ermöglicht so eine relationale, vom Erkennenden aktiv betriebene Urteilsbildung. Es führt zu einem Wissen, das konkret und prozesshaft ist.