Michael Mlekoday – författare

Finalist, 2022 Miller Williams Poetry Prize

From cities and cross-country bus rides to swamps and fern forests, Michael Mlekoday’s All Earthly Bodies celebrates the ungentrifiable, ungovernable wildness of life. This is anarchist ecology, nonbinary environmentalism, an earthbound theology against empire in all its forms. These poems ask how our lives and language, our prayers and politics, might evolve if we really listened to the world and its more-than-human songs.

“Sometimes I wish I could / peel myself from myself / without discarding the shell,” Mlekoday writes. Through a kind of lyric dreamwork, Mlekoday sounds the depths—of ancestry and identity, race and gender, earth and self—to track the unbecoming and re-membering of the body.

"This book is a document of a particular world, real, wrenched from the poet''s life, as if written with a gun to his head or a spike through his heart. Reading it is like opening a damp newspaper wrapped around a big fish just caught, fins glistening, scales shining, one rhymed eye open and looking right at you, daring you to eat the whole thing."-Dorianne Laux, author of The Book of Men"The Dead Eat Everything, Michael Mlekoday''s furious first collection, is a cypher of old-school curses, elegy, and wordplay that snaps like gunplay. The book begins with a self-portrait when ''summer was one wet weapon after another'' and doesn''t stop. Not for a power outage, Catholic mass, or sewer steam. Not for a ''four-finger ring that says DOPE.'' Not for the city that repeats itself like breakbeats in the head. The poems in this book are as relentless as a Minneapolis winter. And when the speaker says, ''Scientists have proven that the mouth is the last part of the body to die,'' we understand that the mouth hangs on just to speak poems like these."-Adrian Matejka, author of The Big Smoke "It''s easy to forget-because of the brute beauty of the language; because of lines like ''I have made gods / of my skinned hands''; because of the whiplash brilliance roped through these poems-that deeply, ultimately, this is a book of mourning, of sorrow, of loss: for a dad, a Baba, a city, a home. But, to boot, Michael Mlekoday''s The Dead Eat Everything is a book of magic: watch sorrows be converted to music. And music, don''t forget, makes you dance. Makes you move. Moves you."-Ross Gay, author of Bringing the Shovel Down"The Dead Eat Everything is a haunting-an unsharpened visitation of memories. Each poem unfolds itself as if we are just now remembering stories told to us long ago, simultaneously new and exciting while comforting in their familiarity. Mlekoday''s debut collection glows. Let it. Let it light the way home."-Sierra DeMulder, author of New Shoes on a Dead Horse

"This book is a document of a particular world, real, wrenched from the poet''s life, as if written with a gun to his head or a spike through his heart. Reading it is like opening a damp newspaper wrapped around a big fish just caught, fins glistening, scales shining, one rhymed eye open and looking right at you, daring you to eat the whole thing."-Dorianne Laux, author of The Book of Men"The Dead Eat Everything, Michael Mlekoday''s furious first collection, is a cypher of old-school curses, elegy, and wordplay that snaps like gunplay. The book begins with a self-portrait when ''summer was one wet weapon after another'' and doesn''t stop. Not for a power outage, Catholic mass, or sewer steam. Not for a ''four-finger ring that says DOPE.'' Not for the city that repeats itself like breakbeats in the head. The poems in this book are as relentless as a Minneapolis winter. And when the speaker says, ''Scientists have proven that the mouth is the last part of the body to die,'' we understand that the mouth hangs on just to speak poems like these."-Adrian Matejka, author of The Big Smoke "It''s easy to forget-because of the brute beauty of the language; because of lines like ''I have made gods / of my skinned hands''; because of the whiplash brilliance roped through these poems-that deeply, ultimately, this is a book of mourning, of sorrow, of loss: for a dad, a Baba, a city, a home. But, to boot, Michael Mlekoday''s The Dead Eat Everything is a book of magic: watch sorrows be converted to music. And music, don''t forget, makes you dance. Makes you move. Moves you."-Ross Gay, author of Bringing the Shovel Down"The Dead Eat Everything is a haunting-an unsharpened visitation of memories. Each poem unfolds itself as if we are just now remembering stories told to us long ago, simultaneously new and exciting while comforting in their familiarity. Mlekoday''s debut collection glows. Let it. Let it light the way home."-Sierra DeMulder, author of New Shoes on a Dead Horse