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3 produkter
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Examines the film practice of the Chilean-French filmmaker and artist Alejandro JodorowskyThe first scholarly collection dedicated to the films of Alejandro JodorowskyOffers theoretical interpretations from the fields of cinema studies, art history, Latin American studies, gender studies, comparative literature, disability studies, and sound studies, from leading scholars in the fieldIncludes both textual and contextual analysis of Jodorowsky's entire filmographyKnown as the father of the midnight cult movie" and co-founder of the avant-garde Panic movement in France, Alejandro Jodorowsky Prullansky defies all basic categorization. He is known as a provocateur, a performance artist, a visionary filmmaker, a controversial playwright, a philosopher, and a tarot reader, among other disparate classifications. These varied dimensions of artist and filmmaker converge seamlessly into his practice. He is recognized by audiences as a creator of controversial and mesmerizing films characterized by visual delirium, the injection of radical politics and mystical philosophy, and a post-surrealist aesthetics.?ReFocus: The Films of Alejandro Jodorowsky pursues an interdisciplinary approach to analyze and contextualize Jodorowsky's films according to a variety of conceptual modalities: from occult and mystical orientations, to the political and decolonial aspects of his major films. This collection examines the formative metaphysical elaborations involved in Jodorowsky's earliest films, his pioneering of a truly unique independent film practice in Mexico, and his emergence and development as a visionary international filmmaker.?"
251 kr
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Known as the father of the "midnight cult movie" and co-founder of the avant-garde Panic movement in France, Alejandro Jodorowsky Prullansky defies all basic categorization. He is known as a provocateur, a performance artist, a visionary filmmaker, a controversial playwright, a philosopher, and a tarot reader, among other disparate classifications. These varied dimensions of artist and filmmaker converge seamlessly into his practice. He is recognized by audiences as a creator of controversial and mesmerizing films characterized by visual delirium, the injection of radical politics and mystical philosophy, and a post-surrealist aesthetics.?ReFocus: The Films of Alejandro Jodorowsky pursues an interdisciplinary approach to analyze and contextualize Jodorowsky's films according to a variety of conceptual modalities: from occult and mystical orientations, to the political and decolonial aspects of his major films. This collection examines the formative metaphysical elaborations involved in Jodorowsky's earliest films, his pioneering of a truly unique independent film practice in Mexico, and his emergence and development as a visionary international filmmaker.
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Beginning with an exploration of Klossowski’s unconventional approach to literary and philosophical production, Michael Newell Witte traces the international impact that Klossowski and his cohorts in the Paris Collège de Sociologie had on the work of some of the most radical artists, filmmakers and theorists of the second half of the 20th century, with a spotlight on the critical reception of surrealist concepts within the work of the Italian film director Pier Paolo Pasolini and the Mexican filmmaker, artist and theatre practitioner, Juan José Gurrola.By engaging with concepts like acinema, the tableau vivant, simulation, anti-economy and the theory of the instinctual drives, this book offers a fresh perspective on the evolution of avant-garde aesthetics, challenging traditional narratives and providing new insights into the complex intellectual history that underlies the fields of avant-garde film and film theory.