Michael O'Connor – författare

This book chronicles the life story of Ted Turner—cable television mogul, successful baseball team owner, and fascinating public figure.Ted Turner: A Biography tells the story of a man whose wide range of accomplishments have led to a Man of the Year award from Time magazine, induction into the Advertising Hall of Fame, and numerous awards and honorary degrees for humanitarian, philanthropic, and environmental activism.Ted Turner shows how this remarkable, unpredictable man built the risky purchase of a small Atlanta UHF station into a cable television juggernaut, as well as how Turner transformed the Atlanta Braves from a lowly franchise to one of baseball's most popular and successful teams. The book also highlights other fascinating aspects of Turner's life, including his record-breaking career as a yachtsman, his extraordinary efforts to save the American bison, his headline-making marriage to Jane Fonda, and his sometimes contradictory, often controversial public persona.

Music does not make itself. It is made by people: professionals and amateurs, singers and instrumentalists, composers and publishers, performers and audiences, entrepreneurs and consumers. In turn, making music shapes those who make it—spiritually, emotionally, physically, mentally, socially, politically, economically—for good or ill, harming and healing. This volume considers the social practice of music from a Christian point of view. Using a variety of methodological perspectives, the essays explore the ethical and doctrinal implications of music-making. The reflections are grouped according to the traditional threefold ministry of Christ: prophet, priest, and shepherd: the prophetic role of music, as a means of articulating protest against injustice, offering consolation, and embodying a harmonious order; the pastoral role of music: creating and sustaining community, building peace, fostering harmony with the whole of creation; and the priestly role of music: in service of reconciliation and restoration, for individuals and communities, offering prayers of praise and intercession to God. Using music in priestly, prophetic, and pastoral ways, Christians pray for and rehearse the coming of God’s kingdom—whether in formal worship, social protest, concert performance, interfaith sharing, or peacebuilding. Whereas temperance was of prime importance in relation to the ethics of music from antiquity to the early modern period, justice has become central to contemporary debates. This book seeks to contribute to those debates by means of Christian theological reflection on a wide range of musics: including monastic chant, death metal, protest songs, psalms and worship music, punk rock, musical drama, interfaith choral singing, Sting, and Daft Punk.