Michael R. Licona – författare

Anyone who reads the Gospels carefully will notice that there are differences in the manner in which they report the same events. These differences have led many conservative Christians to resort to harmonization efforts that are often quite strained, sometimes to the point of absurdity. Many people have concluded the Gospels are hopelessly contradictory and, therefore, historically unreliable accounts of Jesus. The majority of New Testament scholars now hold that most if not all of the Gospels belong to the genre of Greco-Roman biography and that this genre permitted some flexibility in the manner that historical events were narrated. However, few scholars provide a robust discussion on how this plays out in Gospel pericopes (self-contained passages). Why Are There Differences in the Gospels? provides a fresh approach to the matter by examining the works of Plutarch, a Greek essayist who lived in the first and second centuries CE. Michael R. Licona discovers three-dozen pericopes narrated two or more times in Plutarch's Lives, identifies differences between the accounts, and views these differences in light of compositional devices acknowledged by classical scholars to have been commonly employed by ancient authors. The book then uses the same approach with nineteen pericopes narrated in two or more Gospels to demonstrate that the major differences found in them likely result from the same compositional devices employed by Plutarch.By suggesting that both the strained harmonizations and the hasty dismissals of the Gospels as reliable accounts are misguided, Licona invites readers to view the Gospels in light of their biographical genre in order to gain a clearer understanding of why the differences are present.

The differences and discrepancies in the Gospels constitute the foremost objections to their reliability and the credibility of their message. Some have tried to resolve Gospels contradictions with strained harmonization efforts. Many others conclude that the Gospels are hopelessly contradictory and, therefore, historically unreliable accounts of Jesus.In Jesus, Contradicted, New Testament scholar Michael Licona shows how the genre of ancient biography, to which the Gospels belong, actually allows biographers to be flexible in how they report events, construct a narrative, and make an argument. Licona demonstrates that the intentional changes to the Jesus tradition by the Evangelists reveal that the differences in how the Gospels report events are not grounds for their rejection. Instead, they are a result of the Gospel writers employing standard literary conventions common in their time for writing ancient biography.Licona introduces readers to the genre of ancient biography through Plutarch, who wrote 48 of the 90 extent biographies written within 150 years of Jesus, giving numerous examples of compositional devices employed by Plutarch, and comparing them with instances in the Gospels where the Evangelists appear to use similar techniques. Licona also examines Theon's Progymnasmata, a first-century textbook that provides six techniques for paraphrasing one's sources when writing a narrative. In doing so, he helps readers understand why the Gospels report many events differently. Finally, Licona concludes by addressing the thorny question of whether the editorial moves commonplace in ancient biography are compatible with the doctrines of the divine inspiration and the inerrancy of Scripture.Rather than trying to resolve discrepancies by bending the Gospel narrative, which risks making them say things they aren't saying, Jesus, Contradicted situates the Gospels within their proper context and helps readers account for differences in the Gospels in a cohesive and historically cogent way.

Imagine if the Apostle Paul were alive to defend the truth of Jesus's resurrection-only to be countered by none other than the prophet Muhammad himself.In an approach as creative as any scholar has taken, Michael R. Licona describes an invention that can make historical figures appear alive and present. Imagining an audience of both Christians and Muslims, Licona crafts a lively debate between Paul and Muhammad, each speaking on and analyzing the validity of the Qur'an, the gospel accounts, and both Christian and Muslim doctrine.Intriguing and entertaining, Paul Meets Muhammad uniquely offers evangelism advice for Christians who want to speak the gospel to Muslim friends and neighbors. This fictional scenario presents a powerful, comprehensive defense of Jesus's resurrection and of Christianity itself.

There have always been challenges to belief in God as he is revealed in the Bible and each new year seems to add more questions to the doubter's arsenal. In Evidence for God, leading apologists provide compelling arguments that address the most pressing questions of the day about God, science, Jesus, the Bible, and more, includingIs Intelligent Design really a credible explanation of the origins of our world?Did Jesus really exist?Is Jesus really the only way to God?What about those who have never heard the gospel?Is the Bible today what was originally written?What about recently publicized gospels that aren't in the Bible?and much more

Did Jesus rise from the dead? Is resurrection even possible? Raised on the Third Day approaches these questions with critical and believing eyes. A variety of contributors--including J. P. Moreland, William Lane Craig, Craig A. Evans, Beth M. Sheppard, and Sean McDowell--evaluate scriptural, historical, moral, and apologetic issues related to Christ's death and resurrection. Readers will better appreciate how Gary Habermas has shaped the discussion and how scholarship can be moved forward. Study of Christ's resurrection is far from exhausted.Gary R. Habermas is one of the most influential Christian philosophers and apologists of the later twentieth and early twenty-first centuries. His life's work has focused on matters pertaining to the historicity of the resurrection of Jesus, and it is widely agreed that Habermas is the foremost authority on the subject. This festschrift is a tribute to that work.