Michael R Miller – författare

Winter. War. Chaos.As Elder turns against Elder and riders clash, Holt and Ash fight to protect the people of the Fae Forest as Thrall seeks to blight every creature within it. On the front lines their only real aid comes from Holt's new lunar blade, and a dangerous new ally whose claws cut both ways.In the west, Athra and Risalia have dragged Talia into war. She can't bring peace without pain; told she can't be a rider and a queen; torn beyond duty and her dream beyond the dream. There are no good options, not without becoming the monster her enemies claim her to be.Rake and Osric have missions of their own, one to right their past, the other to confront it. Both will step out of the known world, to the Green Sea of the east and beyond the desert's end; both hunted by new scourge of immense power and skill.Few will survive.The reckoning has come.

Winter. War. Chaos.As Elder turns against Elder and riders clash, Holt and Ash fight to protect the people of the Fae Forest as Thrall seeks to blight every creature within it. On the front lines their only real aid comes from Holt's new lunar blade, and a dangerous new ally whose claws cut both ways.In the west, Athra and Risalia have dragged Talia into war. She can't bring peace without pain; told she can't be a rider and a queen; torn beyond duty and her dream beyond the dream. There are no good options, not without becoming the monster her enemies claim her to be.Rake and Osric have missions of their own, one to right their past, the other to confront it. Both will step out of the known world, to the Green Sea of the east and beyond the desert's end; both hunted by new scourge of immense power and skill.Few will survive.The reckoning has come.

Over 200,000 copies sold in this completed trilogy!Book 1 in the complete trilogy.Arrogant. Scornful. Full of pride. Darnuir, Prince of Dragons, cares nothing for the damage he's doing to the faltering alliance against the Shadow. He thinks himself invincible - right up till a mortal wound forces him to undergo a dangerous rebirthing spell, leaving him a helpless babe in human hands.Twenty years pass and demonic forces are poised to sweep across the land. With the alliance between humanity, dragons, and fairies fracturing, Darnuir will have to uncover the secrets of his past, seek redemption for his sins, and rally the disparate races if they are to survive.Only Darnuir can do this. For he's the last member of the royal bloodline and only he can wield the Dragon's Blade.His second chance is the world's last hope.

In this accessible and informative text, Michael R. Miller draws on his extensive experience working on award-winning films to help readers develop their "eye" for editing.The book begins by emphasizing the need for editors to pay attention to the emotional and aesthetic tone of a project and scene, before it explores what makes great editing in a feature film. This includes editing approaches founded on deep appreciation for actors’ performances and directors’ philosophies, trimming or even deleting footage that weighs down the narrative, refining character point of view, the importance of opening scenes, the role of sound and much more. Throughout the text, Miller draws on insights from editors such as Paul Hirsch, ACE, Susan E. Morse, ACE, and Thelma Schoonmaker, ACE, to provide readers with a deep understanding of how and why “movies are made in the cutting room."This is a perfect resource for intermediate and advanced editing students, as well as professional editors hoping to improve their craft and learn from the masters. Miller’s emphasis on what editors feel while watching dailies, his focus on performance quality, his assertions that, paradoxically, a picture might be improved when a great scene, or even a considerable number of them are deleted – will be eye-opening for one and all.

In this accessible and informative text, Michael R. Miller draws on his extensive experience working on award-winning films to help readers develop their "eye" for editing.The book begins by emphasizing the need for editors to pay attention to the emotional and aesthetic tone of a project and scene, before it explores what makes great editing in a feature film. This includes editing approaches founded on deep appreciation for actors’ performances and directors’ philosophies, trimming or even deleting footage that weighs down the narrative, refining character point of view, the importance of opening scenes, the role of sound and much more. Throughout the text, Miller draws on insights from editors such as Paul Hirsch, ACE, Susan E. Morse, ACE, and Thelma Schoonmaker, ACE, to provide readers with a deep understanding of how and why “movies are made in the cutting room."This is a perfect resource for intermediate and advanced editing students, as well as professional editors hoping to improve their craft and learn from the masters. Miller’s emphasis on what editors feel while watching dailies, his focus on performance quality, his assertions that, paradoxically, a picture might be improved when a great scene, or even a considerable number of them are deleted – will be eye-opening for one and all.

In this accessible and informative text, Michael R. Miller draws on his extensive experience working on award-winning films to help readers develop their "e;eye"e; for editing.The book begins by emphasizing the need for editors to pay attention to the emotional and aesthetic tone of a project and scene, before it explores what makes great editing in a feature film. This includes editing approaches founded on deep appreciation for actors' performances and directors' philosophies, trimming or even deleting footage that weighs down the narrative, refining character point of view, the importance of opening scenes, the role of sound and much more. Throughout the text, Miller draws on insights from editors such as Paul Hirsch, ACE, Susan E. Morse, ACE, and Thelma Schoonmaker, ACE, to provide readers with a deep understanding of how and why "e;movies are made in the cutting room."e;This is a perfect resource for intermediate and advanced editing students, as well as professional editors hoping to improve their craft and learn from the masters. Miller's emphasis on what editors feel while watching dailies, his focus on performance quality, his assertions that, paradoxically, a picture might be improved when a great scene, or even a considerable number of them are deleted - will be eye-opening for one and all.

In this accessible and informative text, Michael R. Miller draws on his extensive experience working on award-winning films to help readers develop their "e;eye"e; for editing.The book begins by emphasizing the need for editors to pay attention to the emotional and aesthetic tone of a project and scene, before it explores what makes great editing in a feature film. This includes editing approaches founded on deep appreciation for actors' performances and directors' philosophies, trimming or even deleting footage that weighs down the narrative, refining character point of view, the importance of opening scenes, the role of sound and much more. Throughout the text, Miller draws on insights from editors such as Paul Hirsch, ACE, Susan E. Morse, ACE, and Thelma Schoonmaker, ACE, to provide readers with a deep understanding of how and why "e;movies are made in the cutting room."e;This is a perfect resource for intermediate and advanced editing students, as well as professional editors hoping to improve their craft and learn from the masters. Miller's emphasis on what editors feel while watching dailies, his focus on performance quality, his assertions that, paradoxically, a picture might be improved when a great scene, or even a considerable number of them are deleted - will be eye-opening for one and all.

Jack Kross only wanted to play the game. Now he’s fighting for his life.When a mysterious hacker takes control of Hundred Kingdoms, Jack is trapped inside the fantasy VR world along with millions of other players. But Jack is in a worse predicament. He’s cornered in the very tower the terrorists have taken as their base; the only free player left within its walls. Even worse, in the real world, his body lies in a sweltering room with no hope of relief.Playing the profession-based Scavenger class, and at a low level, Jack’s prospects of fighting his way out are next to impossible. Crafting gear, traps, and weapons, allying with a deadly dungeon master and an AI he can’t fully trust, Jack is in a race against time to save not just himself but the millions of players held hostage.Battle Spire is a meeting of World of Warcraft and Die Hard, using crunchy LitRPG mechanics with a heavy focus on crafting. Listeners can expect to find in depth item and spell descriptions, along with stat tables and profession recipes.

Jack Kross only wanted to play the game. Now he's fighting for his life.When a mysterious hacker takes control of Hundred Kingdoms, Jack is trapped inside the fantasy VR world along with millions of other players. But Jack is in a worse predicament. He's cornered in the very tower the terrorists have taken as their base; the only free player left within its walls. Even worse, in the real world, his body lies in a sweltering room with no hope of relief.Playing the profession-based Scavenger class, and at a low level, Jack's prospects of fighting his way out are next to impossible. Crafting gear, traps, and weapons, allying with a deadly dungeon master and an AI he can't fully trust, Jack is in a race against time to save not just himself but the millions of players held hostage.Battle Spire is a meeting of World of Warcraft and Die Hard, using crunchy LitRPG mechanics with a heavy focus on crafting. Listeners can expect to find in depth item and spell descriptions, along with stat tables and profession recipes.

Rectar’s demonic invasion of the west is gaining momentum – an unrelenting horde unhindered by food or sleep. Only the undermanned Splintering Isles lie between the demons and the human kingdom of Brevia. If the islands fall, the rest of Tenalp will soon follow.The Three Races have yet another problem – Castallan. The traitorous wizard has raised a deadly rebellion and declared himself King of Humans. He believes himself safe inside the impenetrable Bastion fortress, but Darnuir, now King of Dragons, intends to break those walls at all costs.To face these threats, all dragons, humans and fairies must truly unite; yet old prejudices undermine Darnuir’s efforts once again and he finds himself turning to unlikely new allies.As the true intentions of all are revealed, so too is a secret that will change the entire world.

As winter wanes, the fragile bonds of the Three Races begin to break.With Darnuir recovering from his addiction, and Blaine reclusive in the hallways of his Order, it falls to Lira to manage the mounting tension between the humans and zealous dragons before catastrophe strikes from within the city walls.In Brevia, King Arkus unveils his new weapons to the Assembly of Lords, but is it a gift to his people or a threat?Cassandra fears it the latter and vows to curb her father’s new unchecked power that she herself helped to create.And beneath the burned mountain of Kar’drun, Dukoona suffers at the hands of his Master. His one hope now lies in the crippled spectre Sonrid, who is forcing his broken body back to the mountain in order to play his part, or die, and be free from his pained existence.Darnuir awakes weakened, and to an alliance on the brink. He must at last become the leader the dragons need but will he be too late to save his people, not just from Rectar, but from years of their own mistakes?