Michael Rodgers - Böcker

The first collection to address the vexing issue of Nabokov’s moral stances, this book argues that he designed his novels and stories as open-ended ethical problems for readers to confront. In a dozen new essays, international Nabokov scholars tackle those problems directly while addressing such questions as whether Nabokov was a bad reader, how he defined evil, if he believed in God, and how he constructed fictional works that led readers to become aware of their own moral positions. In order to elucidate his engagement with aesthetics, metaphysics, and ethics, Nabokov and the Question of Morality explores specific concepts in the volume’s four sections: “Responsible Reading,” “Good and Evil,” “Agency and Altruism,” and “The Ethics of Representation.” By bringing together fresh insights from leading Nabokovians and emerging scholars, this book establishes new interdisciplinary contexts for Nabokov studies and generates lively readings of works from his entire career.

The first collection to address the vexing issue of Nabokov’s moral stances, this book argues that he designed his novels and stories as open-ended ethical problems for readers to confront. In a dozen new essays, international Nabokov scholars tackle those problems directly while addressing such questions as whether Nabokov was a bad reader, how he defined evil, if he believed in God, and how he constructed fictional works that led readers to become aware of their own moral positions. In order to elucidate his engagement with aesthetics, metaphysics, and ethics, Nabokov and the Question of Morality explores specific concepts in the volume’s four sections: “Responsible Reading,” “Good and Evil,” “Agency and Altruism,” and “The Ethics of Representation.” By bringing together fresh insights from leading Nabokovians and emerging scholars, this book establishes new interdisciplinary contexts for Nabokov studies and generates lively readings of works from his entire career.

Target exam success with My Revision Notes. Our updated approach to revision will help you learn, practise and apply your skills and understanding. Coverage of key content is combined with practical study tips and effective revision strategies to create a guide you can rely on to build both knowledge and confidence.My Revision Notes: OCR GCSE (9-1) Media Studies will help you: - Plan and manage your revision with our topic-by-topic planner and exam breakdown introduction - Practise and apply your skills and knowledge with exam-style questions and frequent Now test yourself questions, and answer guidance online- Understand key terms you will need for the exam with user-friendly definitions and glossary - Avoid common mistakes and enhance your exam answers with exam tips - Build quick recall with bullet-pointed summaries at the end of each chapter

Target exam success with My Revision Notes. Our updated approach to revision will help you learn, practise and apply your skills and understanding. Coverage of key content is combined with practical study tips and effective revision strategies to create a guide you can rely on to build both knowledge and confidence. My Revision Notes: OCR A-level Media Studies will help you: - Plan and manage your revision with our topic-by-topic planner and exam breakdown introduction - Practise and apply your skills and knowledge with exam-style questions and frequent Now test yourself questions, and answer guidance online- Understand key terms you will need for the exam with user-friendly definitions and glossary- Avoid common mistakes and enhance your exam answers with exam tips - Build quick recall with bullet-pointed summaries at the end of each chapter

Awarded the Jane Grayson Prize by the International Vladimir Nabokov SocietyShortlisted for The European Society for the Study of English (ESSE) Book AwardNabokov and Nietzsche: Problems and Perspectives addresses the many knotted issues in the work of Vladimir Nabokov – Lolita’s moral stance, Pnin’s relationship with memory, Pale Fire’s ambiguous internal authorship – that often frustrate interpretation. It does so by arguing that the philosophy of Friedrich Nietzsche, as both a conceptual instrument and a largely unnoticed influence on Nabokov himself, can help to untie some of these knots. The study addresses the fundamental problems in Nabokov's writing that make his work perplexing, mysterious and frequently uneasy rather than simply focusing on the literary puzzles and games that, although inherent, do not necessarily define his body of work. Michael Rodgers shows that Nietzsche’s philosophy provides new, but not always palatable, perspectives in order to negotiate interpretative impasses, and that the uneasy aspects of Nabokov’s work offer the reader manifold rewards.

Awarded the Jane Grayson Prize by the International Vladimir Nabokov SocietyShortlisted for The European Society for the Study of English (ESSE) Book AwardNabokov and Nietzsche: Problems and Perspectives addresses the many knotted issues in the work of Vladimir Nabokov – Lolita’s moral stance, Pnin’s relationship with memory, Pale Fire’s ambiguous internal authorship – that often frustrate interpretation. It does so by arguing that the philosophy of Friedrich Nietzsche, as both a conceptual instrument and a largely unnoticed influence on Nabokov himself, can help to untie some of these knots. The study addresses the fundamental problems in Nabokov's writing that make his work perplexing, mysterious and frequently uneasy rather than simply focusing on the literary puzzles and games that, although inherent, do not necessarily define his body of work. Michael Rodgers shows that Nietzsche’s philosophy provides new, but not always palatable, perspectives in order to negotiate interpretative impasses, and that the uneasy aspects of Nabokov’s work offer the reader manifold rewards.

Popular science books, selling in their thousands — even millions — help us appreciate breakthroughs in understanding the natural world, while highlighting the cultural importance of scientific knowledge. Textbooks bring these same advances to students; the scientists of tomorrow. But how do these books come about? And why are some of them so spectacularly successful?This is the first ever insider's account of science publishing, written by an editor intimately involved in the publication of some of the most famous bestsellers in the field. Michael Rodgers reveals the stories behind these extraordinary books, providing a behind-the-scenes view of the world of books, authors and ideas. These vivid and engaging narratives illuminate not only the challenges of writing about science, but also how publishing itself works and the creative collaboration between authors and editors that lies at its heart.The book (like many of those it describes) is intended for a wide readership. It will interest people in publishing, past and present, and also academics and students on publishing courses. Scientists exploring territories outside their own speciality will enjoy it, while there is invaluable advice for those planning their first popular book or textbook. It will also appeal to readers with a humanities background who, finding the concepts of science intriguing, want to know more about how they are developed and communicated.