Michael Rossi – författare

"An engaging romp." — New York Times Book Review"A haunting, quietly devastating excavation of a story we should all know but don’t: how a surfing legend became the target of eugenic obsession... Gorgeously written and brilliantly researched, this book is both a warning and a wonder." — Laurie Gwen Shapiro, author of The Aviator and the ShowmanThe fascinating untold story of one scientist’s pursuit of a legendary surfer in his quest to define human nature, written with the compelling drama and narrative insight of Why Fish Don’t Exist and The Lost City of Z. Deep in the archives of New York’s American Museum of Natural History sits a wardrobe filled with fifty plaster casts of human heads a century old. How they came to be is the story of one of the most consequential, and yet least-known, encounters in the history of science. In 1920, the museum’s director, Henry Fairfield Osborn, traveled to Hawaii on an anthropological research trip. While there, he took a surfing lesson with Duke Kahanamoku, the famous surf-rider and budding movie star. For Osborn, a fervent eugenicist, the tall, muscular Kahanamoku embodied the “pure racial type” he was desperate to understand and, more significantly, preserve, in the human race.Upon his return to New York, Osborn’s fixation grew. He dispatched young scientist Louis Sullivan to Honolulu to measure, photograph, and cast in plaster Kahanamoku and other Hawaiian people. The study touched off a series of events that forever changed how we think about race, culture, science, and the essence of humanity. In Capturing Kahanamoku, historian Michael Rossi draws on archival research and firsthand interviews to weave together a truly fascinating cultural history that is an absorbing account of obsession, a cautionary tale about the subjectivity of science, a warning of the pernicious and lasting impact of eugenics, a meditation on humanity, and the story of a man whose personhood shunned classification.A heady blend of Barbarian Days and The Immortal Life of Henrietta Lacks, Capturing Kahanamoku is a twentieth-century saga with ever-clearer implications for our times.Capturing Kahanamoku includes 16-20 black-and-white photos throughout.

What is the correct way to see color in a modern, scientific society? And who decides? In The Republic of Color, Michael Rossi delves deep into the history of color science in the United States to trace its complex origins and examine the scope of its influence on the industrial transformation of turn-of-the-century America. For a nation in the grip of profound economic, cultural, and demographic crises, the standardization of color became a means of social reform--a way of sculpting the American population into one more amenable to the needs of the emerging industrial order. Delineating color was also a way to characterize the vagaries of human nature, and to create ideal structures through which those humans would act in a newly modern American republic. Rossi's compelling history goes far beyond the culture of the visual to show readers how the control and regulation of color shaped the social contours of modern America--and redefined the way we see the world.

This study examines James Herriot's five major books as carefully crafted volumes of autobiography based on the building block of the short story. In each of these works Herriot explores the fundamental choice of values underlying a happy and successful life. In his vision the bonds of affection and mutual dependence between all creatures, human and animal, form an enduring theme that lies at the heart of the choices he makes in his personal and professional life. This study will help the reader to understand the relationship between Herriot's stories and each book as a whole and to appreciate Herriot's work in the context of twentieth-century anxieties about identity and meaning.Following a biographical chapter that describes the relationship between Herriot's life and literary work, Rossi discusses the genre of autobiography, the relationship between truth and fiction in modern autobiography, and Herriot's use of the genre. A separate chapter is then devoted to each of Herriot's works in turn: All Creatures Great and Small, All Things Bright and Beautiful, All Things Wise and Wonderful, The Lord God Made Them All, and ^Every Living Thing. The discussion of each work includes sections on plot development and narrative structure, character development, thematic issues, and alternative critical approaches that may be fruitfully applied to the book. Helpful appendices contain identifications of minor characters in the works. A complete bibliography of all of James Herriot's works, critical sources, and a listing of reviews of all of his works completes the volume. Because of the popularity of Herriot's work among adults and young adults this companion will be a key purchase for school and public libraries.