Michael Steppat – författare

Like culture itself, the field of intercultural studies is a product of historical events and encounters. The values, norms, beliefs, and experiences of previous generations shape our current perspectives and procedures in this field. Inversely, our intercultural positionality also leads to different interpretations of history. We know that the same events will belong to different stories and assume a variable significance in more than one narrative (Louis Mink). Thus, we should place greater importance on the intersection between our intercultural trajectories and their histories both in research and in practical activities, as histories provide the contexts necessary to understand the dimensions of our intercultural activities. Modifying the approaches of recent inquiries into histories of the field, this volume addresses and expands on earlier lines of research, while it also acknowledges and qualifies the common overemphasis on Western philosophical roots.

Like culture itself, the field of intercultural studies is a product of historical events and encounters. The values, norms, beliefs, and experiences of previous generations shape our current perspectives and procedures in this field. Inversely, our intercultural positionality also leads to different interpretations of history. We know that the same events will belong to different stories and assume a variable significance in more than one narrative (Louis Mink). Thus, we should place greater importance on the intersection between our intercultural trajectories and their historical directions both in research and in practical activities, as histories provide the dynamics necessary to understand the dimensions of our intercultural activities. Modifying the approaches of recent inquiries into histories of the field, this volume addresses and expands on earlier lines of research, while it also acknowledges and qualifies the common overemphasis on Western philosophical roots. The SISU Intercultural Institute has contributed to the field with the Intercultural Research series, and this book fills important gaps in the literature. It makes a significant contribution by integrating major sociocultural developments like the pioneering work of Edward Hall and concepts of study abroad, and it presents multilevel perspectives on intercultural professional development and the complex field of area studies. Professor Dharm Bhawuk, PhD, University of Hawai‘i For many readers this book will be a “treasure chest” for the exploration of multiple views on the history of intercultural communication (research) and its connectedness with various academic disciplines and traditions. With its wide array of themes, from the groundbreaking research of Edward Hall to concepts of humanism in China, the text is highly recommended for beginners as well as advanced readers. Prof. Dr. em. Jürgen Henze, Humboldt-Universität zu Berlin

In a global context where the speed and volume of migration have continuously increased, communicative failure shows up in cultural conflicts as thematized in Asian American women’s literature. When the text surface suggests that migrant identity is flexibly hybrid, are there deeper textual layers? This book probes the limitations not only of the usual methods of literary study, but of Western constructions of the experience of loss and deprivation. Can literary interpretation gain from adapting new conceptualizations developed in the science-oriented field of intercultural communication studies? A critical negotiation concept opens unexpected analytical potential with far-reaching implications.

Honor-related values are a source of gendered inequality and of violence. In so-called honor cultures, traditionally located in parts of the Middle East, Mediterranean regions, North Africa, and South America, honor translates into women’s roles as dictated by family ideology. There is a direct link between male reputation and the female body. In these matters, East Asian face cultures are similar to but also different from honor cultures. For the first time, this book studies literary together with sociological representations of the loss of honor and of face. Fiction explores honor-based values which impose shackles not only on female but also on male society members. The book is endorsed with prefaces by Turkish writer Sema Kaygusuz and Chinese scholar Ma Chi.

In the world’s so-called honor and face cultures, certain values and codes related to the protection of a family’s stainless reputation are deep-rooted. When they are violated by what is perceived as an immoral action, and the respective transgression becomes known, the honor not only of the deviant, but also of the in-group itself is damaged. This leads to stigmatization followed by collective rejection. Consequently, the stigma needs to be removed, usually by a publicly recognizable punitive action taken against those who caused this loss of honor or face, which is experienced as a kind of social death. The punishments range from psychological to physical violence, sometimes including murder. With attention to social science as well as works of fiction, this book studies such punitive measures that affect both women and men by also taking into account intercultural contexts of migration and ethnic minorities. Attention is equally devoted to movies that deal with the consequences of honor and face loss. The book is endorsed by the celebrated Turkish writer Elif Shafak.

Der Klang einer Steeldrum weist eine sehr starke Differenzierung auf. Durch komplexe nichtlineare Vorgänge können bereits geringe Änderungen der Spielweise erhebliche Änderungen des Klangs hervorrufen. Selbst Instrumente, die aus der gleichen Werkstatt eines Instrumentenbauers stammen, können bei scheinbar gleichem Material große Unterschiede im Klang aufweisen. Viele Fragen der Klangentstehung sind noch nicht restlos geklärt, weshalb die Stimmung und Intonation vom Instrumentenbauer neben einer guten Technik auch sehr viel Intuition abverlangt. Mit numerischen Methoden lassen sich die Schwingungsvorgänge des Instruments am Computer simulieren. Dabei werden Einflussgrößen wie Spielweise, Material und vor allem die geometrische Form der klangerzeugenden Tonfelder berücksichtigt. Die Klangsimulation bietet so gegenüber aufwändigen Experimenten am Instrument eine zeitsparende Alternative. Durch Hörversuche ging der Autor der Frage nach, ob es bestimmte Klangmerkmale gibt, die von den Zuhörern als angenehm empfunden werden und als Qualitätsparameter für ein Instrument dienen könnten.