Michael Stolberg - Böcker

Uroscopy - the diagnosis of disease by visual examination of the urine - played a very prominent role in early modern medical practice and in the lives of ordinary people. Widely considered as the most reliable way to diagnose diseases and pregnancies it was taught at the best universities. Leading physicians prided themselves on their mastery in this field. Countless medical writings were dedicated to uroscopy and artists represented it in hundreds of illustrations and paintings. Based on a wide range of textual and visual sources, such as autobiographies, court records, medical treatises and genre painting, this book offers the first comprehensive study of the place of uroscopy in early modern medicine, culture and society and of the - gradually changing - ways in which medical practitioners, lay persons and, last but not least, artists perceived and used it.

Renaissance anatomist Gabrielle Falloppia is best known today for his account of the eponymous fallopian tubes but he made numerous other anatomical discoveries as well, was one of the most famous surgeons of his time, and is widely believed to have invented the condom.Drawing on Falloppia's Observationes anatomicae of 1561 and on dozens of handwritten and published sets of student notes, this book not only looks at Falloppia’s anatomical lectures and demonstrations. It also studies Falloppia’s work on surgical topics – including the French disease and cosmetic surgery – on thermal waters, and on pharmacology. Last but not least, it uses student notes and the letters of contemporary scholars to throw a new light on Falloppia’s biography, on his very special relationship with the botanist Melchior Wieland, who lived in his house for several years, and on his conflicts with his fellow professors in Padua, one of whom, Bassiano Landi, was murdered just ten days after his funeral – by Falloppia’s disciples, as some believed.Written by one of the leading scholars in the field of early modern medicine, this book will appeal to all those interested in the teaching and practice of anatomy, surgery, and pharmacology in the Renaissance.

Renaissance anatomist Gabrielle Falloppia is best known today for his account of the eponymous fallopian tubes but he made numerous other anatomical discoveries as well, was one of the most famous surgeons of his time, and is widely believed to have invented the condom.Drawing on Falloppia's Observationes anatomicae of 1561 and on dozens of handwritten and published sets of student notes, this book not only looks at Falloppia’s anatomical lectures and demonstrations. It also studies Falloppia’s work on surgical topics – including the French disease and cosmetic surgery – on thermal waters, and on pharmacology. Last but not least, it uses student notes and the letters of contemporary scholars to throw a new light on Falloppia’s biography, on his very special relationship with the botanist Melchior Wieland, who lived in his house for several years, and on his conflicts with his fellow professors in Padua, one of whom, Bassiano Landi, was murdered just ten days after his funeral – by Falloppia’s disciples, as some believed.Written by one of the leading scholars in the field of early modern medicine, this book will appeal to all those interested in the teaching and practice of anatomy, surgery, and pharmacology in the Renaissance.

Uroscopy - the diagnosis of disease by visual examination of the urine - played a very prominent role in early modern medical practice and in the lives of ordinary people. Widely considered as the most reliable way to diagnose diseases and pregnancies it was taught at the best universities. Leading physicians prided themselves on their mastery in this field. Countless medical writings were dedicated to uroscopy and artists represented it in hundreds of illustrations and paintings. Based on a wide range of textual and visual sources, such as autobiographies, court records, medical treatises and genre painting, this book offers the first comprehensive study of the place of uroscopy in early modern medicine, culture and society and of the - gradually changing - ways in which medical practitioners, lay persons and, last but not least, artists perceived and used it.

This volume brings together essays on a wide range of topics, from the popular notion of ‘climacterical’ years believed to recur every seventh year, and the origins and development of the concept of ‘palliative’ care in premodern medicine, to the early modern understanding of ‘melancholia’ as a disease rather than just a temperament, and its visual representation in the famous ‘Melancholia’ paintings of Lukas Cranach the Elder. It examines the casuistic training, empirical observations, and public self-fashioning of learned physicians, and explores major concepts of early modern medical theory, such as ‘innate heat’ and diseases of the ‘total substance’ as presented and elaborated in Avicenna's ‘Canon medicinae and in Daniel Sennert's atomistic interpretation of body and soul. Published for the first time in an English translation, these essays offer readers many illuminating insights into the fascinating world of early modern medicine.

Michael Stolberg offers the first comprehensive presentation of medical training and day-to-day medical practice during the Renaissance. Drawing on previously unknown manuscript sources, he describes the prevailing notions of illness in the era, diagnostic and therapeutic procedures, the doctor–patient relationship, and home and lay medicine.

This book on the history of palliative care, 1500-1970 traces the historical roots of modern palliative care in Europe to the rise of the hospice movement in the 1960s. The author discusses largely forgotten premodern concepts like cura palliativa and euthanasia medica and describes, how patients and physicians experienced and dealt with terminal illness. He traces the origins of hospitals for incurable and dying patients and follows the long history of ethical debates on issues like truth-telling and the intentional shortening of the dying patients’ lives and the controversies they sparked between physicians and patients. An eye opener for anyone interested in the history of ethical decision making regarding terminal care of critically ill patients.

This book on the history of palliative care, 1500-1970 traces the historical roots of modern palliative care in Europe to the rise of the hospice movement in the 1960s.