Michael Talbot-Smith – författare

Broadcast Sound Technology (1995) covers the basic principles of all the main aspects of the broadcast chain, including microphones and loudspeakers technology, mixing consoles, recording and replay (analogue and digital) and the principles of stereo.

Broadcast Sound Technology (1995) covers the basic principles of all the main aspects of the broadcast chain, including microphones and loudspeakers technology, mixing consoles, recording and replay (analogue and digital) and the principles of stereo.

The recent demise of the independent television companies and the expansion of satellite and cable networks has led to an explosion in small, independent production facilities. In parallel with this development has been a steady increase in media training and a major expansion in corporate video facilities. The Video Studio is written for everyone contemplating setting-up a professional installation, whether studio or location based. The Video Studio shows how to estimate the scale of investment required and, depending on the nature and frequency of use of the facility, the layout of technical areas and the function of the main items of equipment is described in easy to understand language. In short this is a nuts and bolts approach to planning and operating a studio of 150 square metres or less. Completely updated to take account of all the recent technological advances which have taken place, the book now covers: DAT, timecode, digital compression, non-linear editing and all current digital video formats.

The recent demise of the independent television companies and the expansion of satellite and cable networks has led to an explosion in small, independent production facilities. In parallel with this development has been a steady increase in media training and a major expansion in corporate video facilities. The Video Studio is written for everyone contemplating setting-up a professional installation, whether studio or location based. The Video Studio shows how to estimate the scale of investment required and, depending on the nature and frequency of use of the facility, the layout of technical areas and the function of the main items of equipment is described in easy to understand language. In short this is a nuts and bolts approach to planning and operating a studio of 150 square metres or less. Completely updated to take account of all the recent technological advances which have taken place, the book now covers: DAT, timecode, digital compression, non-linear editing and all current digital video formats.

This straightforward introduction to audio techniques guides the beginner through principles such as sound waves and basic acoustics and offers practical advice for using recording and reproduction equipment. Previously known as Audio Explained, this latest edition includes new material on: reverberation and its use in recording; principles of digital mixing; digital recording; including MiniDisc and MP3; digital artificial reverberation. Designed with the student in mind, information is organised according to level of difficulty. An understanding of the basic principles is essential to anyone wishing to make successful recordings and so chapters are split into two parts: the first introducing the basic theories in a non-technical way; the second dealing with the subject in more depth. Key facts are clearly identified in separate boxes and further information for the more advanced reader is indicated in shaded boxes. In addition, questions are provided (with answers supplied at the end of the book) as a teaching and learning aid.Sound Engineering Explained is ideal for both serious audio amateurs any student studying audio for the first time, in particular those preparing for Part One exams of the City & Guilds Sound Engineering (1820) course.

This straightforward introduction to audio techniques guides the beginner through principles such as sound waves and basic acoustics and offers practical advice for using recording and reproduction equipment. Previously known as Audio Explained, this latest edition includes new material on: reverberation and its use in recording; principles of digital mixing; digital recording; including MiniDisc and MP3; digital artificial reverberation. Designed with the student in mind, information is organised according to level of difficulty. An understanding of the basic principles is essential to anyone wishing to make successful recordings and so chapters are split into two parts: the first introducing the basic theories in a non-technical way; the second dealing with the subject in more depth. Key facts are clearly identified in separate boxes and further information for the more advanced reader is indicated in shaded boxes. In addition, questions are provided (with answers supplied at the end of the book) as a teaching and learning aid.Sound Engineering Explained is ideal for both serious audio amateurs any student studying audio for the first time, in particular those preparing for Part One exams of the City & Guilds Sound Engineering (1820) course.

Sound Assistance offers a highly readable and easy-to-understand account of sound operations in radio and television studios. By knowing the characteristics of the equipment, such as threshold and compression ratios, it is much easier to achieve professional effects quickly, saving hours of trial and error.

The book will suit anyone wishing to work as a sound assistant but who does not have a thorough grounding in the maths and physics. Written in an informal style with practical ''do''s'' and ''don''ts'', the fundamental principles are explained. Where knowledge of a higher level of maths is helpful, this information is given in handy ''fact files''.

Particularly appropriate for students, training officers and supervisors who have the task of passing on this information in a simple, easy-to-digest format, Sound Assistance is written in easy-to read language with a minimum of maths.

This second edition now has more on:

Sound Assistance offers a highly readable and easy-to-understand account of sound operations in radio and television studios. By knowing the characteristics of the equipment, such as threshold and compression ratios, it is much easier to achieve professional effects quickly, saving hours of trial and error.

The book will suit anyone wishing to work as a sound assistant but who does not have a thorough grounding in the maths and physics. Written in an informal style with practical ''do''s'' and ''don''ts'', the fundamental principles are explained. Where knowledge of a higher level of maths is helpful, this information is given in handy ''fact files''.

Particularly appropriate for students, training officers and supervisors who have the task of passing on this information in a simple, easy-to-digest format, Sound Assistance is written in easy-to read language with a minimum of maths.

This second edition now has more on:

An authoritative reference on all aspects of audio engineering and technology including basic mathematics and formulae, acoustics and psychoacoustics, microphones, loudspeakers and studio installations. Compiled by an international team of experts, the second edition was updated to keep abreast of fast-moving areas such as digital audio and transmission technology. Much of the material has been revised, updated and expanded to cover the very latest techniques. This is a new paperback version.

An authoritative reference on all aspects of audio engineering and technology including basic mathematics and formulae, acoustics and psychoacoustics, microphones, loudspeakers and studio installations. Compiled by an international team of experts, the second edition was updated to keep abreast of fast-moving areas such as digital audio and transmission technology. Much of the material has been revised, updated and expanded to cover the very latest techniques. This is a new paperback version.

A handy source of essential data that every sound technician needs. Whether you are a professional sound engineer, responsible for broadcast or studio recording, or a student on a music technology or sound recording course, you will find this book authoritative and easily accessible. Adapted from the comprehensive volume, the Audio Engineer''s Reference Book (now in its second edition), this pocket-sized reference has been fully revised to cover the very latest technology connected with sound:Noise measurement AcousticsMicrophonesLoudspeakersMixing equipmentCDs, DAT, MIDI, MiniDisc TelephonyISDNDigital interfacingUltrasonics This second edition also features:Substantial revisions of chapters on radio microphone frequencies, digital audio tape, and audio measurements.An extended list of further reading.

A handy source of essential data that every sound technician needs. Whether you are a professional sound engineer, responsible for broadcast or studio recording, or a student on a music technology or sound recording course, you will find this book authoritative and easily accessible. Adapted from the comprehensive volume, the Audio Engineer''s Reference Book (now in its second edition), this pocket-sized reference has been fully revised to cover the very latest technology connected with sound:Noise measurement AcousticsMicrophonesLoudspeakersMixing equipmentCDs, DAT, MIDI, MiniDisc TelephonyISDNDigital interfacingUltrasonics This second edition also features:Substantial revisions of chapters on radio microphone frequencies, digital audio tape, and audio measurements.An extended list of further reading.