Michael Turner – författare

Perfect for systems and network administrators migrating from Windows NT to Linux, or experimenting with bringing Linux into their network topology. Even novice users will find plenty of helpful information on administering the open source operating system—including installation, initial configuration, using the bash command shell, managing files, managing software, and granting rights to users.

The Early Universe has become the standard reference on forefront topics in cosmology, particularly to the early history of the Universe. Subjects covered include primordial nubleosynthesis, baryogenesis, phases transitions, inflation, dark matter, and galaxy formation, relics such as axions, neutrinos and monopoles, and speculations about the Universe at the Planck time. The book includes more than ninety figures as well as a five-page update discussing recent developments such as the COBE results.

The first modern history of St James’s Palace, shedding light on a remarkable building at the heart of the history of the British monarchy that remains by far the least known of the royal residencesIn this first modern history of St James’s Palace, the authors shed new light on a remarkable building that, despite serving as the official residence of the British monarchy from 1698 to 1837, is by far the least known of the royal residences. The book explores the role of the palace as home to the heir to the throne before 1714, its impact on the development of London and the West end during the late Stuart period, and how, following the fire at the palace of Whitehall, St James’s became the principal seat of the British monarchy in 1698. The arrangement and display of the paintings and furnishings making up the Royal Collection at St James’s is chronicled as the book follows the fortunes of the palace through the Victorian and Edwardian periods up to the present day. Specially commissioned maps, phased plans, and digital reconstructions of the palace at key moments in its development accompany a rich array of historical drawings, watercolors, photographs, and plans. The book includes a foreword by His Royal Highness The Prince of Wales.Published in association with Royal Collection Trust

The Early Universe has become the standard reference on forefront topics in cosmology, particularly to the early history of the Universe. Subjects covered include primordial nubleosynthesis, baryogenesis, phases transitions, inflation, dark matter, and galaxy formation, relics such as axions, neutrinos and monopoles, and speculations about the Universe at the Planck time. The book includes more than ninety figures as well as a five-page update discussing recent developments such as the COBE results.

As a grade seven student living in an affluent suburb of Vancouver, our unnamed narrator and his closest friend Nettie, are introduced to the exciting world of super-8 filmmaking by a progressive young teacher. Together Nettie and the narrator find in film a means of expressing their somewhat skewed world views.At the age of sixteen the narrator shoots his first adult film, surreptitiously capturing his neighbours having sex. He believes that through representations of sexual activity he can comment on that which he finds both painful and confusing. Nettie, an idealistic poet now away at school, sees in pornography the opportunity to do something artistic, liberating, and socially relevant, and she pushes the narrator to make films that subvert the way the world is constructed. Ultimately, despite his radical intentions, the narrator falls into a world of greed, delusion, and hypocrisy - the same world he once rebelled against.

After the Famine examines the recovery in Irish agriculture in the wake of the disastrous potato famine of the 1840s, and presents an annual agricultural output series for Ireland from 1850 to 1914. Michael Turner's detailed 1996 study is in three parts: he analyses the changing structure of agriculture in terms of land use and peasant occupancy; he presents estimates of the annual value of Irish output between 1850 and 1914; and he assesses Irish agricultural performance in terms of several measures of productivity. These analyses are placed in the context of British and European agricultural development, and suggest that, contrary to prevailing orthodoxies, landlords rather than tenants were the main beneficiaries in the period leading up to the land reforms. After the Famine is an important contribution to an extremely controversial area of Irish social and economic history.

After the Famine examines the recovery in Irish agriculture in the wake of the disastrous potato famine of the 1840s, and presents an annual agricultural output series for Ireland from 1850 to 1914. Michael Turner's detailed 1996 study is in three parts: he analyses the changing structure of agriculture in terms of land use and peasant occupancy; he presents estimates of the annual value of Irish output between 1850 and 1914; and he assesses Irish agricultural performance in terms of several measures of productivity. These analyses are placed in the context of British and European agricultural development, and suggest that, contrary to prevailing orthodoxies, landlords rather than tenants were the main beneficiaries in the period leading up to the land reforms. After the Famine is an important contribution to an extremely controversial area of Irish social and economic history.

In this comprehensive examination of British sympathy for the South during and after the American Civil War, Michael J. Turner explores the ideas and activities of A.J. Beresford Hope - one of the leaders of the pro-Confederate lobby in Britain - to provide fresh insight into that seemingly curious allegiance. Hope and his associates cast famed Confederate general Thomas J. "Stonewall" Jackson as the embodiment of southern independence, courage, and honour, elevating him to the status of a hero in Britain. Historians have often noted that economic interest, political attitudes, and concern about Britain's global reach and geostrategic position led many in the country to embrace the Confederate cause, but they have focused less on the social, cultural, and religious reasons enunciated by Hope and ostensibly represented by Jackson, factors Turner suggests also heightened British affinity for the South. During the war, Hope noticed a tendency among British people to view southerners as heroic warriors in their struggle against the North. He and his pro-southern followers shared and promoted this vision, framing Jackson as the personification of that noble mission and raising the general's profile in Britain so high that they collected enough funds to construct a memorial to him after his death in 1863. Unveiled twelve years later in Richmond, Virginia, the statue stands today as a remarkable artifact of one of the lesser-known strands of British pro-Confederate ideology.Stonewall Jackson, Beresford Hope, and the Meaning of the American Civil War in Britain serves as the first in-depth analysis of Hope as a leading pro-southern activist and of Jackson's reputation in Britain during and after the Civil War. It places the conflict in a transnational context that reveals the reasons British citizens formed bonds of solidarity with the southerners whom they perceived shared their social and cultural values.

The Workbook contains ten units provide additional practice of material covered in the Students’ Book.

 

The Workbook also includes:

Additional grammar, vocabulary and functional language practice activities Additional reading, writing and listening practice activities An answer key at the back of the book allows learners to check their answers.

A remarkable memoir about the unmaking of a film.

Playlist: a Profligacy of Your Least-Expected Poems documents the life and practice of a writer who grew up in a musical household, and spent his early adult years as a touring musician and his later years programming nightclubs, hotels, galleries, and festivals. Modelled after the American folk music revival songbooks of the 1950s and 60s, Playlist fiddles with a two-part writing system that begins with the songbooks’ contextual introductions and ends with the songs — or in this instance, poems — to which they refer. In Playlist, introductions can act less as supporting words than as discrete stories. At the same time, the poems they are in service of can appear indifferent to story, sentiment, and a writer who, in claiming to contextualize them, can only reduce them further.The approach championed here is derived from Angela Carter’s writings on burlesque — the exaggeration in this instance born from binaries our progressive liberal culture claims to deplore but, often whimsically, deploys on its social media platforms, too often without regard for consequence. Though these poems aren’t expressly critical, their formal method of construction qualifies them as that subgenre of poetry known as the protest poem.