Michael Vickers – författare
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19 produkter
19 produkter
348 kr
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Since the eighteenth century, classical scholars have generally agreed that the Greek playwright Aristophanes did not as a matter of course write "political" plays. Yet, according to an anonymous Life of Aristophanes, when Dionysius the tyrant of Syracuse wanted to know about the government of Athens, Plato sent him a copy of Aristophanes' Clouds.In this boldly revisionist work, Michael Vickers convincingly argues that in his earlier plays, Aristophanes in fact commented on the day-to-day political concerns of Athenians. Vickers reads the first six of Aristophanes' eleven extant plays in a way that reveals the principal characters to be based in large part on Pericles and his ward Alcibiades.According to Vickers, the plays of Aristophanes-far from being nonpolitical-actually allow us to gauge the reaction of the Athenian public to the events that followed Pericles' death in 429 B.C., to the struggle for the political succession, and to the problems presented by Alcibiades' emergence as one of the most powerful figures in the state. This view of Aristophanes reaffirms the central role of allegory in his work and challenges all students of ancient Greece to rethink long-held assumptions about this important playwright.
Fear and Loathing in Ancient Athens
Religion and Politics During the Peloponnesian War
Häftad, Engelska, 2019
683 kr
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Athens at the time of the Peloponnesian war was the arena for a dramatic battle between politics and religion in the hearts and minds of the people. Fear and Loathing in Ancient Athens, originally published in German but now available for the first time in an expanded and revised English edition, sheds new light on this dramatic period of history and offers a new approach to the study of Greek religion. The book explores an extraordinary range of events and topics, and will be an indispensable study for students and scholars studying Athenian religion and politics.
762 kr
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Literary historians have long held the view that the plays of the Greek dramatist, Sophocles deal purely with archetypes of the heroic past and that any resemblance to contemporary events or individuals is purely coincidental. In this book, Michael Vickers challenges this view and argues that Sophocles makes regular and extensive allusion to Athenian politics in his plays, especially to Alcibiades, one of the most controversial Athenian politicians of his day.Vickers shows that Sophocles was no closeted intellectual but a man deeply involved in politics and he reminds us that Athenian politics was intensely personal. He argues cogently that classical writers employed hidden meanings and that consciously or sub-consciously, Sophocles was projecting onto his plays hints of contemporary events or incidents, mostly of a political nature, hoping that his audience's passion for politics would enhance the popularity of his plays. Vickers strengthens his case about Sophocles by discussing other authors - Thucydides, Plato and Euripides - in whom he also demonstrates a body of allusions to Alcibiades and others.
216 kr
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1 222 kr
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Literary historians have long held the view that the plays of the Greek dramatist Sophocles deal purely with archetypes of the heroic past and that any resemblance to contemporary events or individuals is purely coincidental. In this book, Michael Vickers challenges this view and argues that Sophocles makes regular and extensive allusion to Athenian politics in his plays, especially to Alcibiades, one of the most controversial Athenian politicians of his day. Vickers shows that Sophocles was deeply involved in Athenian political life, which was often intensely personal. He argues cogently that classical writers employed hidden meanings and that Sophocles consciously or subconsciously projected onto his plays hints of contemporary events or incidents, mostly of a political nature, hoping that his audience's passion for politics would enhance the popularity of his plays. Vickers strengthens his case about Sophocles by discussing authors-Thucydides, Plato, and Euripides-whose work contains a body of allusions to Alcibiades and others.
Excalibur: Essays on Antiquity and the History of Collecting in Honour of Arthur MacGregor
Häftad, Engelska, 2013
967 kr
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373 kr
Skickas inom 5-8 vardagar
416 kr
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340 kr
Skickas
The essays presented in Not just Porridge address both the scholar and the bold, adventurous cook. They offer the crumbs of what might be found in great and famous works of literature. Concocted in Italy by scholars of English and sifted through the judgement of the English editor, this volume traces a curious history of English literature, from the tasty and spicy recipes of the Middle Ages down to very recent times, threatened as they are by junk food and microwaved dinners. The authors of the essays have lingered on the threshold of the kitchen rather than in the library. Each chapter provides the recipes that best describe the writers involved, and their culinary times.
Two Cemeteries at Takhtidziri (Georgia)
Late Achaemenid–Early Hellenistic and Late Hellenistic–Early Roman
Häftad, Engelska, 2022
830 kr
Skickas
Two Cemeteries at Takhtidziri (Georgia): Late Achaemenid-Early Hellenistic and Late Hellenistic-Early Roman publishes excavations at two cemeteries located near to the village of Takhtidziri in Shida Kartli, the central region of Georgia. The first features Late Achaemenid-Early Hellenistic graves belonging to the representatives of the ruling family of a minor territorial-administrative unit, part of the only state that the Persians (Achaemenids) encountered in the Caucasus and which was referred to as Kolkhida by the Greeks.The other cemetery dates to the 1st century BC–1st century AD and was used by non-elite members of the community. The grave goods recovered through excavation are diverse and point to the fact that the kingdom of Kartli (Caucasian Iberia) was involved in international trade and economic relations in the Late Hellenistic and Early Roman period.
509 kr
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The Lady Gardeners to whom the chapters of this book are devoted are those women who, from the eighteenth century to the present day, have been working in a garden, from imagining and creating it, to sowing, planting, pruning, painting and photographing plants, and moving from garden design to more urgent themes such as landscape conservation and environmental issues.However, and this is the reason why this collection differs from other excellent models that deal with women and gardens, the essays also dwell on the personal lives and experiences of women who have lived in gardens, and enjoyed landscape, jotting simple notes in their diaries or working as landscape architects, describing it in stories for children, portraying strange exotic plants in their paintings, assembling bunches of flowers to decorate their home, and defending such spaces with their strong commitment to preservation. From England, and its long well-documented garden history, they have moved to Africa, the Americas, Australia, New Zealand, the Far East: the chapters in this book thus also confirm the vocation of the English garden that can enlarge its boundaries, transform and adapt itself to modern times and distant climates without foregoing its old roots.
2 445 kr
Skickas inom 10-15 vardagar
Literary historians have long held the view that the plays of the Greek dramatist, Sophocles deal purely with archetypes of the heroic past and that any resemblance to contemporary events or individuals is purely coincidental. In this book, Michael Vickers challenges this view and argues that Sophocles makes regular and extensive allusion to Athenian politics in his plays, especially to Alcibiades, one of the most controversial Athenian politicians of his day.Vickers shows that Sophocles was no closeted intellectual but a man deeply involved in politics and he reminds us that Athenian politics was intensely personal. He argues cogently that classical writers employed hidden meanings and that consciously or sub-consciously, Sophocles was projecting onto his plays hints of contemporary events or incidents, mostly of a political nature, hoping that his audience's passion for politics would enhance the popularity of his plays. Vickers strengthens his case about Sophocles by discussing other authors - Thucydides, Plato and Euripides - in whom he also demonstrates a body of allusions to Alcibiades and others.
Fear and Loathing in Ancient Athens
Religion and Politics During the Peloponnesian War
Inbunden, Engelska, 2014
2 260 kr
Skickas inom 10-15 vardagar
Athens at the time of the Peloponnesian war was the arena for a dramatic battle between politics and religion in the hearts and minds of the people. Fear and Loathing in Ancient Athens, originally published in German but now available for the first time in an expanded and revised English edition, sheds new light on this dramatic period of history and offers a new approach to the study of Greek religion. The book explores an extraordinary range of events and topics, and will be an indispensable study for students and scholars studying Athenian religion and politics.
123 kr
Skickas inom 11-20 vardagar
The largest surviving portion of the first major collection of Classical antiquities in Britain - the sculptures and inscriptions collected in the early 17th century by Thomas Howard, Earl of Arundel for his London house and garden - is in the Antiquities Department of the Ashmolean Museum. This handbook tracks their eventful history before they came to rest in Oxford.
584 kr
Tillfälligt slut
295 kr
Skickas inom 11-20 vardagar
Aristophanes and Alcibiades
Echoes of Contemporary History in Athenian Comedy
Inbunden, Engelska, 2015
1 484 kr
Skickas inom 5-8 vardagar
The conventional view of Aristophanes bristles with problems. Important testimony for Alcibiades’ paramount role in comedy is consistently disregarded, and the tradition that “masks were made to look like the komodoumenoi, so that before an actor spoke a word, the audience would recognize who was being attacked” is hardly ever invoked. If these testimonia are taken into account, a fascinating picture emerges, where the komodoumenoi are based on the Periclean household: older characters on Pericles himself, younger on Alcibiades. Aspasia, Pericles’ mistress, and Hipparete, Alcibiades’ wife, lie behind many female characters, and Alcibiades’ ambiguous sexuality also allows him to be shown on the stage as a woman, notably as Lysistrata. There is a substantial overlap between the anecdotal tradition relating to the historical figures and the plotting of Aristophanes’ plays. This extends to speech patterns, where Alcibiades’ speech defect is lampooned. Aristophanes is consistently critical of Alcibiades’ mercurial politics, and his works can also be seen to have served as an aide-mémoire for Thucydides and Xenophon. If the argument presented here is correct, then much current scholarship on Aristophanes can be set aside.
297 kr
Skickas inom 5-8 vardagar
The conventional view of Aristophanes bristles with problems. Important testimony for Alcibiades’ paramount role in comedy is consistently disregarded, and the tradition that “masks were made to look like the komodoumenoi, so that before an actor spoke a word, the audience would recognize who was being attacked” is hardly ever invoked. If these testimonia are taken into account, a fascinating picture emerges, where the komodoumenoi are based on the Periclean household: older characters on Pericles himself, younger on Alcibiades. Aspasia, Pericles’ mistress, and Hipparete, Alcibiades’ wife, lie behind many female characters, and Alcibiades’ ambiguous sexuality also allows him to be shown on the stage as a woman, notably as Lysistrata. There is a substantial overlap between the anecdotal tradition relating to the historical figures and the plotting of Aristophanes’ plays. This extends to speech patterns, where Alcibiades’ speech defect is lampooned. Aristophanes is consistently critical of Alcibiades’ mercurial politics, and his works can also be seen to have served as an aide-mémoire for Thucydides and Xenophon. If the argument presented here is correct, then much current scholarship on Aristophanes can be set aside.