Michael Wainwright – författare

If game theory, the mathematical simulation of rational decision-making first axiomatically established by the Hungarian-born American mathematician John von Neumann, is to prove worthy of literary hermeneutics, then critics must be able to apply its models to texts written without a working knowledge of von Neumann's discipline in mind.

This interdisciplinary monograph applies the theory of games of strategy (or game theory) to an important subset of American literature: minoritarian texts.

If game theory, the mathematical simulation of rational decision-making first axiomatically established by the Hungarian-born American mathematician John von Neumann, is to prove worthy of literary hermeneutics, then critics must be able to apply its models to texts written without a working knowledge of von Neumann's discipline in mind.

The Rational Shakespeare: Peter Ramus, Edward de Vere, and the Question of Authorship examines William Shakespeare’s rationality from a Ramist perspective, linking that examination to the leading intellectuals of late humanism, and extending those links to the life of Edward de Vere, Seventeenth Earl of Oxford.

While Faulkner’s Ethics does not claim that Faulkner read Sidgwick’s work, this book traces Faulkner’s moral sensitivity.

While Faulkner’s Ethics does not claim that Faulkner read Sidgwick’s work, this book traces Faulkner’s moral sensitivity.

This book examines the literature of African-American author Richard Wright and the philosophy of Immanuel Kant, arguing that Wright was not only the foremost proponent of minoritarian protest literature, but also a groundbreaking minoritarian exponent of philosophical literature.  In presenting this argument, the volume defends trolley problems from the criticism that some philosophers level against them by promoting their use as an interpretive tool for literary scholars.  Starting with Martha C. Nussbaum’s interventions in literary theory concerning Henry James and perceptive equilibrium, this book draws on the philosophical thoughts of her contemporaries—Philippa Foot, John Rawls, Judith Jarvis Thomson, and Derek Parfit—to analyze Uncle Tom’s Children, especially “Down by the Riverside,” alongside other works by Wright. This approach emphasizes Wright’s recognition of the importance and integrity of Kant’s concept of dignity.

This book examines the literature of African-American author Richard Wright and the philosophy of Immanuel Kant, arguing that Wright was not only the foremost proponent of minoritarian protest literature, but also a groundbreaking minoritarian exponent of philosophical literature.

This book reexamines William Faulkner's If I Forget Thee, Jerusalem (1939), a novel of increasing sociohistorical importance despite being one of Faulkner's lesser known and studied works. Wainwright traces Faulkner's 1925 visit to Paris, where he frequented major and minor art galleries and exhibitions and gained a formative appreciation of color and form, color as form, and form as color. Fauvism, the art movement of "wild" beasts" led at the time by Henri Matisse and inspired by Nietzsche, offered Faulkner this depth. Wainwright argues that the chain of recognition from Nietzsche to Matisse to Faulkner, while fundamental to Faulkner’s canon, comes startlingly to the fore in If I Forget Thee, Jerusalem, a book that measures the sociopolitical as well as the cultural situation of an epoch, a period of episodic violence on a global scale, a time of individual bloodshed and collective loss. In surveying the Fauvist bedrock to Faulkner’s career as a writer, this book draws together philosophy, art, and literature before analyzing their influence on him. This process harnesses the thoughts of Faulkner’s contemporaries, both relevant authors and relevant critics, voices that often go unheard in Faulkner studies. The result is a profound meditation on the secular eschatology of If I Forget Thee, Jerusalem, a doctrine comprising conception, abortion, birth, and death.

The Rational Shakespeare: Peter Ramus, Edward de Vere, and the Question of Authorship examines William Shakespeare’s rationality from a Ramist perspective, linking that examination to the leading intellectuals of late humanism, and extending those links to the life of Edward de Vere, Seventeenth Earl of Oxford.

Oavsett om en människa avrättas med en kula i huvudet i ett mörkt gathörn, hittas livlös efter elva timmar i en städskrubb utan övervakning på akuten, eller dör ensam med liggsår på ett underbemannat äldrevårdshem, finns det någon som ligger bakom. Någon som gett en order. Någon som bär ett ansvar.

New York, sommaren 2013. Med ett djärvt ingrepp räddar den unga svenska läkaren Peter Larsson livet på en svårt skadad bilförare. Ett halvår senare ser Peter – som nu tjänstgör på Malmö sjukhus – en gymnasieelev brutalt skjutas ned på gatan. Än en gång försöker han rädda ett människoliv. De två händelserna bildar upptakten till ett rafflande kriminaldrama där Peter och flickvännen Erika dras in i en våldsam värld präglad av oväntade vändningar, stark psykisk påfrestning och tvära kast mellan Malmös hårda gatuliv och Lunds akademiska elegans.

Judaskyssen bygger vidare på den starka traditionen av politiskt engagerad skandinavisk kriminallitteratur som bär en tydlig social och politisk agenda. Alla patientfall bygger på verkliga händelser.

Det här är Print on Demand-utgåvan.

Om författarna: Kristina och Michael är gamla kollegor som bestämde sig för att skriva en bok tillsammans, då båda brinner för att väcka insikt om det stegrande gatuvåldet och problemen inom sjukvården. Kristina är journalist och Michael jobbar som engelsk copywriter. Han är född i England men båda bor nu i Uppsala.