Michel Henry – författare

If we are to understand Marx's thought, argues French philosopher Michel Henry, we must cast aside Marxism. In his original and richly detailed study of Marx's philosophy, Henry emphasizes the importance of approaching Marx's writings directly, rather than through the intermediary of subsequent interpretations, which often have been politically motivated. In contrast to the usual depiction of Marxian thought as an economically oriented analysis of social reality, Henry contends that in Marx's theory philosophy is primary. Therefore, Marx's writings must properly be viewed—and judged—within the context of the modern philosophical tradition. Marx's basic concern, Henry demonstrates, is with the nature of the human being, the real conditions of human individuality. Central to Henry's reading of Marx, and elaborated here with unprecedented thoroughness, is the theory of praxis, a conception of the individual not as a thinking being, in the Cartesian tradition, but as a laboring being, a producer and consumer situated in a concrete social world. This novel and provocative contribution to the current debate about the nature and meaning of Marx's thought is essential for students of philosophy, Marxism, and political theory. Kathleen McLaughlin's excellent translation of Henry's abridgement of his two-volume work preserves the power and freshness of the French original.

A part of the "return to religion" now evident in European philosophy, this book represents the culmination of the career of a leading phenomenological thinker whose earlier works trace a trajectory from Marx through a genealogy of psychoanalysis that interprets Descartes's "I think, I am" as "I feel myself thinking, I am."In this book, Henry does not ask whether Christianity is "true" or "false." Rather, what is in question here is what Christianity considers as truth, what kind of truth it offers to people, what it endeavors to communicate to them, not as a theoretical and indifferent truth, but as the essential truth that by some mysterious affinity is suitable for them, to the point that it alone is capable of ensuring them salvation. In the process, Henry inevitably argues against the concept of truth that dominates modern thought and determines, in its multiple implications, the world in which we live.Henry argues that Christ undoes "the truth of the world," that He is an access to the infinity of self-love, to a radical subjectivity that admits no outside, to the immanence of affective life found beyond the despair fatally attached to all objectifying thought. The Kingdom of God accomplishes itself in the here and now through the love of Christ in what Henry calls "the auto-affection of Life." In this condition, he argues, all problems of lack, ambivalence, and false projection are resolved.

Michel Henry defends the illuminating thesis that Incarnation is not existence in a body, but existence in the flesh. It is not in a body that flesh appears originally, but being in the flesh that comes first. For only in flesh can one see or touch, feel joy or sorrow, hunger or thirst—and undergo each of these impressions as one’s own. But how does flesh come into this condition? How is life given to it so that it can feel itself, or anything else, in this way? Christianity’s fundamental thesis, on which its fate plays out in every generation, is that “the Word was made flesh.” Henry then asks what revelation must be for it to be accomplished as flesh, and what flesh must be to be revelation. He pursues such questions with lucidity and rigor in this astonishing meditation on the human condition.

From beginning to end, the philosophy of Michel Henry offers an original and profound reflection on life. Henry challenges the conventional understanding of life as a set of natural processes and a general classification of beings. Maintaining that our access to the meaning of life has been blocked by naturalism as well as by traditional philosophical assumptions, Henry carries out an enterprise that can rightfully be called “radical.” His phenomenology leads back to the original dimension of life—to a reality that precedes and conditions the natural sciences and even objectivity as such.  The Michel Henry Reader is an indispensable resource for those who are approaching Henry for the first time as well as for those who are already familiar with his work. It provides broad coverage of the major themes in his philosophy and new translations of Henry’s most important essays. Sixteen chapters are divided into four parts, demonstrating the profound implications of Henry’s philosophy of life for phenomenology; for subjectivity; for politics, art, and language; and for ethics and religion.

From beginning to end, the philosophy of Michel Henry offers an original and profound reflection on life. Henry challenges the conventional understanding of life as a set of natural processes and a general classification of beings. Maintaining that our access to the meaning of life has been blocked by naturalism as well as by traditional philosophical assumptions, Henry carries out an enterprise that can rightfully be called “radical.” His phenomenology leads back to the original dimension of life—to a reality that precedes and conditions the natural sciences and even objectivity as such.  The Michel Henry Reader is an indispensable resource for those who are approaching Henry for the first time as well as for those who are already familiar with his work. It provides broad coverage of the major themes in his philosophy and new translations of Henry’s most important essays. Sixteen chapters are divided into four parts, demonstrating the profound implications of Henry’s philosophy of life for phenomenology; for subjectivity; for politics, art, and language; and for ethics and religion.

This book is Michel Henry's most sustained investigation of Husserlian phenomenology. With painstaking detail and precision, Henry reveals the decisive methodological assumptions that led Husserlian phenomenologyin the direction of Idealism. Returning to the materiality of life, Henry's material phenomenology situates central phenomenological themes—intentionality, temporality, embodiment, and intersubjectivity—within the full concreteness of life.One of the most accessible of Henry's books, Material Phenomenology is essential reading for those interested in the future of phenomenology or in a philosophy of life in the truest sense.

This book is Michel Henry's most sustained investigation of Husserlian phenomenology. With painstaking detail and precision, Henry reveals the decisive methodological assumptions that led Husserlian phenomenologyin the direction of Idealism. Returning to the materiality of life, Henry's material phenomenology situates central phenomenological themes—intentionality, temporality, embodiment, and intersubjectivity—within the full concreteness of life.One of the most accessible of Henry's books, Material Phenomenology is essential reading for those interested in the future of phenomenology or in a philosophy of life in the truest sense.

Both a unique witness of transformative events in the late 20th century, and a prescient analysis of our present economic crises from a major French philosopher, Michel Henry's From Communism to Capitalism adds an important economic dimension to his earlier social critique. It begins by tracing the collapse of communist regimes back to their failure to implement Marx's original insights into the irreplaceable value of the living individual. Henry goes on to apply this same criticism to the surviving capitalist economic systems, portending their eventual and inevitable collapse. The influence of Michel Henry's radical revision of phenomenological thought is only now beginning to be felt in full force, and this edition is the first English translation of his major engagement with socio-economic questions. Now available in paperback, From Communism to Capitalism reinterprets politics and economics in light of the failure of socialism and the pervasiveness of global capitalism, and Henry subjects both to critique on the basis of his own philosophy of life. His notion of the individual is one that, as subjective affect, subtends both Marxist collectivism and liberalism simultaneously. In addition to providing a crucial economic elaboration of Henry's influential social critiques, this work provides a context for understanding the 2008 financial shock and offers important insights into the political motivations behind the 'Arab spring'.

Carotid Angioplasty and Stenting (CAS) is a new approach to treat a carotid stenosis.  This new book provides interventional cardiologists, both as beginners or fully experienced, with a reference on all aspects of angioplasty and stenting of the carotid and supra-aortic trunks. Focusing on both the entire range of angioplasty and stenting treatment options for the surgeon treating patients on the operating table, and the range of radiological techniques used for the cardiologist to diagnose carotid artery stenosis (CAS) and associated conditions, this important book describes the best indications, the different techniques, the results, and also the limitations of CAS based on randomized studies and particularly the last published data (CREST study).Suitable for both novice and experienced interventionalists, it also addresses diagnosis of a carotid stenosis and complications from CAS and how to manage them.

This is the first English-language translation of Michel Henry's compelling philosophical critique of capitalism, technology and education. "Barbarism" represents a critique, from the perspective of Michel Henry's unique philosophy of life, of the increasing potential of science and technology to destroy the roots of culture and the value of the individual human being. For Henry, barbarism is the result of a devaluation of human life and culture that can be traced back to the spread of quantification, the scientific method and technology over all aspects of modern life. The book develops a compelling critique of capitalism, technology and education and provides a powerful insight into the political implications of Henry's work. It also opens up a new dialogue with other influential cultural critics, such as Marx, Heidegger and Husserl. First published in French in 1987, "Barbarism" aroused great interest as well as virulent criticism. Today the book reveals what for Henry is a cruel reality: the tragic feeling of powerlessness experienced by the cultured person.Above all he argues for the importance of returning to philosophy in order to analyse the root causes of barbarism in our world. "The Continuum Impacts" are seminal works by the finest minds in contemporary thought, including Adorno, Badiou, Derrida, Heidegger and Deleuze. They are works of such power that they changed the philosophical and cultural landscape when they were first published and continue to resonate today. They represent landmark texts in the fields of philosophy, popular culture, politics and theology.

This is the first English-language translation of Michel Henry's compelling philosophical critique of capitalism, technology and education. "Barbarism" represents a critique, from the perspective of Michel Henry's unique philosophy of life, of the increasing potential of science and technology to destroy the roots of culture and the value of the individual human being. For Henry, barbarism is the result of a devaluation of human life and culture that can be traced back to the spread of quantification, the scientific method and technology over all aspects of modern life. The book develops a compelling critique of capitalism, technology and education and provides a powerful insight into the political implications of Henry's work. It also opens up a new dialogue with other influential cultural critics, such as Marx, Heidegger and Husserl. First published in French in 1987, "Barbarism" aroused great interest as well as virulent criticism. Today the book reveals what for Henry is a cruel reality: the tragic feeling of powerlessness experienced by the cultured person.Above all he argues for the importance of returning to philosophy in order to analyse the root causes of barbarism in our world. "The Continuum Impacts" are seminal works by the finest minds in contemporary thought, including Adorno, Badiou, Derrida, Heidegger and Deleuze. They are works of such power that they changed the philosophical and cultural landscape when they were first published and continue to resonate today. They represent landmark texts in the fields of philosophy, popular culture, politics and theology.

Both a unique witness of transformative events in the late 20th century, and a prescient analysis of our present economic crises from a major French philosopher, Michel Henry's From Communism to Capitalism adds an important economic dimension to his earlier social critique. It begins by tracing the collapse of communist regimes back to their failure to implement Marx's original insights into the irreplaceable value of the living individual. Henry goes on to apply this same criticism to the surviving capitalist economic systems, portending their eventual and inevitable collapse. The influence of Michel Henry's radical revision of phenomenological thought is only now beginning to be felt in full force, and this edition is the first English translation of his major engagement with socio-economic questions. From Communism to Capitalism reinterprets politics and economics in light of the failure of socialism and the pervasiveness of global capitalism, and Henry subjects both to critique on the basis of his own philosophy of life. His notion of the individual is one that, as subjective affect, subtends both Marxist collectivism and liberalism simultaneously. In addition to providing a crucial economic elaboration of Henry's influential social critiques, this work provides a context for understanding the 2008 financial shock and offers important insights into the political motivations behind the 'Arab spring'.

According to Michel Henry, no thinker has been more influential than Marx, and no one has been more misunderstood. With his characteristic clarity and elegance, Henry seeks to pull out the philosophical heart of Marx's work and the reasons this complex philosophy has so often been simplified, distorted and obscured.Marx: An Introduction is not just a recovery of the theoretical centre of Marx's thinking, but also a brilliant introduction to the work of Marx in general; concise and punchy without glossing over the difficult material, it provides a totally fresh reading of Marx's corpus.Michel Henry shares with Marx a concern for the living work and the living individual and this shared preoccupation is brilliantly conveyed throughout the book. An essential read for those wrestling with Marx for the first time, and those looking for a new way to approach well-trodden territory.

According to Michel Henry, no thinker has been more influential than Marx, and no one has been more misunderstood. With his characteristic clarity and elegance, Henry seeks to pull out the philosophical heart of Marx's work and the reasons this complex philosophy has so often been simplified, distorted and obscured.Marx: An Introduction is not just a recovery of the theoretical centre of Marx's thinking, but also a brilliant introduction to the work of Marx in general; concise and punchy without glossing over the difficult material, it provides a totally fresh reading of Marx's corpus.Michel Henry shares with Marx a concern for the living work and the living individual and this shared preoccupation is brilliantly conveyed throughout the book. An essential read for those wrestling with Marx for the first time, and those looking for a new way to approach well-trodden territory.

Textbook of Peripheral Vascular Intervention, Second Edition, discusses therapies that can make a real difference in the lives of patients. As there are increasing demands for effective, less invasive approaches to therapies for critical limb ischemia, chronic total occlusions, as well as therapies for some subsets.

This book provides a unique, philosophical interpretation of a significant twentieth-century painter - Wassily Kandinsky. Michel Henry was one of the leading French philosophers of the twentieth century. His numerous works of philosophy are all organized around the theme of life. In contrast to the scientific understanding of life as a biological process, Henry's philosophy develops a conception of life as an immediate feeling of one's own living."Seeing the Invisible" marks Henry's most sustained engagement in the field of aesthetics. Through an analysis of the life and works of Wassily Kandinsky, Henry uncovers the philosophical significance of Kandinsky's revolution in painting: that abstract art reveals the invisible essence of life. Henry shows that Kandinsky separates colour and line from the constraints of visible form and, in so doing, conveys the invisible intensity of life - a force rooted in the corporeity and pathos of all living beings. More than just a study of art history, this book presents Kandinsky as an artist who is engaged in the project of painting the invisible and thus offers invaluable methodological clues for Henry's own phenomenology of the invisible.

This work provides a unique, philosophical interpretation of a significant twentieth-century painter - Wassily Kandinsky. Michel Henry was one of the leading French philosophers of the twentieth century. His numerous works of philosophy are all organized around the theme of life. In contrast to the scientific understanding of life as a biological process, Henry's philosophy develops a conception of life as an immediate feeling of one's own living. "Seeing the Invisible" marks Henry's most sustained engagement in the field of aesthetics. Through an analysis of the life and works of Wassily Kandinsky, Henry uncovers the philosophical significance of Kandinsky's revolution in painting: that abstract art reveals the invisible essence of life.Henry shows that Kandinsky separates colour and line from the constraints of visible form and, in so doing, conveys the invisible intensity of life - a force rooted in the corporeity and pathos of all living beings. More than just a study of art history, this book presents Kandinsky as an artist who is engaged in the project of painting the invisible and thus offers invaluable methodological clues for Henry's own phenomenology of the invisible.