Michela Wrong – författare

SHORTLISTED FOR THE ORWELL PRIZE 2022‘Superb’ The Times‘Engrossing and revelatory' Observer‘Powerful, compelling and meticulously researched’ New Statesman A new book from the award winning author of In the Footsteps of Mr Kurtz,Do Not Disturb explores the controversial career of Paul Kagame and the legacy of the Rwandan genocide Do Not Disturb is a dramatic recasting of the modern history of Africa’s Great Lakes region, an area blighted by the greatest genocide of the twentieth century. This bold retelling, vividly sourced by direct testimony from key participants, tears up the traditional script.In the old version, an idealistic group of young rebels overthrows a genocidal regime in Kigali, ushering in an era of peace and stability that makes Rwanda the donor darling of the West, winning comparisons with Switzerland and Singapore. The new version examines afresh questions which dog the recent past: Why do so many ex-rebels scoff at official explanations of who fired the missile that killed the presidents of Rwanda and Burundi? Why didn’t the mass killings end when the rebels took control? Why did those same rebels, victory secured, turn so ruthlessly on one another?Michela Wrong uses the story of Patrick Karegeya, once Rwanda’s head of external intelligence and a quicksilver operator of supple charm, to paint the portrait of a modern African dictatorship created in the chilling likeness of Paul Kagame, the president who sanctioned his former friend’s murder. ‘A withering assault on the murderous regime of Kagame, and a melancholy love song to the last dreams of the African Great Lakes’ John Le Carre

A gripping account of both an individual caught on the horns of an excruciating moral dilemma and a continent at a turning point.When Michela Wrong’s Kenyan friend John Githongo appeared one cold February morning on the doorstep of her London flat, carrying a small mountain of luggage, it was clear something had gone very wrong in a country regarded until then as one of Africa’s few budding success stories.Two years earlier, in the wave of euphoria that followed the election defeat of long-serving President Daniel arap Moi, John had been appointed Kenya’s new anti-corruption czar. In choosing this giant of a man, respected as a longstanding anti-corruption crusader, the new government was signalling that it was set on ending the practices that had made Kenya an international by-word for sleaze.Now John was on the run, having realised that the new administration, far from breaking with the past, was using near-identical techniques to pilfer public funds. John’s tale, which has all the elements of a political thriller, is the story of how a brave man came to make a lonely decision with huge ramifications. But his story transcends the personal, touching as it does on the cultural, historical and social themes that lie at the heart of the continent’s continuing crisis.Tracking this story of an African whistleblower, Michela Wrong seeks answers to the questions that have puzzled outsiders for decades. What is it about African society that makes corruption so hard to eradicate, so sweeping in its scope, so destructive in its impact? Why have so many African presidents found it so easy to reduce all political discussion to the self-serving calculation of which tribe gets to ‘eat’? And at what stage will Africans start placing the wider interests of their nation ahead of the narrow interests of their tribe?

One small East African country embodies the battered history of the continent: patronised by colonialists, riven by civil war, confused by Cold War manoeuvring, proud, colorful, with Africa's best espresso and worst rail service. Michela Wrong brilliantly reveals the contradictions and comedy, past and present, of Eritrea.Just as the beat of a butterfly’s wings is said to cause hurricanes on the other side of the world, so the affairs of tiny Eritrea reverberate onto the agenda of superpower strategists. This new book on Africa is from the author of the critically acclaimed In the Footsteps of Mr Kurtz.Eritrea is a little-known country scarred by decades of conflict and occupation. It has weathered the world's longest-running guerrilla war, and the dogged determination that secured victory against Ethiopia, its giant neighbour, is woven into the national psyche. Fascist Italy wanted Eritrea as the springboard for a new, racially-pure Roman empire, Britain sold off its industry for scrap, the US needed headquarters for its state-of-the-art spy station and the Soviet Union used it as a pawn in a proxy war.Michela Wrong reveals the breathtaking abuses this tiny nation has suffered and, with the sharp eye for detail that was the hallmark of her account of Mobutu's Congo, she tells the story of colonialism itself. Along the way, we meet a formidable Emperor, a guerrilla fighter who taught himself French cuisine in the bush, and a chemist who arranged the heist of his own laboratory. An arresting blend of travelogue and history, ‘I Didn't Do It For You’ pierces the dark heart of our colonial history.

A gripping account of both an individual caught on the horns of an excruciating moral dilemma and a continent at a turning point.When Michela Wrong's Kenyan friend John Githongo appeared one cold February morning on the doorstep of her London flat, carrying a small mountain of luggage and four trilling mobile phones he seemed determined to ignore, it was clear something had gone very wrong in a country regarded until then as one of Africa's few budding success stories.Two years earlier, in the wave of euphoria that followed the election defeat of long-serving President Daniel arap Moi, John had been appointed Kenya's new anti-corruption czar. In choosing this giant of a man with a booming laugh, respected as a longstanding anti-corruption crusader, the new government was signalling to both its own public and the world at large that it was set on ending the practices that had made Kenya an international by-word for sleaze.Now John was on the run, having realised that the new administration, far from breaking with the past, was using near-identical techniques to pilfer public funds. John's tale, which has all the elements of the political thriller, is the story of how a brave man came to make a lonely decision with huge ramifications. But his story transcends the personal, touching as it does on the cultural, historical and social themes that lie at the heart of the continent's continuing crisis.Tracking this story of an African whistleblower who started out as a pillar of the establishment, Michela Wrong seeks answers to the questions that have puzzled outsiders for decades. What is it about African society that makes corruption so hard to eradicate, so sweeping in its scope, so destructive in its impact? Why have so many African presidents found it so easy to reduce all political discussion to the self-serving calculation of which tribe gets to "eat"? And at what stage will Africans start placing the wider interests of their nation ahead of the narrow interests of their tribe?

One small East African country embodies the battered history of the continent: patronised by colonialists, riven by civil war, confused by Cold War manoeuvring, proud, colorful, with Africa's best espresso and worst rail service. Michela Wrong brilliantly reveals the contradictions and comedy, past and present, of Eritrea.Just as the beat of a butterfly’s wings is said to cause hurricanes on the other side of the world, so the affairs of tiny Eritrea reverberate onto the agenda of superpower strategists. This new book on Africa is from the author of the critically acclaimed In the Footsteps of Mr Kurtz.Eritrea is a little-known country scarred by decades of conflict and occupation. It has weathered the world's longest-running guerrilla war, and the dogged determination that secured victory against Ethiopia, its giant neighbour, is woven into the national psyche. Fascist Italy wanted Eritrea as the springboard for a new, racially-pure Roman empire, Britain sold off its industry for scrap, the US needed headquarters for its state-of-the-art spy station and the Soviet Union used it as a pawn in a proxy war.Michela Wrong reveals the breathtaking abuses this tiny nation has suffered and, with the sharp eye for detail that was the hallmark of her account of Mobutu's Congo, she tells the story of colonialism itself. Along the way, we meet a formidable Emperor, a guerrilla fighter who taught himself French cuisine in the bush, and a chemist who arranged the heist of his own laboratory. An arresting blend of travelogue and history, `I Didn't Do It For You’ pierces the dark heart of our colonial history.

A story of grim comedy amid the apocalypse and a celebration of the sheer indestructibility of the human spirit in a nation run riot: Michela Wrong’s vision of Congo/Zaire during the Mobutu years is incisive, ironic and revelatory.Mr Kurtz, the colonial white master, brought evil to the remote upper reaches of the Congo River. A century after Conrad’s `Heart of Darkness’ was first published, Michela Wrong revisits the Congo during the turbulent era of Mobutu Sese Seko.From the heart of Africa comes grotesque confusion: pink-lipsticked rebel soldiers mingle with track-suited secret policemen in hotels where fin de siecle dinner parties are ploughing through vintage wines rather than leave them to the new regime. Congo, the African country richest in natural resources, has institutionalised kleptomania. Everyone is on the take. Someone has even swiped one of the uranium rods from the country’s only nuclear reactor.Having presided over unprecedented looting of the country’s wealth, Mobutu, like Kurtz, retreated deep within the jungle to his palace of marble floors and gold taps. A hundred years on and nothing has changed.

The debut novel by a British writer with nearly two decades of African experience – a compelling courtroom drama and a gritty, aromatic evocation of place, inspired by recent events.British lawyer Paula Shackleton is mourning a lost love when a small man in a lemon-coloured suit accosts her over breakfast in a Boston hotel. Winston Peabody represents the African state of North Darrar, embroiled in a border arbitration case with its giant neighbour. He needs help with the hearings in The Hague, Paula needs to forget the past.She flies to the state’s capital determined to lose herself in work, but soon discovers that even jobs taken with the purest intentions can involve moral compromise. Taking testimony in scorching refugee camps, delving into the colonial past, she becomes increasingly uneasy about her role. Budding friendships with a scarred former rebel and an idealistic young doctor whittle away at her pose of sardonic indifference, until Paula finds herself taking a step no decent lawyer should ever contemplate.Michela Wrong has been writing about Africa for two decades. In this taut legal thriller, rich with the Horn of Africa’s colours and aromas, she probes the motives underlying Western engagement with the continent, questioning the value of universal justice and exploring how history itself is forged. Above all her first novel is the story of a young woman’s anguished quest for redemption.

The debut novel by a British writer with nearly two decades of African experience – a compelling courtroom drama and a gritty, aromatic evocation of place, inspired by recent events.British lawyer Paula Shackleton is mourning a lost love when a small man in a lemon-coloured suit accosts her over breakfast in a Boston hotel. Winston Peabody represents the African state of North Darrar, embroiled in a border arbitration case with its giant neighbour. He needs help with the hearings in The Hague, Paula needs to forget the past.She flies to the state’s capital determined to lose herself in work, but soon discovers that even jobs taken with the purest intentions can involve moral compromise. Taking testimony in scorching refugee camps, delving into the colonial past, she becomes increasingly uneasy about her role. Budding friendships with a scarred former rebel and an idealistic young doctor whittle away at her pose of sardonic indifference, until Paula finds herself taking a step no decent lawyer should ever contemplate.Michela Wrong has been writing about Africa for two decades. In this taut legal thriller, rich with the Horn of Africa’s colours and aromas, she probes the motives underlying Western engagement with the continent, questioning the value of universal justice and exploring how history itself is forged. Above all her first novel is the story of a young woman’s anguished quest for redemption.

The debut novel by a British writer with nearly two decades of African experience – a compelling courtroom drama and a gritty, aromatic evocation of place, inspired by recent events.British lawyer Paula Shackleton is mourning a lost love when a small man in a lemon-coloured suit accosts her over breakfast in a Boston hotel. Winston Peabody represents the African state of North Darrar, embroiled in a border arbitration case with its giant neighbour. He needs help with the hearings in The Hague, Paula needs to forget the past.She flies to the state’s capital determined to lose herself in work, but soon discovers that even jobs taken with the purest intentions can involve moral compromise. Taking testimony in scorching refugee camps, delving into the colonial past, she becomes increasingly uneasy about her role. Budding friendships with a scarred former rebel and an idealistic young doctor whittle away at her pose of sardonic indifference, until Paula finds herself taking a step no decent lawyer should ever contemplate.Michela Wrong has been writing about Africa for two decades. In this taut legal thriller, rich with the Horn of Africa’s colours and aromas, she probes the motives underlying Western engagement with the continent, questioning the value of universal justice and exploring how history itself is forged. Above all her first novel is the story of a young woman’s anguished quest for redemption.

SHORTLISTED FOR THE ORWELL PRIZE 2022‘Superb’ The Times‘Engrossing and revelatory' Observer‘Powerful, compelling and meticulously researched’ New Statesman A new book from the award winning author of In the Footsteps of Mr Kurtz,Do Not Disturb explores the controversial career of Paul Kagame and the legacy of the Rwandan genocide Do Not Disturb is a dramatic recasting of the modern history of Africa’s Great Lakes region, an area blighted by the greatest genocide of the twentieth century. This bold retelling, vividly sourced by direct testimony from key participants, tears up the traditional script.In the old version, an idealistic group of young rebels overthrows a genocidal regime in Kigali, ushering in an era of peace and stability that makes Rwanda the donor darling of the West, winning comparisons with Switzerland and Singapore. The new version examines afresh questions which dog the recent past: Why do so many ex-rebels scoff at official explanations of who fired the missile that killed the presidents of Rwanda and Burundi? Why didn’t the mass killings end when the rebels took control? Why did those same rebels, victory secured, turn so ruthlessly on one another?Michela Wrong uses the story of Patrick Karegeya, once Rwanda’s head of external intelligence and a quicksilver operator of supple charm, to paint the portrait of a modern African dictatorship created in the chilling likeness of Paul Kagame, the president who sanctioned his former friend’s murder. ‘A withering assault on the murderous regime of Kagame, and a melancholy love song to the last dreams of the African Great Lakes’ John Le Carre

SHORTLISTED FOR THE ORWELL PRIZE 2022‘Superb’ The Times‘Engrossing and revelatory'' Observer‘Powerful, compelling and meticulously researched’ New StatesmanA new book from the award winning author of In the Footsteps of Mr Kurtz,Do Not Disturb explores the controversial career of Paul Kagame and the legacy of the Rwandan genocideDo Not Disturb is a dramatic recasting of the modern history of Africa’s Great Lakes region, an area blighted by the greatest genocide of the twentieth century. This bold retelling, vividly sourced by direct testimony from key participants, tears up the traditional script.In the old version, an idealistic group of young rebels overthrows a genocidal regime in Kigali, ushering in an era of peace and stability that makes Rwanda the donor darling of the West, winning comparisons with Switzerland and Singapore. The new version examines afresh questions which dog the recent past: Why do so many ex-rebels scoff at official explanations of who fired the missile that killed the presidents of Rwanda and Burundi? Why didn’t the mass killings end when the rebels took control? Why did those same rebels, victory secured, turn so ruthlessly on one another?Michela Wrong uses the story of Patrick Karegeya, once Rwanda’s head of external intelligence and a quicksilver operator of supple charm, to paint the portrait of a modern African dictatorship created in the chilling likeness of Paul Kagame, the president who sanctioned his former friend’s murder.‘A withering assault on the murderous regime of Kagame, and a melancholy love song to the last dreams of the African Great Lakes’ John Le Carre

"Wholly unsentimental," a foreign correspondent''s exploration of political corruption in Africa "gets it right . . . [a] chillingly amusing cautionary tale." —Jonathan Yardley, Washington Post Book WorldKnown as "the Leopard," the president of Zaire for thirty-two years, Mobutu Sese Seko, showed all the cunning of his namesake—seducing Western powers, buying up the opposition, and dominating his people with a devastating combination of brutality and charm. While the population was pauperized, he plundered the country''s copper and diamond resources, downing pink champagne in his jungle palace like some modern-day reincarnation of Joseph Conrad''s crazed station manager.Michela Wrong, a correspondent who witnessed Mobutu''s last days, traces the rise and fall of the idealistic young journalist who became the stereotype of an African despot. Engrossing, highly readable, and as funny as it is tragic, In the Footsteps of Mr. Kurtz assesses the acts of the villains and the heroes in this fascinating story of the Democratic Republic of Congo."A riveting inspection of the legacy of European colonialism in Africa" — Booklist"The beauty of this book is that it makes sense of chaos." —Publishers Weekly (starred review)"In lively prose . . . Wrong combines travelogue with astute political analysis . . . terrific." —Library Journal"Provocative, touching, and sensitively written . . . an eloquent, brilliantly researched account and a remarkably sympathetic study of a tragic land." —Sunday Times

‘Joyous … a book that makes other journalists weep with envy’ The Economist'Provocative, touching, and sensitively written … an eloquent, brilliantly researched account’ Sunday Times One of The Economist’s best books by foreign correspondents. A story of grim comedy amid the apocalypse and a celebration of the sheer indestructibility of the human spirit in a nation run riot: Michela Wrong’s vision of Congo/Zaire during the Mobutu years is incisive, ironic and revelatory. Mr Kurtz, the colonial white master, brought evil to the remote upper reaches of the Congo River. A century after Conrad’s 'Heart of Darkness' was first published, Michela Wrong revisits the Congo as the era of Mobutu Sese Seko collapses into absurdity, anarchy and corruption. Hers is a brilliant portrait of the grotesque as confusion takes over: pink lipsticked rebel soldiers mingle with tracksuited secret policemen in hotels where fin de siecle dinner parties are ploughing through hotel wine cellars rather than see bottles lost to the new regime.Congo, Africa’s richest country in terms of its natural resources, has institutionalised kleptomania: everyone is on the take. In a country where the minimum wage has dropped to below $150 a year, the government over twenty-five years spent $250 million providing courtesy cars. Congo has a vanity nuclear reactor built on a subsiding slope and one of its uranium rods is missing…The Mobutu reign, successor to Belgium’s failed imperial experiment in Africa, was fed by World Bank dollars and IMF loans. Having presided over unprecedented looting of the country’s wealth, Mobutu, like Kurtz, retreated deep within the jungle to his absurdly overwrought palace of marble floors and gold taps. A century on, nothing seems to have changed at the heart of Africa: it is lawless, graceless and it slaughters its own.

« Un récit important et passionnant » Stephen Smith, ex-journaliste au Monde et Libération.

« L''une des révisions historiques les plus approfondies de Kagamé et son régime. » The Guardian

« Une épopée de sang, d''amertume et de trahison. Une histoire captivante » The Times

Best seller cité comme meilleur livre de l’année par le Financial Times et The Economist, Cette enquête journalistique est une refonte dramatique de l''histoire moderne du Rwanda, pays ravagé par l’un des plus grands génocides du XXe siècle. Ce récit audacieux, tiré des témoignages directs et proches de Paul Kagamé, déchire le script officiel, selon lequel un groupe idéaliste de jeunes rebelles aurait renversé le régime génocidaire de Kigali, inaugurant une ère de paix, de prospérité et de stabilité, jusqu’à faire du Rwanda, le chouchou des donateurs occidentaux.Michela Wrong détaille en particulier l''histoire de Patrick Karegeya, ex-chef du renseignement extérieur du Rwanda, pour dresser le portrait d''une dictature africaine à l''image de son président, qui a érigé la vengeance en signature de son règne, en poursuivant ses anciens compagnons d''armes jusqu''au bout du monde.La journaliste examine les questions qui hantent le passé : pourquoi tant d''ex-rebelles contestent la version officielle du missile qui a tué les présidents rwandais et burundais ? Pourquoi les massacres n''ont-ils pas pris fin lorsque les rebelles ont pris le contrôle du pays ? Pourquoi plusieurs de ces mêmes rebelles, la victoire assurée, ont préféré fuir le pays ?

Michela Wrong est une journaliste anglaise (Reuters, BBC, Financial Times) connue dans le monde entier pour sa connaissance de l’Afrique. Elle a couvert à la fois les derniers jours du dictateur Mobutu et le génocide au Rwanda. Elle a reçu le prix James Cameron 2010 « pour sa vision morale et son intégrité professionnelle ».