Michèle Martin – författare
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7 produkter
7 produkter
Inbunden, Engelska, 2024
1 540 kr
Skickas inom 5-8 vardagar
News coverage today is an emerging collaboration between the general public and professional journalists. News consumers have come to expect and demand the unprecedented immediacy of experience and coverage of breaking news offered by photographs, video clips, audio recordings, tweets, commentary: content created by ordinary citizens. The use of user-generated content is a salient aspect of how journalists and news organizations are responding to technological changes in the twenty-first century.Eyewitness Textures examines the far-reaching changes in journalism spurred by the growing importance of user-generated content. Bringing together the voices and experiences of professional journalists and academic researchers from across five continents, this collection explores news production practices, changing skills among editors and journalists, and corporate and newsroom restructuring. Chapters by practitioners collectively reflect the newsroom experiences of major global media organizations, while the academic contributions address issues of industrial transformation, political influence, truth and verification, aesthetics, and ideological implications. Both perspectives combine to deepen our understanding of what constitutes the conditions and creation of good journalism, as well as the implications of how the profession should be taught to future journalists.Tracing recent shifts in journalism practice around the world, Eyewitness Textures examines the creative adaptation and strategies of journalists and news organizations in the face of transformative technological change.
Häftad, Engelska, 2024
527 kr
Skickas inom 5-8 vardagar
News coverage today is an emerging collaboration between the general public and professional journalists. News consumers have come to expect and demand the unprecedented immediacy of experience and coverage of breaking news offered by photographs, video clips, audio recordings, tweets, commentary: content created by ordinary citizens. The use of user-generated content is a salient aspect of how journalists and news organizations are responding to technological changes in the twenty-first century.Eyewitness Textures examines the far-reaching changes in journalism spurred by the growing importance of user-generated content. Bringing together the voices and experiences of professional journalists and academic researchers from across five continents, this collection explores news production practices, changing skills among editors and journalists, and corporate and newsroom restructuring. Chapters by practitioners collectively reflect the newsroom experiences of major global media organizations, while the academic contributions address issues of industrial transformation, political influence, truth and verification, aesthetics, and ideological implications. Both perspectives combine to deepen our understanding of what constitutes the conditions and creation of good journalism, as well as the implications of how the profession should be taught to future journalists.Tracing recent shifts in journalism practice around the world, Eyewitness Textures examines the creative adaptation and strategies of journalists and news organizations in the face of transformative technological change.
E-bok
PDF, Engelska, 2024554 kr
Läs direkt efter köp
News coverage today is an emerging collaboration between the general public and professional journalists. News consumers have come to expect and demand the unprecedented immediacy of experience and coverage of breaking news offered by photographs, video clips, audio recordings, tweets, commentary: content created by ordinary citizens. The use of user-generated content is a salient aspect of how journalists and news organizations are responding to technological changes in the twenty-first century.
Eyewitness Textures examines the far-reaching changes in journalism spurred by the growing importance of user-generated content. Bringing together the voices and experiences of professional journalists and academic researchers from across five continents, this collection explores news production practices, changing skills among editors and journalists, and corporate and newsroom restructuring. Chapters by practitioners collectively reflect the newsroom experiences of major global media organizations, while the academic contributions address issues of industrial transformation, political influence, truth and verification, aesthetics, and ideological implications. Both perspectives combine to deepen our understanding of what constitutes the conditions and creation of good journalism, as well as the implications of how the profession should be taught to future journalists.
Tracing recent shifts in journalism practice around the world, Eyewitness Textures examines the creative adaptation and strategies of journalists and news organizations in the face of transformative technological change.
E-bok
PDF, Engelska, 1991996 kr
Läs direkt efter köp
Drawing on the rich and unexplored Bell Canada archives in Montreal, Martin analyses the development of the telephone system in Canada, particularly in Ontario and Quebec, from 1878 to 1920. Bell Telephone originally envisaged the telephone as a business tool for a relatively small group of male professionals. The women who worked as operators -- an occupation which rapidly became a female ghetto -- played a key role in mediating the demands of telephone users and the limitations of the new technology. The many women who began to use the telephone for domestic, two-way communication eventually forced Bell Telephone to change its approach and ultimately transformed the telephone''s social impact. Through a critical examination of the political and economic aspects of the development of telephone systems, Martin outlines changes in the nature of women''s economic experience and in their participation in the community. She analyses the transformation of the telephone into a "public utility," stressing the ever-present economic incentives at the base of Bell Canada''s decision making. She also examines the impact of this new technology on women and the labour process and on women''s social and cultural practices. Her study not only provides an important understanding of a particular period but also insight into the effect of new communication technology on social structure.
E-bok
PDF, Engelska, 2006457 kr
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Using the press coverage of the Franco-Prussian war as a starting point, Michèle Martin's Images at War examines nineteenth-century illustrated periodicals published in France, Germany, England, and Canada (with references also to Italy and the United States), and argues that periodicals during this period worked to reinforce particular national identities.Images in periodicals played an essential role in how the concept of nationalism was expressed and reproduced, usually by pitting cultures and countries against one another. These illustrated periodicals helped to shape nations where nations had not previously existed - such as with Germany, Italy, and Canada, which were only just coming into their own as states. In war, Martin observes, these documents also represented a non-verbal method of communicating emotionally trying, politically challenging, and oftentimes contradictory information to the public, literate and non-literate alike.The history of nineteenth-century illustrated papers underscores their legitimacy as a form of journalism. They were more than a commodity produced for profit; they offered serious reflection and commentary on the times designed by editors to have specific effects on the readers. Images at War is a much-needed study of this early news medium and its part in the construction of nationalism in the midst of war.
Häftad, Engelska, 2023
402 kr
Skickas inom 5-8 vardagar
Using the press coverage of the Franco-Prussian war as a starting point, Michèle Martin's Images at War examines nineteenth-century illustrated periodicals published in France, Germany, England, and Canada (with references also to Italy and the United States), and argues that periodicals during this period worked to reinforce particular national identities.Images in periodicals played an essential role in how the concept of nationalism was expressed and reproduced, usually by pitting cultures and countries against one another. These illustrated periodicals helped to shape nations where nations had not previously existed - such as with Germany, Italy, and Canada, which were only just coming into their own as states. In war, Martin observes, these documents also represented a non-verbal method of communicating emotionally trying, politically challenging, and oftentimes contradictory information to the public, literate and non-literate alike.The history of nineteenth-century illustrated papers underscores their legitimacy as a form of journalism. They were more than a commodity produced for profit; they offered serious reflection and commentary on the times designed by editors to have specific effects on the readers. Images at War is a much-needed study of this early news medium and its part in the construction of nationalism in the midst of war.
Häftad, Engelska, 2024
77 kr
Skickas inom 5-8 vardagar