Michelle Bogre – författare

This fully revised and updated second edition of Photography as Activism is both a study of activist photography, and a call to action. It offers students and documentary photographers insights into the theory, history, philosophy, and practice of photography as activism.

The book is lavishly illustrated with 85 key historical and contemporary images. Chapters have been revised to include contemporary ideas about representation, gaze, agency, and decolonizing the camera, as well as an expanded history that includes work from the global South and the civil rights movements in the US. A new fourth chapter focuses on activist practices that go beyond traditional reportage. It features 19 new interviews and updates on the original interviews. Photographers talk about their practices, the challenges they face in the twenty-first century, advice on working with NGOs and non-profits, and how to form partnerships to expand the dissemination of their work.

Photography as Activism is an essential text for courses on documentary and photojournalism, and those that explore art as social change more broadly, but also a call to action for young photographers to pick up their cameras and advocate for change.

This fully revised and updated second edition of Photography as Activism is both a study of activist photography, and a call to action. It offers students and documentary photographers insights into the theory, history, philosophy, and practice of photography as activism.

The book is lavishly illustrated with 85 key historical and contemporary images. Chapters have been revised to include contemporary ideas about representation, gaze, agency, and decolonizing the camera, as well as an expanded history that includes work from the global South and the civil rights movements in the US. A new fourth chapter focuses on activist practices that go beyond traditional reportage. It features 19 new interviews and updates on the original interviews. Photographers talk about their practices, the challenges they face in the twenty-first century, advice on working with NGOs and non-profits, and how to form partnerships to expand the dissemination of their work.

Photography as Activism is an essential text for courses on documentary and photojournalism, and those that explore art as social change more broadly, but also a call to action for young photographers to pick up their cameras and advocate for change.

These collected chapters and interviews explore the current issues and debates about how copyright will or should adapt to meet the practices of 21st-century creators and internet users. The book begins with an overview of copyright law basics. It is organized by parts that correspond to creative genres: Literary Works, Visual Arts, Fine Art, Music, Video Games and Virtual Worlds, Fashion, and Technology. The chapters and interviews address issues such as copyright ownership in work created by Artificial Intelligence (AI), the musical remix market, whether appropriation is ever a fair use of a copyrighted work or if it is always theft, and whether internet- based platforms should do more to deter piracy of creators’ works. Each part ends with an essay explaining the significance of one or two landmark or trendsetting cases to help the reader understand the practical implications of the law. Written to be accessible to both lay and legal audiences, this unique collection addresses contemporary legal issues that all creators need to understand and will be essential reading for artists, designers, and musicians as well as the lawyers who represent them.

These collected chapters and interviews explore the current issues and debates about how copyright will or should adapt to meet the practices of 21st-century creators and internet users. The book begins with an overview of copyright law basics. It is organized by parts that correspond to creative genres: Literary Works, Visual Arts, Fine Art, Music, Video Games and Virtual Worlds, Fashion, and Technology. The chapters and interviews address issues such as copyright ownership in work created by Artificial Intelligence (AI), the musical remix market, whether appropriation is ever a fair use of a copyrighted work or if it is always theft, and whether internet- based platforms should do more to deter piracy of creators’ works. Each part ends with an essay explaining the significance of one or two landmark or trendsetting cases to help the reader understand the practical implications of the law. Written to be accessible to both lay and legal audiences, this unique collection addresses contemporary legal issues that all creators need to understand and will be essential reading for artists, designers, and musicians as well as the lawyers who represent them.

An invaluable resource for photography educators, this volume is a survey of photographic education in the first decade of the 21st Century. Drawing upon her 25 years of teaching experience and her professional network, Michelle Bogre spoke with 47 photo educators from all over the world to compile this diverse set of interviews. The themes of these conversations explore:

The second half of the book shares 70 photography assignments of varying level of difficulty from these educators, some paired with examples of how students completed them.

This book will inspire and invigorate any photography educator’s curriculum.

An invaluable resource for photography educators, this volume is a survey of photographic education in the first decade of the 21st Century. Drawing upon her 25 years of teaching experience and her professional network, Michelle Bogre spoke with 47 photo educators from all over the world to compile this diverse set of interviews. The themes of these conversations explore:

The second half of the book shares 70 photography assignments of varying level of difficulty from these educators, some paired with examples of how students completed them.

This book will inspire and invigorate any photography educator’s curriculum.