Michelle Voss – författare

The intensity and meaningfulness of aesthetic experience have often been described in theological terms. By designating basic human emotions as rasa, a word that connotes taste, flavor, or essence, Indian aesthetic theory conceptualizes emotional states as something to be savored. At their core, emotions can be tastes of the divine. In this book, the methods of the emerging discipline of comparative theology enable the author's appreciation of Hindu texts and practices to illuminate her Christian reflections on aesthetics and emotion.Three emotions vie for prominence in the religious sphere: peace, love, and fury. Whereas Indian theorists following Abhinavagupta claim that the aesthetic emotion of peace best approximates the goal of religious experience, devotees of Krishna and medieval Christian readings of the Song of Songs argue that love communicates most powerfully with divinity. In response to the transcendence emphasized in both approaches, the book turns to fury at injustice to attend to emotion's foundations in the material realm. The implications of this constructive theology of emotion for Christian liturgy, pastoral care, and social engagement are manifold.

The intensity and meaningfulness of aesthetic experience have often been described in theological terms. By designating basic human emotions as rasa, a word that connotes taste, flavor, or essence, Indian aesthetic theory conceptualizes emotional states as something to be savored. At their core, emotions can be tastes of the divine. In this book, the methods of the emerging discipline of comparative theology enable the author's appreciation of Hindu texts and practices to illuminate her Christian reflections on aesthetics and emotion.Three emotions vie for prominence in the religious sphere: peace, love, and fury. Whereas Indian theorists following Abhinavagupta claim that the aesthetic emotion of peace best approximates the goal of religious experience, devotees of Krishna and medieval Christian readings of the Song of Songs argue that love communicates most powerfully with divinity. In response to the transcendence emphasized in both approaches, the book turns to fury at injustice to attend to emotion's foundations in the material realm. The implications of this constructive theology of emotion for Christian liturgy, pastoral care, and social engagement are manifold.

Every generation of theologians must respond to its context by rearticulating the central tenets of the faith. Interreligious comparison has been integral to this process from the start of the Christian tradition and is especially salient today. The emerging field of comparative theology, in which close study of another religious tradition yields new questions and categories for theological reflection in the scholar's home tradition, embodies the ecumenical spirit of this moment. This discipline has the potential to enrich systematic theology and, by extension, theological education, at its foundations.The essays in Comparing Faithfully demonstrate that engagement with religious diversity need not be an afterthought in the study of Christian systematic theology; rather, it can be a way into systematic theological thinking. Each section invites students to test theological categories, to consider Christian doctrine in relation to specific comparisons, and to take up comparative study in their own contexts.This resource for pastors and theology students reconsiders five central doctrines of the Christian faith in light of focused interreligious investigations. The dialogical format of the book builds conversation about the doctrine of God, theodicy, humanity, Christology, and soteriology. Its comparative essays span examples from Hindu, Buddhist, Jewish, Muslim, Jain, and Confucian traditions as well as indigenous Aztec theology, and contemporary "spiritual but not religious" thought to offer exciting new perspectives on Christian doctrine.