Miguel Flores-Vianna – författare

A dazzling tour of Château de Haroué, the epitome of opulent French style and one of today’s must-see examples of vibrant eighteenth-century architecture and design.Located in a remote village in the Lorraine region of northeastern France, the estate of Château de Haroué is an unrivaled treasure of Gallic culture and heritage. Built between 1720 and 1729 for Marc de Beauvau, Prince de Beauvau-Craon, constable of Lorraine and viceroy of Tuscany, his descendents have inhabited the castle and kept it going in high style ever since.Throughout the pages of this volume, readers are invited to discover the château’s impressive architecture and fashionably chic interior design. Newly commissioned photographs by leading interiors photographer Miguel Flores-Vianna alongside archival documents offer unprecedented access to 82 sumptuous rooms, which are enlivened by dynamic tapestries and family portraits, a breathtaking artwork collection, and stately antique furniture. Informative texts by Victoria Botana de Beauvau, one of France’s preeminent modern-day aristocrats and an It girl in Parisian society, paint a picture of the castle’s architectural splendors, lifestyle, notable events, and her family’s unique approach to keeping history alive—all published in an exquisitely crafted book, with creative direction by Peter Copping, worthy of this stunning property.

After a multiyear renovation, The Frick Collection returns to its lauded Gilded Age mansion on New York’s Fifth Avenue. Spectacular photography by Miguel Flores-Vianna and insightful text by Xavier F. Salomon, the museum’s chief curator, unite to celebrate one of the preeminent fine and decorative art collections in the world.Richly illustrated with newly commissioned photography, this publication chronicles the history of the iconic 1914 residence of industrialist Henry Clay Frick, while offering a room-by-room tour that showcases each space’s evolution from a private residence to part of The Frick Collection. The personal and cultural significance of the mansion’s interiors is explored, from the stately drawing rooms and intimate boudoirs to the galleries that house masterpieces by Bellini, Fragonard, Goya, Ingres, Manet, Rembrandt, Titian, and Vermeer.The mansion at One East Seventieth Street stands as a testament to Frick’s refined taste, immense wealth, and unparalleled art collection. The reader will experience a captivating exploration of the mansion’s creation, from Frick’s initial vision of a “comfortable, well-arranged house, simple, in good taste, and not ostentatious” to the multifaceted collaboration between the strong-willed patron and his team of architects, interior decorators (including Sir Charles Carrick Allom and Elsie de Wolfe), and art dealers. This book is a reintroduction to the marvels of the Frick’s collections and an introduction to the gloriously revived interiors of an internationally lauded jewel of a museum.