Mike Leigh – författare

Mike Leigh’s 1970s classic play ‘Abigail’s Party’ focuses on an evening of domestic hell in the guise of a suburban drinks soirée. While teenager Abigail parties a few doors away, the pretentious Beverly and her estate agent husband, Laurence, entertain their neighbours – Abigail’s mother, Susan, ex-footballer, Tony, and his wife, Angela. But as the alcohol flows, tensions in the hosts’ barely functional marriage emerge and their obsessions, prejudices and petty competitiveness are ruthlessly, and hilariously, exposed. ‘Goose-Pimples’, meanwhile, is easily as sharp and uncompromising. This time, the action focuses on ambitious casino croupier, Jackie, and Saudi businessman, Muhammad, who meet – and misunderstand – one another spectacularly.

THE 40TH ANNIVERSARY EDITION OF 40TH MIKE LEIGH'S CLASSIC PLAY - WITH A NEW INTRODUCTION FROM THE PLAYWRITE.Forty years on from its first performance at the Hampstead Theatre and original screening on BBC1 soon after, Mike Leigh's Abigail's Party - telling of two marriages spectacularly unravelling at an awkward neighbourhood drinks party - remains a pinnacle of British theatre.Here is the original script, complete with a new introduction by Mike Leigh describing the play's unlikely genesis, how it came to be made and where he believes it fits within his oeuvre as one of the country's leading writers and directors.'The play came from my intuitive sense of the spirit and the flavour of the times, and from a growing personal fear of, and frustration with the suburban existence' Mike Leigh, from his new introduction'Leigh's play isn't simply about marriage and Essex, but also about the unhappy state of the realm' Guardian

40th anniversary edition with a new introduction by Mike Leigh. Forty years on from its first performance at the Hampstead Theatre and original screening on BBC1 soon after, Mike Leigh's Abigail's Party - telling of two marriages spectacularly unravelling at an awkward neighbourhood drinks party - remains a pinnacle of British theatre.Here is the original script, complete with a new introduction by Mike Leigh describing the play's unlikely genesis, how it came to be made and where he believes it fits within his oeuvre as one of the country's leading writers and directors.'The play came from my intuitive sense of the spirit and the flavour of the times, and from a growing personal fear of, and frustration with the suburban existence' Mike Leigh, from his new introduction'Leigh's play isn't simply about marriage and Essex, but also about the unhappy state of the realm' Guardian

Three screenplays by Mike Leigh. Naked presents a bleak picture of urban society, Life is Sweet is a gentle comedy in which the pain of everyday life is borne with a wry smile, and High Hopes is a comedy of class-ridden life in contemporary Britain.

Five-time Oscar nominee and BAFTA winner, the only British director to have won the top prize at both Cannes (for Secrets & Lies) and Venice (for Vera Drake), Mike Leigh is unquestionably one of world cinema's pre-eminent figures. Now, in this definitive career-length interview, he reflects on all that has gone into the making of his unique body of work. Leigh's work has always reflected its times, whether the harsh studies of Meantime and Naked or the humour of the now-legendary Abigail's Party and Nuts in May. Above all, Leigh is an accomplished storyteller, and these films deal with universal themes: births, marriages and deaths, parenthood and failed relationships, families and their secrets and lies.

The smash-hit National Theatre play by Mike Leigh, one of Britain's great creative directors for both stage and screen.Two Thousand Years, Leigh's first devised stage play for over a decade, follows a fractious Jewish family in contemporary London and has toured nationwide and played in an extended run at the National Theatre.

1957. War widow Dorothy lives in a London suburb with her 15-year-old daughter Victoria and her older bachelor brother Edwin. More and more isolated from her married friends with their successful children, Dorothy tries to cope with Victoria's increasingly hostile behaviour. But is she doing her best, as she thinks, or is she in fact responsible for what threatens to become an unendurable situation?'A exquisitely observed, profoundly quiet slice of 1950s suburban life.' The Sunday Times'Meticulously evocative' Independent'Manville is magnificent in this broodingly muted family drama.' Sunday Express'Leigh makes you laugh and laugh - until you cry.' Time Out'A haunting portrait of loss and loneliness, exquisitely acted throughout and led by a riveting performance by Manville.' Financial Times'Leigh's meticulous production potently captures the pain that lurked behind stiff upper lips in the England of the Fifties.' Daily Telegraph'Nobody gets more truthful performances from actors than Mike Leigh.' The Times'The acting is superb.' Guardian'Leigh directs with sensitivity.' Evening Standard'Extraordinarily poignant' Independent on Sunday

This new revised edition brings Mike Leigh's career up-to-date, including his film about J.M.W. Turner, Mr. Turner, and his epic masterpiece, Peterloo.Five-time Oscar nominee and BAFTA winner, the only British director to have won the top prize at both Cannes (for Secrets & Lies) and Venice (for Vera Drake) - Mike Leigh is unquestionably one of world cinema's pre-eminent figures. Now, in this definitive career-length interview, he reflects on all that has gone into the making of his unique body of work.In their commingling of bleakness and humour, Leigh's films recreate the tragi-comic world of people whose everyday lives are far from glamorous: a world in which 'the done thing' usually prevails, contrary to our inner hopes, wants or needs. Leigh's work has always reflected its times and entered the vernacular, whether the harsh studies of Meantime and Naked or the humour of the now-legendary Abigail's Party and Nuts in May. Above all, Leigh is an accomplished storyteller, and these films deal with universal themes: births, marriages and deaths, parenthood and failed relationships, families and their secrets and lies. Within these pages Leigh speaks to Amy Raphael more openly than ever before of his life and inimitable working method, revealing himself as passionate, forthright, no sufferer of fools, but the owner of a dry and playful Mancunian wit.