Mike McGovern – författare

For the last twenty years, the West African nation of Guinea has exhibited all the characteristics that have correlated with civil wars in other countries, and Guineans themselves regularly talk about the inevitability of war tearing their country apart. Yet the country has narrowly avoided civil conflict again and again. In A Socialist Peace?, Mike McGovern asks how this was possible, how a nation could beat the odds and evade civil war. All six of Guinea's neighbors have experienced civil war or separatist insurgency in the past twenty years. Guinea itself has similar makings for it. It is rich in resources, yet its people are some of the poorest in the world. Its political situation is polarized by fiercely competitive ethnic groups. Weapons flow freely through its lands and across its borders. And, finally, it is still recovering from the oppressive regime of Sekou Toure. Yet it is that aspect which McGovern points to: while Toure's reign was hardly peaceful, it was successful often through highly coercive and violent measures at establishing a set of durable national dispositions, which have kept the nation at peace.Exploring the ambivalences of contemporary Guineans toward the afterlife of Tour 's reign as well as their abiding sense of socialist solidarity, McGovern sketches the paradoxes that can undergird political stability.

For the last twenty years, the West African nation of Guinea has exhibited all the characteristics that have correlated with civil wars in other countries, and Guineans themselves regularly talk about the inevitability of war tearing their country apart. Yet the country has narrowly avoided civil conflict again and again. In A Socialist Peace?, Mike McGovern asks how this was possible, how a nation could beat the odds and evade civil war. All six of Guinea's neighbors have experienced civil war or separatist insurgency in the past twenty years. Guinea itself has similar makings for it. It is rich in resources, yet its people are some of the poorest in the world. Its political situation is polarized by fiercely competitive ethnic groups. Weapons flow freely through its lands and across its borders. And, finally, it is still recovering from the oppressive regime of Sekou Toure. Yet it is that aspect which McGovern points to: while Toure's reign was hardly peaceful, it was successful often through highly coercive and violent measures at establishing a set of durable national dispositions, which have kept the nation at peace.Exploring the ambivalences of contemporary Guineans toward the afterlife of Tour 's reign as well as their abiding sense of socialist solidarity, McGovern sketches the paradoxes that can undergird political stability.

When the Republic of Guinea gained independence in 1958, one of the first policies of the new state was a village-to-village eradication of masks and other ritual objects it deemed "fetishes." The Demystification Program, as it was called, was so urgent it even preceded the building of a national road system. In Unmasking the State, Mike McGovern attempts to understand why this program was so important to the emerging state and examines the complex role it had in creating a unified national identity. In doing so, he tells a dramatic story of cat and mouse where minority groups cling desperately to their important - and outlawed - customs. Primarily focused on the communities in the country's south-eastern rainforest region - people known as Forestiers - the Demystification Program operated via a paradox. At the same time it banned rituals from Forestiers' day-to-day lives, it appropriated them into a state-sponsored program of folklorization. McGovern points to an important purpose for this: by objectifying this polytheistic group's rituals, the state created a viable counter example against which the Muslim majority could define proper modernity.Describing the intertwined relationship between national and local identity making, McGovern showcases the coercive power and the unintended consequences involved when states attempt to engineer culture.

The conflict in Cote d'Ivoire has the characteristics of Shakespearean drama - the key figures are larger than life, each with a fatal flaw, and the self-destructive path each is following is clearly visible to all but themselves. Mike McGovern's book gives full play to the vibrant personalities involved, from Felix Houphouet-Boigny, 'The Ram', who cannily managed Ivorian politics for the country's first 33 years of independence, to the contemporary First Lady Simone Gbagbo. However, the analysis is of the dynamics in place that give certain predictability to the actions of each of the key figures in the drama. Does the conflict in Cote d'Ivoire derive from 'real' problems such as inter-ethnic competition within a shrinking economy, or is it in some way a series of man-made disasters, a kind of grotesque misunderstanding created out of hate-filled rhetoric? The answer proposed throughout is that since the 1990s politicians in Cote d'Ivoire have concentrated on perfecting the art of 'instrumentalising realities', or manipulating and amplifying existing tensions and resentments, and turning them into political capital.