Mikhail Lermontov – författare

'After all that - how, you might wonder, could one not become a fatalist?'Lermontov's hero, Pechorin, is a young army officer posted to the Caucasus, where his adventures - amorous and reckless - do nothing to alleviate his boredom and cynicism. World-weary and self-destructive, Pechorin is alienated from those around him yet he is full of passion and romantic ardour, sensitive as well as arrogant. His complex, contradictory character dominates A Hero of Our Time, the first great Russian novel, in which the intricate narrative unfolds episodically, transporting the reader from the breathtaking terrain of the Caucasus to the genteel surroundings of spa resorts. Told in an engaging yet pointedly ironic style, the story expresses Lermontov's own estrangement from the stifling conventions of bourgeois society and the oppression of Russian autocracy, but it also captures a longing for freedom through acts of love and bravery.This new edition also includes Pushkin's Journey to Arzrum, in which Pushkin describes his own experiences of Russia's military campaigns in the Caucasus and which provides a fascinating counterpoint to Lermontov's novel. ABOUT THE SERIES: For over 100 years Oxford World's Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more.

A masterpiece of Russian prose, Lermontov's only novel was influential for many later 19th century authors, including Tolstoy, Dostoyevsky, and Chekhov. Lermotov's hero, Pechorin, is a dangerous man, Byronic in his wasted gifts and his cynicism, and desperate for any kind of action that will stave off boredom. In five linked episodes, Lermontov builds up a portrait of a man caught in and expressing the sickness of his times.

A masterpiece of Russian prose, Mikhail Lermontov's A Hero of Our Time is translated with an introduction and notes by Natasha Randall, and a foreword by Neil LaBute, author of reasons to be pretty, in Penguin Modern Classics.The first major Russian novel, A Hero of Our Time was both lauded and reviled on publication. Its Byronic hero, twenty-five-year-old Pechorin, is a beautiful and magnetic but nihilistic young army officer, bored by life and indifferent to his many sexual conquests. In five linked episodes, Lermontov builds up a portrait of a man caught in and expressing the sickness of his times. Chronicling his unforgettable adventures in the Caucasus involving brigands, smugglers, soldiers, rivals, and lovers, this classic tale of alienation influenced Leo Tolstoy, Fyodor Dostoyevsky and Anton Chekhov, holding up a mirror not only to Lermontov's time but also to our own.Mikhail Lermontov (1814-41) was a Russian Romantic writer and poet. As a young man Lermontov was an officer in the guards, and was sent to fight in the Caucasus after insulting the Tsar. His dramatic life ended after being shot down in a duel.Ifyou enjoyed A Hero of Our Time, you might like Andrei Bely's Petersburg, also available in Penguin Clasics.'One of the most vivid and persuasive portraits of the male ego ever put down on paper'Neil LaBute, from the Foreword

First published in 1919, this book presents the text of Lermontov's 1840 poem 'The Novice' in the original Russian. An editorial introduction and detailed textual notes in English are also included. This book will be of value to anyone with an interest in Russian poetry and the works of Lermontov.

'I remain in unchanged admiration for this bold, headstrong, carefree undertaking, a first novel published when the author was twenty-five, which proved to be the first prose masterpiece in Russian' Julian Barnes from his preface.Published in Russian in April 1840, A Hero of Our Time reached English in 1853, under the title 'Sketches of Life in the Caucasus, by a Russe.' Full of towering landscapes and local colour, it can be read as the travelogue of a poet and serving officer, but also as a portrait of the romantic as self-destructive anti-hero.Vladimir Nabokov's translation of A Hero of Our Time was published in the United States in 1958, the same year as Lolita: world fame was about to overtake this committed Russian living in America.

On his travels through the wild mountainous terrain of the Caucasus, the narrator of A Hero of Our Time chances upon the veteran soldier and storyteller Maxim Maximych, who relates to him the dubious exploits of his former comrade Pechorin. Engaging in various acts of duelling, contraband, abduction and seduction, Pechorin, an archetypal Byronic anti-hero, combines cynicism and arrogance with melancholy and sensitivity.Causing an uproar in Russia when it was first published in 1840, Lermontov’s brilliant, seminal study of contemporary society and the nihilistic aspect of Romanticism – accompanied here by the unfinished novel Princess Ligovskaya – remains compelling to this day.

Mikhail Lermontov (1814–41) is best known in the West today as the author of the novel A Hero of Our Time. But at the time of his death, aged only 26, he was widely regarded as Russia’s greatest living poet. He achieved almost instant fame in 1837 with ‘On the Death of a Poet’, his tribute to Pushkin – whose death in a duel foreshadowed Lermontov’s own. Over the course of the next four years he went on to write many short poems, both lyric and satirical, and two long verse narratives. He was particularly known for his depictions of the Caucasus, where he was exiled for a time, taking part in battles such as the one described in his poem ‘Valerik’.Lermontov traced his ancestry to Scotland, and this book offers a Scottish perspective on the Russian poet. Most of the translators are Scottish or have Scottish connections, and some of the poems are translated into Scots. As Peter France writes in his introduction, this bicentennial volume aims to bring Lermontov’s poems to a new readership by enabling them to live again’ in English and in Scots.

Set in the Caucasus, the scene of Russia's military campaigns in the 19th century, this is both an adventure story and a sardonic look at the heroic ideals of the author's contemporaries - which makes it all the more ironic that the main character, Pushkin, (like the author) was killed in a duel.