Mikkel Bille – författare

Elements of Architecture explores new ways of engaging architecture in archaeology. It conceives of architecture both as the physical evidence of past societies and as existing beyond the physical environment, considering how people in the past have not just dwelled in buildings but have existed within them. The book engages with the meeting point between these two perspectives. For although archaeologists must deal with the presence and absence of physicality as a discipline, which studies humans through things, to understand humans they must also address the performances, as well as temporal and affective impacts, of these material remains. The contributions in this volume investigate the way time, performance and movement, both physically and emotionally, are central aspects of understanding architectural assemblages. It is a book about the constellations of people, places and things that emerge and dissolve as affective, mobile, performative and temporal engagements. This volume juxtaposes archaeological research with perspectives from anthropology, architecture, cultural geography and philosophy in order to explore the kaleidoscopic intersections of elements coming together in architecture. Documenting the ephemeral, relational, and emotional meeting points with a category of material objects that have defined much research into what it means to be human, Elements of Architecture elucidates and expands upon a crucial body of evidence which allows us to explore the lives and interactions of past societies.

The Atmospheric City explores how people make sense of the feelings they get in and of urban spaces. Based on ethnographic fieldwork of everyday life in Copenhagen, Oslo, and Stockholm, it focuses on the atmospheric power of people, places, and phenomena.While the predominant focus of current urban planning tends to rest on economic growth, sustainability, or offering housing, transport, and activities to an increasing number of city residents, this book offers a different take, based on recent discussions in the social sciences about how cities feel. It calls attention to the mundane ways in which urban dwellers adapt and adopt their surroundings. It argues that atmospheric cities are characterised by a fundamental porosity that affects how people relate to places. This highlights why some places are sought after while others are avoided. Through concrete examples of people being in and moving through the city, the book shows how people attune and are attuned by designed urban spaces, often at the margins of attention, when they find comfort in the familiar and seek out the unexpected.This book is aimed at researchers, postgraduates, and practitioners interested in urban design and how people make sense of the feelings it evokes. It will be of interest to those in the fields of urban studies, urban design, planning, architecture urban geography, cultural geography, cultural studies and anthropology.

The Atmospheric City explores how people make sense of the feelings they get in and of urban spaces. Based on ethnographic fieldwork of everyday life in Copenhagen, Oslo, and Stockholm, it focuses on the atmospheric power of people, places, and phenomena.While the predominant focus of current urban planning tends to rest on economic growth, sustainability, or offering housing, transport, and activities to an increasing number of city residents, this book offers a different take, based on recent discussions in the social sciences about how cities feel. It calls attention to the mundane ways in which urban dwellers adapt and adopt their surroundings. It argues that atmospheric cities are characterised by a fundamental porosity that affects how people relate to places. This highlights why some places are sought after while others are avoided. Through concrete examples of people being in and moving through the city, the book shows how people attune and are attuned by designed urban spaces, often at the margins of attention, when they find comfort in the familiar and seek out the unexpected.This book is aimed at researchers, postgraduates, and practitioners interested in urban design and how people make sense of the feelings it evokes. It will be of interest to those in the fields of urban studies, urban design, planning, architecture urban geography, cultural geography, cultural studies and anthropology.

Elements of Architecture explores new ways of engaging architecture in archaeology. It conceives of architecture both as the physical evidence of past societies and as existing beyond the physical environment, considering how people in the past have not just dwelled in buildings but have existed within them. The book engages with the meeting point between these two perspectives. For although archaeologists must deal with the presence and absence of physicality as a discipline, which studies humans through things, to understand humans they must also address the performances, as well as temporal and affective impacts, of these material remains. The contributions in this volume investigate the way time, performance and movement, both physically and emotionally, are central aspects of understanding architectural assemblages. It is a book about the constellations of people, places and things that emerge and dissolve as affective, mobile, performative and temporal engagements. This volume juxtaposes archaeological research with perspectives from anthropology, architecture, cultural geography and philosophy in order to explore the kaleidoscopic intersections of elements coming together in architecture. Documenting the ephemeral, relational, and emotional meeting points with a category of material objects that have defined much research into what it means to be human, Elements of Architecture elucidates and expands upon a crucial body of evidence which allows us to explore the lives and interactions of past societies.

Using case studies, such as the use of candlelight and energy saving lightbulbs in Denmark, this book unravels light’s place at the heart of social life. In contrast to common perception of light as a technical and aesthetic phenomenon, Mikkel Bille argues that there is a cultural and social logic to lighting practices. By empirically investigating the social role of lighting in people's everyday lives, Mikkel Bille reveals how and why people visually shape their homes. Moving beyond the impact of its use, Bille also comments on the politics of lighting to examine how ideas of pollution and home act as barriers for technological fixes to curb energy demand. Attitudes to these issues are reflective of how human perceptions and practices are central to the efforts to cope with climate change. This ethnographic study is a must-read for students of anthropology, cultural studies, human geography, sociology and design.

Using case studies, such as the use of candlelight and energy saving lightbulbs in Denmark, this book unravels light’s place at the heart of social life. In contrast to common perception of light as a technical and aesthetic phenomenon, Mikkel Bille argues that there is a cultural and social logic to lighting practices. By empirically investigating the social role of lighting in people's everyday lives, Mikkel Bille reveals how and why people visually shape their homes. Moving beyond the impact of its use, Bille also comments on the politics of lighting to examine how ideas of pollution and home act as barriers for technological fixes to curb energy demand. Attitudes to these issues are reflective of how human perceptions and practices are central to the efforts to cope with climate change. This ethnographic study is a must-read for students of anthropology, cultural studies, human geography, sociology and design.

In studying material culture, anthropologists and archaeologists use meaningful physical objects from a culture to help understand the less tangible aspects of that culture, such as societal structure, rituals, and values.

In studying material culture, anthropologists and archaeologists use meaningful physical objects from a culture to help understand the less tangible aspects of that culture, such as societal structure, rituals, and values.

Petra, Jordan became a UNESCO World Heritage site in 1985, and the semi-nomadic Bedouin inhabiting the area were resettled as a consequence. The Bedouin themselves paradoxically became UNESCO Masterpieces of Oral and Intangible Heritage in 2005 for the way in which their oral traditions and everyday lives relate to the landscape they no longer live in. Being Bedouin Around Petra asks: How could this happen? And what does it mean to be Bedouin when tourism, heritage protection, national discourse, an Islamic Revival and even New Age spiritualism lay competing claims to the past in the present?