Mikkel Krause Frantzen – författare

A unique, critical, and creative encyclopedia from scholars, artists, and writers on the world and words of finance capital. What does finance capital look like? How do the push and pull of debt and credit shape our feelings and relations? Across fifty-five unforgettable entries, Finance Aesthetics: A Critical Glossary offers an unorthodox appraisal of our bizarre, distorted contemporary condition.

Discover the untold story of the financial thriller, a genre pioneered by Canadian banker-turned-author Paul Erdman from a Swiss prison cell. Starting with the publication of The Billion Dollar Sure Thing in 1973, this book explores the genre's evolution as a popular and even vulgar genre of financialisation, characterised by volatile plots centred on currency speculation where the central mystery is money, not murder. By contextualising the rise of financial thrillers within the dramatic events of the 1970s, such as the abolition of the Bretton Woods system and the oil crises, this book illustrates how a genre found the world of finance during a particular historical moment, but also how the world of finance found its genre. This compelling narrative connects the past to our present financial landscape, making it essential for anyone interested in the intersection of economic, literary and cultural history.

Discover the untold story of the financial thriller, a genre pioneered by Canadian banker-turned-author Paul Erdman from a Swiss prison cell. Starting with the publication of The Billion Dollar Sure Thing in 1973, this book explores the genre’s evolution as a popular and even vulgar genre of financialisation, characterised by volatile plots centred on currency speculation where the central mystery is money, not murder. By contextualising the rise of financial thrillers within the dramatic events of the 1970s, such as the abolition of the Bretton Woods system and the oil crises, this book illustrates how a genre found the world of finance during a particular historical moment, but also how the world of finance found its genre. This compelling narrative connects the past to our present financial landscape, making it essential for anyone interested in the intersection of economic, literary and cultural history.