Ming Him Ko – författare

This study focuses on the Chronicler’s special interest in Levite singers. It takes into consideration the socio-ideological milieu of the Jerusalem temple community in the Persian period and the Mesopotamian elite professional norms and practices that nourished the singers and their music. It also explores the conception of the earthly temple as representative of its heavenly counterpart, and looks at the way in which this shaped the Chronicler’s theological frame of reference.The work is divided into two parts. Part I examines the Mesopotamian scribal-musical background, to which Ko attributes the rise of music in Chronicles. Part II considers the Chronicler’s ideological perspective, the language of the temple and the educational, scribal, and liturgical services of Levite singers. By focusing on the characterisation of the Levite singers in the light of their Mesopotamian counterparts, Ko shows how they sought to foster cosmic stability according to the terms of the Davidic covenant.

This study focuses on the Chronicler''s special interest in Levite singers. It takes into consideration the socio-ideological milieu of the Jerusalem temple community in the Persian period and the Mesopotamian elite professional norms and practices that nourished the singers and their music. It also explores the conception of the earthly temple as representative of its heavenly counterpart, and looks at the way in which this shaped the Chronicler''s theological frame of reference. The work is divided into two parts. Part I examines the Mesopotamian scribal-musical background, to which Ko attributes the rise of music in Chronicles. Part II considers the Chronicler''s ideological perspective, the language of the temple and the educational, scribal, and liturgical services of Levite singers. By focusing on the characterisation of the Levite singers in the light of their Mesopotamian counterparts, Ko shows how they sought to foster cosmic stability according to the terms of the Davidic covenant.

This study focuses on the Chronicler’s special interest in Levite singers. It takes into consideration the socio-ideological milieu of the Jerusalem temple community in the Persian period and the Mesopotamian elite professional norms and practices that nourished the singers and their music. It also explores the conception of the earthly temple as representative of its heavenly counterpart, and looks at the way in which this shaped the Chronicler’s theological frame of reference.The work is divided into two parts. Part I examines the Mesopotamian scribal-musical background, to which Ko attributes the rise of music in Chronicles. Part II considers the Chronicler’s ideological perspective, the language of the temple and the educational, scribal, and liturgical services of Levite singers. By focusing on the characterisation of the Levite singers in the light of their Mesopotamian counterparts, Ko shows how they sought to foster cosmic stability according to the terms of the Davidic covenant.

The Asia Bible Commentary Series empowers Christian believers in Asia to read the Bible from within their respective contexts. Holistic in its approach to the text, each exposition of the biblical books combines exegesis and application. The ultimate goal is to strengthen the Body of Christ in Asia by providing pastoral and contextual exposition of every book of the Bible. The book of Leviticus has a two-fold mission. Leviticus 1–16 symbolizes the order of the world through sacrifices, purity law, and sacred boundaries, so that God’s people can acknowledge his presence and lordship in their different aspects of life. The second part of the book, from Leviticus 17–27, extends the belief of holiness through moral laws of sex and social justice, so that God’s people can be holy, as he is holy. This commentary helps believers to integrate God’s holiness into their daily lifestyle with particular attention to Asian contexts.