Miodrag Mitrašinović – författare

Through illustrated case studies and conceptual re-framings, this volume showcases ongoing transformations in public space, and its relationship to the public realm more broadly in the world’s most populous urban megaregion—the Greater Bay Area of southeastern China—projected to reach eighty million inhabitants by the year 2025. This book assembles diverse approaches to interrogating the forms of public space and the public realm that are emerging in the context of this region’s rapid urban development in the last forty years, bringing together authors from urbanism, architecture, planning, sociology, anthropology and politics to examine innovative ways of framing and conceptualizing public space in/of the Greater Bay Area. The blend of authors’ first-hand practical experiences has created a unique cross-disciplinary book that employs public space to frame issues of planning, political control, social inclusion, participation, learning/education and appropriation in the production of everyday urbanism. In the context of the Greater Bay Area, such spaces and practices also present opportunities for reconfiguring design-driven urban practice beyond traditional interventions manifested by the design of physical objects and public amenities to the design of new social protocols, processes, infrastructures and capabilities. This is a captivating new dimension of urbanism and critical urban practice and will be of interest to academics, students and practitioners interested in urbanization in China.

Through illustrated case studies and conceptual re-framings, this volume showcases ongoing transformations in public space, and its relationship to the public realm more broadly in the world’s most populous urban megaregion—the Greater Bay Area of southeastern China—projected to reach eighty million inhabitants by the year 2025. This book assembles diverse approaches to interrogating the forms of public space and the public realm that are emerging in the context of this region’s rapid urban development in the last forty years, bringing together authors from urbanism, architecture, planning, sociology, anthropology and politics to examine innovative ways of framing and conceptualizing public space in/of the Greater Bay Area. The blend of authors’ first-hand practical experiences has created a unique cross-disciplinary book that employs public space to frame issues of planning, political control, social inclusion, participation, learning/education and appropriation in the production of everyday urbanism. In the context of the Greater Bay Area, such spaces and practices also present opportunities for reconfiguring design-driven urban practice beyond traditional interventions manifested by the design of physical objects and public amenities to the design of new social protocols, processes, infrastructures and capabilities. This is a captivating new dimension of urbanism and critical urban practice and will be of interest to academics, students and practitioners interested in urbanization in China.

Travel, Space, Architecture defines a new theoretical territory in architectural and urban scholarship that frames the processes of spatial production through the notion of travel. By aligning architectural thinking with current critical theory debates, this book explores whether dissociating culture from place and identity, and detaching the idea of architecture from both, can reframe our understanding of spatial and architectural practices. The book presents seventeen key case studies from a diverse range of perspectives including historical, theoretical, and praxis-based, and range from interrogations of architectural travel and notions of belonging and nationhood to challenging established geopolitical hierarchies.

Recent global appropriations of public spaces through urban activism, public uprising, and political protest have brought back democratic values, beliefs, and practices that have been historically associated with cities. Given the aggressive commodification of public re- sources, public space is critically important due to its capacity to enable forms of public dis- course and social practice which are fundamental for the well-being of democratic societies.Public Space Reader brings together public space scholarship by a cross-disciplinary group of academics and specialists whose essays consider fundamental questions: What is public space and how does it manifest larger cultural, social, and political processes? How are public spaces designed, socially and materially produced, and managed? How does this impact the nature and character of public experience? What roles does it play in the struggles for the just city, and the Right to The City? What critical participatory approaches can be employed to create inclusive public spaces that respond to the diverse needs, desires, and aspirations of individuals and communities alike? What are the critical global and comparative perspectives on public space that can enable further scholarly and professional work? And, what are the futures of public space in the face of global pandemics, such as COVID-19?The readers of this volume will be rewarded with an impressive array of perspectives that are bound to expand critical understanding of public space.

Recent global appropriations of public spaces through urban activism, public uprising, and political protest have brought back democratic values, beliefs, and practices that have been historically associated with cities. Given the aggressive commodification of public re- sources, public space is critically important due to its capacity to enable forms of public dis- course and social practice which are fundamental for the well-being of democratic societies.Public Space Reader brings together public space scholarship by a cross-disciplinary group of academics and specialists whose essays consider fundamental questions: What is public space and how does it manifest larger cultural, social, and political processes? How are public spaces designed, socially and materially produced, and managed? How does this impact the nature and character of public experience? What roles does it play in the struggles for the just city, and the Right to The City? What critical participatory approaches can be employed to create inclusive public spaces that respond to the diverse needs, desires, and aspirations of individuals and communities alike? What are the critical global and comparative perspectives on public space that can enable further scholarly and professional work? And, what are the futures of public space in the face of global pandemics, such as COVID-19?The readers of this volume will be rewarded with an impressive array of perspectives that are bound to expand critical understanding of public space.

Travel, Space, Architecture defines a new theoretical territory in architectural and urban scholarship that frames the processes of spatial production through the notion of travel. By aligning architectural thinking with current critical theory debates, this book explores whether dissociating culture from place and identity, and detaching the idea of architecture from both, can reframe our understanding of spatial and architectural practices. The book presents seventeen key case studies from a diverse range of perspectives including historical, theoretical, and praxis-based, and range from interrogations of architectural travel and notions of belonging and nationhood to challenging established geopolitical hierarchies.

Design has been employed as an agent of social and political change, and a catalyst for spatial and urban transformations in cities across the world. Concurrent Urbanities argues for the centrality of designing in the conceptualization and production of inclusive and participatory urban space, by bringing together civic and urban activists, urbanists, designers and architects committed to exploring designing as a socio-spatial praxis concerned with the reorganization of urban socio-economic systems and relations of power.The blend of first-hand experiences and reflections of the urban practitioners featured reframes design practice beyond the design of physical objects and public amenities, to the design of social protocols, processes, and infrastructures for radically reframing practices of socio-spatial inclusion ‘on the ground.’ Through illustrated examples, this book features the work of Stalker and Stealth who employ design to negotiate new social contracts; Teddy Cruz's design of urban political and economic processes; models of urban pedagogy by the Center for Urban Pedagogy; Cohabitation Strategies’ work on designing urban social cooperatives; and others. Concurrent Urbanities presents a compendium of the emerging models of design-driven urban practice that offers important new insights to professional urban practitioners as well as to students of urbanism, architecture, urban design, and urban and spatial planning.

Design has been employed as an agent of social and political change, and a catalyst for spatial and urban transformations in cities across the world. Concurrent Urbanities argues for the centrality of designing in the conceptualization and production of inclusive and participatory urban space, by bringing together civic and urban activists, urbanists, designers and architects committed to exploring designing as a socio-spatial praxis concerned with the reorganization of urban socio-economic systems and relations of power.The blend of first-hand experiences and reflections of the urban practitioners featured reframes design practice beyond the design of physical objects and public amenities, to the design of social protocols, processes, and infrastructures for radically reframing practices of socio-spatial inclusion ‘on the ground.’ Through illustrated examples, this book features the work of Stalker and Stealth who employ design to negotiate new social contracts; Teddy Cruz's design of urban political and economic processes; models of urban pedagogy by the Center for Urban Pedagogy; Cohabitation Strategies’ work on designing urban social cooperatives; and others. Concurrent Urbanities presents a compendium of the emerging models of design-driven urban practice that offers important new insights to professional urban practitioners as well as to students of urbanism, architecture, urban design, and urban and spatial planning.

This book brings together Kenneth Frampton’s essays from the 1960s to today which epitomize his reflections on the historical–theoretical entanglements of architecture with place, the public realm, cultural identity, urban landscape and environment, and the political question of the “predicament” of architecture in the new Millennium. The essays explore Frampton’s contention that architecture’s imperative is to assume a significant responsibility for the edification and stewardship of the Arendtian ‘public world.’ One of the most theoretically sophisticated and politically committed architectural thinkers, Frampton’s work breaks emphatically with the limits and norms of much contemporary practice and restores a sense of richness and social consequence of architecture’s ‘unfinished project,’ while offering abiding lessons not only for architecture but for social, cultural, and design criticism alike.

This book brings together Kenneth Frampton’s essays from the 1960s to today which epitomize his reflections on the historical–theoretical entanglements of architecture with place, the public realm, cultural identity, urban landscape and environment, and the political question of the “predicament” of architecture in the new Millennium. The essays explore Frampton’s contention that architecture’s imperative is to assume a significant responsibility for the edification and stewardship of the Arendtian ‘public world.’ One of the most theoretically sophisticated and politically committed architectural thinkers, Frampton’s work breaks emphatically with the limits and norms of much contemporary practice and restores a sense of richness and social consequence of architecture’s ‘unfinished project,’ while offering abiding lessons not only for architecture but for social, cultural, and design criticism alike.