Miriam Wendling – författare

The varied career of Adam Easton (c.1330-1397) led him from Norwich Cathedral Priory to Oxford, Avignon and Rome. Not only a monk of the Benedictine Order, he was also a scholar, theologian, diplomat and cardinal, and his work reflects the breadth of this multifaceted background. This volume presents recent research on Easton's oeuvre, his diplomacy and the books that accompanied him on his travels. Amongst the works addressed in this volume are Easton's Defensorium ecclesiastice potestatis, his Defensorium Sanctae Birgittae and his Office for the Feast of the Visitation of the Virgin Mary. Further evidence is also offered on his testimony during the Great Schism, on the dating of his copy of De pauperie Salvatoris, while two reassessments are made of his likeness, including his sepulchral monument at S. Cecilia in Trastevere in Rome and the Lutterworth wall painting. Finally, a catalogue of Easton's important manuscript collection is also provided.

The varied career of Adam Easton (c.1330-1397) led him from Norwich Cathedral Priory to Oxford, Avignon and Rome. Not only a monk of the Benedictine Order, he was also a scholar, theologian, diplomat and cardinal, and his work reflects the breadth of this multifaceted background. This volume presents recent research on Easton's oeuvre, his diplomacy and the books that accompanied him on his travels. Amongst the works addressed in this volume are Easton's Defensorium ecclesiastice potestatis, his Defensorium Sanctae Birgittae and his Office for the Feast of the Visitation of the Virgin Mary. Further evidence is also offered on his testimony during the Great Schism, on the dating of his copy of De pauperie Salvatoris, while two reassessments are made of his likeness, including his sepulchral monument at S. Cecilia in Trastevere in Rome and the Lutterworth wall painting. Finally, a catalogue of Easton's important manuscript collection is also provided.

The varied career of Adam Easton (c.1330—1397) led him from Norwich Cathedral Priory to Oxford, Avignon and Rome. Not only a monk of the Benedictine Order, he was also a scholar, theologian, diplomat and cardinal, and his work reflects the breadth of this multifaceted background. This volume presents recent research on Easton's oeuvre, his diplomacy and the books that accompanied him on his travels. Amongst the works addressed in this volume are Easton's Defensorium ecclesiastice potestatis, his Defensorium Sanctae Birgittae and his Office for the Feast of the Visitation of the Virgin Mary. Further evidence is also offered on his testimony during the Great Schism, on the dating of his copy of De pauperie Salvatoris, while two reassessments are made of his likeness, including his sepulchral monument at S. Cecilia in Trastevere in Rome and the Lutterworth wall painting. Finally, a catalogue of Easton's important manuscript collection is also provided.

Death and grief have often elicited the response of creativity, from elegies and requiems to memorial architecture. Such artistic expressions of grief form the focus of Grief, Identity, and the Arts, which brings together scholars from the disciplines of musicology, literature, sociology, film studies, social work, and museum studies. While presenting one or more case studies from a range of artistic disciplines, historical periods, or geographical areas, each chapter addresses the interdependence of grief and identity in the arts. The volume as a whole shows how artistic expressions of grief are both influenced by and contribute to constructions of religious, national, familial, social, and artistic identities. Contributors to this volume: Tammy Clewell, Lizet Duyvendak, David Gist, Maryam Haiawi, Owen Hansen, Maggie Jackson, Christoph Jedan, Bram Lambrecht, Carlo Leo, Wolfgang Marx, Tijl Nuyts, Despoina Papastathi, Julia Płaczkiewicz, Bavjola Shatro, Caroline Supply, Nicolette van den Bogerd, Eric Venbrux, Janneke Weijermars, Miriam Wendling, and Mariske Westendorp.